On Aristotle on Interpretation


Book Description

"Boethius (c.480-c.525) wrote his highly influential second commentary on Aristotle's On Interpretation in Latin, but using the style of the Greek commentaries on Aristotle. It was part of his project to bring knowledge of Plato and Aristotle to the Latin-speaking world of his fellow-Christians. The project was cruelly interrupted by his execution at the age of about 45, leaving the Latin world under-informed about Greek Philosophy for 700 years. Boethius reveals to us how On Interpretation was understood not only by himself, but also by some of the best Greek interpreters, especially Alexander and Porphyry. Alexander had insisted that its subject was composite thoughts, not composite sentences nor composite things - it is thoughts that are primarily true or false. Although Aristotle's first six chapters define name, verb, sentence, statement, affirmation and negation, Porphyry had claimed that Aristotelians believe in three types of name and verb, written, spoken and mental, in other words a language of the mind. Boethius discusses individuality and ascribes to Aristotle a view that each individual is distinguished by having a composite quality that is not merely unshared, but unshareable. Boethius also discusses why we can still say that the dead Homer is a poet, despite having forbidden us to say that the dead Socrates is either sick or well. But Boethius' most famous contribution is his interpretation of Aristotle's discussion of the threat of that tomorrow's events, for example a sea battle, will have been irrevocable 10,000 years ago, if it was true 10,000 years ago that there would be a sea battle on that day. In Boethius' later Consolation of Philosophy, written in prison awaiting execution, he offered a seminal conception of eternity to solve the related problem of future events being irrevocable because of God's foreknowledge of them."--Bloomsbury Publishing.




Boethius: On Aristotle On Interpretation 1-3


Book Description

Boethius (c. 480-c. 525) wrote his highly influential second commentary on Aristotle's On Interpretation in Latin, but using the style of the Greek commentaries on Aristotle. It was part of his project to bring knowledge of Plato and Aristotle to the Latin-speaking world of his fellow Christians. The project was cruelly interrupted by his execution at the age of about 45, leaving the Latin world under-informed about Greek Philosophy for 700 years. Boethius reveals to us how On Interpretation was understood not only by himself, but also by some of the best Greek interpreters, especially Alexander and Porphyry. Alexander had insisted that its subject was composite thoughts, not composite sentences nor composite things - it is thoughts that are primarily true or false. Although Aristotle's first six chapters define name, verb, sentence, statement, affirmation and negation, Porphyry had claimed that Aristotelians believe in three types of name and verb, written, spoken and mental, in other words a language of the mind. Boethius discusses individuality and ascribes to Aristotle a view that each individual is distinguished by having a composite quality that is not merely unshared, but unshareable. Boethius also discusses why we can still say that the dead Homer is a poet, despite having forbidden us to say that the dead Socrates is either sick or well. But Boethius' most famous contribution is his interpretation of Aristotle's discussion of the threat of that tomorrow's events, for example a sea battle, will have been irrevocable 10,000 years ago, if it was true 10,000 years ago that there would be a sea battle on that day. In Boethius' later "Consolation of Philosophy", written in prison awaiting execution, he offered a seminal conception of eternity to solve the related problem of future events being irrevocable because of God's foreknowledge of them.




Boethius: On Aristotle On Interpretation 1-3


Book Description

Boethius (c.480-c.525) wrote his highly influential second commentary on Aristotle's On Interpretation in Latin, but using the style of the Greek commentaries on Aristotle. It was part of his project to bring knowledge of Plato and Aristotle to the Latin-speaking world of his fellow Christians. The project was cruelly interrupted by his execution at the age of about 45, leaving the Latin world under-informed about Greek Philosophy for 700 years. Boethius reveals to us how On Interpretation was understood not only by himself, but also by some of the best Greek interpreters, especially Alexander and Porphyry. Alexander had insisted that its subject was composite thoughts, not composite sentences nor composite things - it is thoughts that are primarily true or false. Although Aristotle's first six chapters define name, verb, sentence, statement, affirmation and negation, Porphyry had claimed that Aristotelians believe in three types of name and verb, written, spoken and mental, in other words a language of the mind. Boethius discusses individuality and ascribes to Aristotle a view that each individual is distinguished by having a composite quality that is not merely unshared, but unshareable. Boethius also discusses why we can still say that the dead Homer is a poet, despite having forbidden us to say that the dead Socrates is either sick or well. But Boethius' most famous contribution is his interpretation of Aristotle's discussion of the threat of that tomorrow's events, for example a sea battle, will have been irrevocable 10,000 years ago, if it was true 10,000 years ago that there would be a sea battle on that day. In Boethius' later Consolation of Philosophy, written in prison awaiting execution, he offered a seminal conception of eternity to solve the related problem of future events being irrevocable because of God's foreknowledge of them. Boethius' influential commentary was part of his ideal of bringing Plato and Aristotle to the Latin-speaking world. Throughout the Latin Middle Ages, it remained the standard introduction to On Interpretation. This volume contains the first English translation of Boethius' commentary, as well as a detailed introduction, notes and bibliography.




