Bonfires & Other Vigils


Book Description

Any event can be a vigil: a walk by a river, a flu shot at Walgreens, an hour spent by a bird feeder attracting mostly cardinals. A vigil means you are keeping watch, and these poems are watching the world around them—and the worlds beneath those worlds, too. The poems in this collection pull from dreams and apparitions as much as they do reality: a woman in a house, a coffee mug, a book of matches, a load of unfolded laundry, a goldfish won at a county fair. All is fair game. Bonfires & Other Vigils celebrates the watching in unconventional ways. Readers can expect to revel in the elusive wonder of haziness, otherworldliness, and wildness of examining life through lenses of vigilant dreaming.










Sharpe's London Magazine


Book Description







Delphi Complete Works of Hans Holbein the Younger (Illustrated)


Book Description

Hans Holbein the Younger, a Northern Renaissance master generally regarded as one of the greatest portraitists of art history, came from a family of prominent artists. His stunning portraits are renowned for their unprecedented naturalism and precise draughtsmanship. Holbein’s most enduring achievement is his record of the court of King Henry VIII, which we continue to view through his eyes and unique mode of expression. The influence of his work on the course of English portraiture is immeasurable, as he created a portrait type that elevated the status of English portraiture to a European level for the first time. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents Holbein’s complete works in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete paintings of Hans Holbein – over 150 images, fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare and contested works * Features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore Holbein’s celebrated works in detail, as featured in traditional art books * Hundreds of images in colour – highly recommended for viewing on tablets and smartphones or as a valuable reference tool on more conventional eReaders * Special chronological and alphabetical contents tables for the paintings * Easily locate the artworks you wish to view * Includes Holbein’s drawings – explore the artist’s varied works * Features three bonus biographies, including Chamberlain’s seminal study – discover Holbein's artistic and personal life Please visit www.delphiclassics.com to browse through our range of exciting e-Art books CONTENTS: The Highlights Portrait of Jakob Meyer (1516) Portrait of Bonifacius Amerbach (1519) The Body of the Dead Christ in the Tomb (1522) Portrait of Erasmus (1523) The Passion of Christ (1524) Meyer Madonna (1526) Lais of Corinth (1526) Portrait of Sir Thomas More (1527) Portrait of the Artist’s Family (1529) Portrait of Georg Gisze of Danzig (1532) The Ambassadors (1533) Portrait of Thomas Cromwell (c. 1533) Portrait of Sir Richard Southwell (1536) Portrait of Henry VIII (1536) Portrait of Jane Seymour (1537) Portrait of Anne of Cleeves (1539) Portrait of an Unknown Lady (1541) Self Portrait (1543) The Paintings The Complete Paintings Alphabetical List of Paintings The Drawings List of Drawings The Biographies Brief Biography of Hans Holbein (1900) by Lionel Henry Cust Hans Holbein (1902) by Arthur B. Chamberlain Holbein (1904) by Beatrice Fortescue Please visit www.delphiclassics.com to browse through our range of exciting titles or to buy the whole Art series as a Super Set







London


Book Description







Bonfire of the Verities


Book Description

Res ipsa loquitor—the thing speaks for itself—as the lawyers say. But does it? Not in Michael Lieberman’s new book of poems, Bonfire of the Verities. What speaks here is doubt and the commitment to cast aside the apparent truths we all accumulate. Those verities are what are tossed onto Lieberman's bonfire: It is here I heap the platitudes I cannot keep. He grounds his struggle precisely: The coordinates of the country of doubt are 29º, 45’ N / 95º, 21’ W, which are those of Houston, his adopted city. It is an unusual poet who is willing to pare away belief and accept that truths—received or earned—must be discarded as we face the unknowable mystery. In the end what Lieberman wrests from the void is the recognition that there is no ultimate choice but dissolution: This fire burns in me— it cannot set me free it leaves me ash, not tree. And yet ash is both residue and tree, offering the possibility that dissolution is a kind of redemption.