Genocide and Settler Society


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" ...Often new, probing and rich examinations of the takeover of a continent by white Anglos and the long-term impact ...the book is replete with detailed and meticulously sourced information on the scope, scale and persistence of the cruelty and violence involved - actual and structural - over a 200-year period...there is a great deal in this excellent volume that demands grounds for deep reflection on how Australia came to be what it is." * Patterns of Prejudice "The value of this stimulating collection of historical essays is that it points to both the usefulness of a transnational framework for analysing race thinking and the necessity for close attention to the historical specificity of particular moments and places." * Australian Book Review "[This volume] is an outstanding collection, a challenging conversation between differing viewpoints where discussion is ongoing and cooperative." * Australian Historical Studies Colonial Genocide has been seen increasingly as a stepping-stone to the European genocides of the twentieth century, yet it remains an under-researched phenomenon.This volume reconstructs instances of Australian genocide and for the first time places them in a global context. Beginning with the arrival of the British in 1788 and extending to the 1960s, the authors identify the moments of radicalization and the escalation of British violence and ethnic engineering aimed at the Indigenous populations, while carefully distinguishing between local massacres, cultural genocide, and genocide itself. These essays reflect a growing concern with the nature of settler society in Australia and in particular with the fate of the tens of thousands of children who were forcibly taken away from their Aboriginal families by state agencies. A. Dirk Moses teaches European History and comparative genocide Studies at the University of Sydney, Australia. He is editing another volume in this series entitled Genocide and Colonialism.







International Bookbinder


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The Boy's Own Annual


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Broadsides and Bayonets


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Originally published in 1961, author Carl Berger has “attempted to encompass the story of propaganda and subversion in the American Revolutionary War. The archives and literature of the Revolution contain many intriguing references to “secret arts and machinations,” some relating to incidents familiar to us, others touching on events long forgotten. This book for the first time brings them together in a single narrative, examining their role and importance.”




A Modern Legionary


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Why Oh Why Couldn't You Have Burnt The Bloody Place Down?


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So after three and a half years you make it to Mons Officer Cadet School, including two years in a war, only to discover the terrorist who had tried to kill you with a grenade and who, you in return, had tried to shoot, ends up in the bed next to you! What do you do? Advice from the staff to check your bed for a grenade every night before you get into it doesn’t really help. Six months of brutality, tiredness, sleeplessness and absolute pressure follow with course attendees dropping like flies. A year at a boys’ regiment when he is persecuted for not burning down the Officers’ Club follows and his career ends at a tank depot where an insane ex-para has storemen and vehicle specialists pretending to be fit paras. And the final stress is to look after a full general who is a menace to wood and the main contributor to Elastoplast’s profit that year! Join our hero, Jack, in this the second of the trilogy and be ready for the third!




The World and All That It Holds


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The World and All That It Holds—in all its hilarious, heartbreaking, erotic, philosophical glory—showcases Aleksandar Hemon’s celebrated talent at its pinnacle. It is a grand, tender, sweeping story that spans decades and continents. It cements Hemon as one of the boldest voices in fiction. As Archduke Franz Ferdinand arrives in Sarajevo one June day in 1914, Rafael Pinto is busy crushing herbs and grinding tablets behind the counter at the pharmacy he inherited from his estimable father. It’s not quite the life he had expected during his poetry-filled student days in libertine Vienna, but it’s nothing a dash of laudanum from the high shelf, a summer stroll, and idle fantasies about passersby can’t put in perspective. And then the world explodes. In the trenches in Galicia, fantasies fall flat. Heroism gets a man killed quickly. War devours all that they have known, and the only thing Pinto has to live for are the attentions of Osman, a fellow soldier, a man of action to complement Pinto’s introspective, poetic soul; a charismatic storyteller; Pinto’s protector and lover. Together, Pinto and Osman will escape the trenches, survive near-certain death, tangle with spies and Bolsheviks. Over mountains and across deserts, from one world to another, all the way to Shanghai, it is Pinto’s love for Osman—with the occasional opiatic interlude—that keeps him going.