Bond Villains


Book Description

Contains brief accounts of villains that have appeared in James Bond movies, and includes photographs and quotations from the films.




Lair: Radical Homes and Hideouts of Movie Villains


Book Description

Winner of the AIGA'S International Competition for Notable Graphic Design. “It’s both an architecture and movie fan’s dream.” - Los Angeles Times "Strikingly designed." - Publishers Weekly “Explores the cinematic tradition of antiheroes with architecturally significant private spaces." - Architectural Digest “A fascinating gift for that highbrow nerd in your life.” - Syfy Wire Why do bad guys live in good houses? From Atlantis in The Spy Who Loved Me to Nathan Bateman's ultra-modern abode in Ex Machina, big-screen villains often live in architectural splendor. From a design standpoint, the villain’s lair, as popularized in many of our favorite movies, is a stunning, sophisticated, envy-inducing expression of the warped drives and desires of its occupant. Lair: Radical Homes and Hideouts of Movie Villains, celebrates and considers several iconic villains’ lairs from recent film history. From futuristic fantasies to deathtrap-laden hives, from dwellings in space to those under the sea, pop culture and architecture join forces in these outlandish, primarily modern homes and in Lair, which features buildings from fifteen films, including: Dr. Strangelove Or: How I Learned to Stop Worrying and Love the Bomb Star Wars The Incredibles Blade Runner 2049 You Only Live Twice The Ghost Writer Body Double North by Northwest Edited by acclaimed architect Chad Oppenheim with Andrea Gollin, Lair includes interviews with production designers and other industry professionals such as Ralph Eggleston, Richard Donner, Roger Christian, David Scheunemann, Gregg Henry, and Mark Digby. Contributors include director Michael Mann, cultural critic Christopher Frayling, museum director Joseph Rosa, and architect Amy Murphy. Architectural illustrations and renderings by Carlos Fueyo provide multiple in-depth views of these spaces.




Bond Villains


Book Description

Meet the Bond villains; the evil geniuses, the henchmen and the masterplannners. Celebrating the timeless excitement of the James Bond films, this luxurious, contemporary book features a gallery of memorable rogues that Bond has defeated during his spectacular 22-film career, including Dr. No, Goldfinger, Ernst Stavro Blofeld, as well as the murderous agents of SPECTRE and, more recently, Quantum. Full of spectacular movie images and enhanced with memorable script quotations, Bond Villainscovers a major aspect of the Bond legend and is a perfect gift for any Bond fan.




The Sister Who Ate Her Brothers: And Other Gruesome Tales


Book Description

Jen Campbell's collection of terrifyingly gruesome tales lends a modern edge to fairy tale collections for young readers. Drawing on her extensive knowledge of fairy tale history, Campbell's stories undo the censoring, gender stereotyping and twee endings of more modern children's fairy tales, to return both classic and little-known stories to their grim versions, whilst celebrating a diverse range of characters. Featuring 14 short stories from around the globe, The Sister Who Ate Her Brothers is illustrated in a contemporary style by Canadian comic artist Adam de Souza. De Souza's brooding illustrations are a highly original blend of 19th-century Gothic engravings and moody film noir graphic novels. Beautifully produced in a hardback format with a rose gold ribbon marker, The Sister Who Ate Her Brothers is a truly thrilling gift.




James Bond and Philosophy


Book Description

“Bond. James Bond.” Since Sean Connery first uttered that iconic phrase in Dr. No, more than one quarter of the world’s population has seen a 007 film. Witty and urbane, Bond seduces and kills with equal ease — often, it seems, with equal enthusiasm. This enthusiasm, coupled with his freedom to do what is forbidden to everyone else, evokes fascinating philosophical questions. Here, 15 witty, thought-provoking essays discuss hidden issues in Bond’s world, from his carnal pleasures to his license to kill. Among the lively topics explored are Bond’s relation to existentialism, including his graduation “beyond good and evil”; his objectification of women; the paradox of breaking the law in order to ultimately uphold it like any “stupid policeman”; the personality of 007 in terms of Plato’s moral psychology; and the Hegelian quest for recognition evinced by Bond villains. A reference guide to all the Bond movies rounds out the book’s many pleasures.




The Wit and Wisdom of James Bond


Book Description

The most memorable dialogue and witty one-liners from all 25 official James Bond films, quoting 007, M, Q, Moneypenny, Bond villains and more! “Bond. James Bond.” The iconic line from James Bond’s first big-screen scene has been endlessly quoted and imitated since, and the memorable dialogue and witty one-liners stand alongside the glamorous locations, breath-taking stunts and creative gadgets as one of the many reasons the films are so beloved the world over. The Wit & Wisdom of James Bond includes the very best quotes, quips and pearls of wisdom from all 25 films. From “Shocking. Positively shocking,” to “Choose your next witticism carefully, Mr Bond. It may be your last,” (Goldfinger) this official book collects the greatest killer one-liners from the world’s most famous “licensed troubleshooter”, as well as M, Q, Moneypenny, Bond villains and more.