Boethius: On Aristotle on Interpretation 4-6


Book Description

Boethius (c. 480-c. 525) was a Christian philosopher and author of many translations and works of philosophy, most famously the Consolations of Philosophy which were probably written when he was under house arrest, having been accused of treason by King Theoderic the Great. He was subsequently executed. On Interpretation is the second part of the Organon, as Aristotle's collected works on logic are known; it deals comprehensively and systematically with the relationship between logic and language. In his first six chapters, Aristotle defines name, verb, sentence, statement, affirmation and negation. Boethius preserves lost interpretations by two of the greatest earlier interpreters, Alexander and Porphyry, and the defence of the work's authenticity against criticism. He records the idea of Porphyry that Aristotelians believe in three types of name and verb, written, spoken and mental, in other words a language of the mind. Boethius' commentary formed part of his project to bring knowledge of Plato and Aristotle to the Latin-speaking world. It had great influence, remaining the standard introduction to On Interpretation throughout the Latin Middle Ages.




On Aristotle On Interpretation


Book Description

The Ancient Commentators on Aristotle.




Ars Notoria: The Notory Art of Solomon


Book Description

A new translation of the classic magical text from the original Latin • Learn how medieval magicians conducted the rituals of angelic magic for quickly learning scholastic knowledge by means of prayers and figures • Provides a complete translation of Ars Notoria, both the short and long versions based on Julien Veronese’s critical Latin edition • Includes the first translation of The Work of Works (Opus Operum), The Short Art (Ars Brevis), the abridged version attributed to Thomas of Toledo, and The Pauline Art (Ars Paulina) • Presents all of the original figures (notae), essential for inspection during ritual The magical treatise Ars Notoria offers a secret account of how King Solomon gained his famed wisdom and learning through sacred magic, revealed to him by the angel Pamphilius, thereby expanding upon the biblical narrative of Solomon’s vision from God. Solomon’s magical writings were transmitted to the first-century philosopher Apollonius of Tyana, who provided a commentary titled Flores Aurei (Golden Flowers) that is contained within Ars Notoria. Ars Notoria first appeared in the 13th century, when its prayers and techniques for rapidly acquiring the seven liberal arts—grammar, logic, rhetoric, arithmetic, music, geometry, and astronomy— made it the earliest representation of European angel magic. The text presents a complete system of magic consisting of prayers addressed to angels, using figures called notae, for the purpose of gaining scholastic and heavenly knowledge. Due to its rising popularity among university students, the magical ritual was reworked time and again, producing five treatises dating from the 13th to 15th centuries—Opus Operum (Work of Works), Liber Florum Celestis Doctrine (Book of Flowers of Heavenly Teaching) composed by John of Morigny, Ars Brevis (Short Art), Ars Abbreviata (an abridged version attributed to Thomas of Toledo), and Ars Paulina (Pauline Art [of the Seven Figures])—thereby establishing an entire notorial art tradition. In this new and complete translation of Ars Notoria, based on Julien Véronèse’s critical Latin edition, translator Matthias Castle presents—for the first time in English—the complete classic magical text, both short and long versions, including four of the later treatises. Castle explains how these theurgic ritual practices were performed, giving special attention to all the original pictorial figures (notae), and how the art of memory relates to angelic magic. Providing practical instruction, extensive commentary, and in-depth background research and annotations, Ars Notoria: The Notory Art of Solomon is an essential sourcebook on angelic magic for scholars and magicians alike.







Sourcebook in the History of Philosophy of Language


Book Description

For the first time in English, this anthology offers a comprehensive selection of primary sources in the history of philosophy of language. Beginning with a detailed introduction contextualizing the subject, the editors draw out recurring themes, including the origin of language, the role of nature and convention in fixing form and meaning, language acquisition, ideal languages, varieties of meanings, language as a tool, and the nexus of language and thought, linking them to representative texts. The handbook moves on to offer seminal contributions from philosophers ranging from the pre-Socratics up to John Stuart Mill, preceding each major historical section with its own introductory assessment. With all of the most relevant primary texts on the philosophy of language included, covering well over two millennia, this judicious, and generous, selection of source material will be an indispensable research tool for historians of philosophy, as well as for philosophers of language, in the twenty-first century. A vital tool for researchers and contemporary philosophers, it will be a touchstone for much further research, with coverage of a long and varied tradition that will benefit today’s scholars and enhance their awareness of earlier contributions to the field. ​




The Cambridge Companion to Ancient Logic


Book Description

A state-of-the-art overview of ancient logic for students and scholars, with in-depth analyses of its central themes.




Signs in the Dust


Book Description

Modern thought is characterized by a dichotomy of meaningful culture and unmeaning nature. Signs in the Dust uses medieval semiotics to develop a new theory of nature and culture that resists this familiar picture of things. Through readings of Thomas Aquinas, Nicholas of Cusa, and John Poinsot (John of St. Thomas), it offers a semiotic analysis of human culture in both its anthropological breadth as an enterprise of creaturely sign-making, and its theological height as a finite participation in the Trinity, which can be understood as an absolute 'cultural nature'. Signs in the Dust then extends this account of human culture backwards into the natural depth of biological and physical nature. It puts the biosemiotics of its medieval sources, along with Félix Ravaisson's philosophy of habit, into dialogue with the Extended Evolutionary Synthesis that is emerging in contemporary biology, to show how all living things participate in semiosis, so that that a cultural dimension is present through the whole order of nature and the whole of natural history. It also retrieves Aquinas' doctrine of intentions in the medium to show how signification can be attributed in a diminished way to even inanimate nature, with the ontological implication that being as such should be reconceived in semiotic terms. The phenomena of human culture are therefore to be understood not as breaks with a meaningless nature, but instead as heightenings and deepenings of natural movements of meaning that long precede and far exceed us. Against the modern divorce of nature and culture, Signs in the Dust argues that culture is natural and nature is cultural, through and through.