The Spy who Thrilled Us


Book Description

(Limelight). Of the 19 James Bond movies released so far, which, considering everything, is the best? Which of the villains 007 has confronted was the nastiest? With which of his women did he have the sexiest encounters? These and scores of other such vital questions are answered by Bond's ultimate fan, Michael Di Leo, in The Spy Who Thrilled Us . Other fans and they number in the millions may disagree with his choices, but they will surely be eager to match wits with him.




The Science of James Bond


Book Description

Spy-Fi Culture with a License to Kill From Sean Connery to Daniel Craig, James Bond is the highest-grossing movie franchise of all time. Out-grossing Star Wars, Harry Potter, and the Marvel Cinematic Universe, the world’s most iconic and international secret agent has a shelf life of almost six decades, from Dr. No to Spectre. As nuclear missile threats are replaced by a series of subtler threats in a globalized and digital world, Bond is with us still. In The Science of James Bond, we recognize the Bond franchise as a unique genre: spy-fi. A genre of film and fiction that fuses spy fiction with science fiction. We look at Bond’s obsessions with super-villains, the future, and world domination or destruction. And we take a peek under the hood of trends in science and tech, often in the form of gadgets and spy devices in chapters such as: Goldfinger: Man Has Achieved Miracles in All Fields but Crime! You Only Live Twice: The Race to Conquer Space Live and Let Die: Full Throttle: Bond and the Car Skyfall: The Science of Cyberterrorism And more! This is the only James Bond companion that looks at the film and fiction in such a spy-fi way, taking in weapon wizards, the chemistry of death, threads of nuclear paranoia, and Bond baddies’ obsession with the master race!




Bond Girls


Book Description

Since Ursula Andress's white-bikini debut in Dr No, 'Bond Girls' have been simultaneously celebrated as fashion icons and dismissed as 'eye-candy'. But the visual glamour of the women of James Bond reveals more than the sexual objectification of female beauty. Through the original joint perspectives of body and fashion, this exciting study throws a new, subversive light on Bond Girls. Like Coco Chanel, fashion's 'eternal' mademoiselle, these 'Girls' are synonymous with an unconventional and dynamic femininity that does not play by the rules and refuses to sit still; far from being the passive objects of the male gaze, Bond Girls' active bodies instead disrupt the stable frame of Bond's voyeurism. Starting off with an original re-assessment of the cultural roots of Bond's postwar masculinity, the book argues that Bond Girls emerge from masculine anxieties about the rise of female emancipation after the Second World War and persistent in the present day. Displaying parallels with the politics of race and colonialism, such tensions appear through sartorial practices as diverse as exoticism, power dressing and fetish wear, which reveal complex and often contradictory ideas about the patriarchal and imperial ideologies associated with Bond. Attention to costume, film and gender theory makes Bond Girls: Body, Gender and Fashion essential reading for students and scholars of fashion, media and cultural studies, and for anyone with an interest in Bond.




Symbolizing America


Book Description

Anthropologists since Franz Boas and Margaret Mead have traditionally gone off to study ?primitive? cultures. This collection of original essays breaks new ground in showing how anthropological theories and techniques can be applied to the culture of contemporary middle-class Americans. ø InSymbolizing America, ten well-known anthropologists pursue self and identity as cultural rather than psychological matters. Looking homeward, they ask ?What Is American about America?? ?How do we know?? and ?What difference does it make?? They analyze such aspects of American culture as advertising, mass-audience movies, patriotic and ethnic parades, church minutes, college parties, greetings, and the dilemmas of adolescent sexuality. Concerned with familiar interactions, they arrive at new insight into the experience of daily life in America. ø In their symbolic and semiotic approaches, the authors express the variety yet surprising unity of a dynamic American culture. Chapters include ?Creating America,? ?Doing the Anthropology of America,? and ??Drop in Anytime?: Community and Authenticity in American Everyday Life? by the editor, Hervä Varenne, Teachers College, Columbia University; ?Freedom to Choose: Symbols and Values in American Advertising? by William O. Beeman, Brown University; ?The story of [James] Bond? by Lee Drummond, McGill University; ?The Melting Pot: Symbolic Ritual or Total Social Fact?? by Milton Singer, University of Chicago; ?The Los Angeles Jews ?Walk for Solidarity?: Parade, Festival, Pilgrimage? by Barbara Myerhoff and Stephen Mongulla, University of Southern California; ?History, Faith, and Avoidance? by Carol Greenhouse, Cornell University; ?The Discourse of the Dorm: Race, Friendship, and ?Culture? among College Youth? by Michael Moffatt, Rutgers University; ?Why a ?Slut? is a ?Slut?: Cautionary Tales of American Middle-Class Teenage Girls? Morality? by Joyce Canaan, Centre for Contemporary Cultural Studies; and an epilogue, ?on the Anthropology of America,? by John Caughey, University of Maryland.