Richelieu


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Catalogue des objets d'art et d'ameublement des XVIe, XVIIe et XVIIIe siècles, faïences italiennes, de Bernard Palissy et autres., précieuse salière en faience de Saint Porchaire, sculptures en marbre, en terre cuite, en bois et en ivoire, cheminmée monumentale en pierre, porcelaines de Sèvres, de Saxe, de Chine et du Japon, vitraux, orfèvrerie, matières précieuses, quelques tabelaux anciens, bronzes d'art et d'ameublement, magnifique mobilier en tapisserie de Beauvais, meubles en bois sculpté du XVIe siècle, tapisseries remarquables des Gobelins et de Beauvais, panneaux d ela savonnerie, meubles et tentures en tapisserie au point, beaux lustres en cristal de roche, meubles dépendant de la succession de Mme d'Yvon


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Rethinking Boucher


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"Unequivocally a modern, Francois Boucher (1703-70) defined the French artistic avant-garde throughout his career. Yet the triumph of modernist aesthetics - with its focus on the self-critical, the autonomous, and the intellectually challenging - has long discouraged art historians and other viewers from taking Boucher's playful and alluring works seriously. Rethinking Boucher revisits the cultural meanings and reception of his diverse oeuvre, inviting us to revise the interpretive cliches by which we have sought to tame this artist and his epoch."--BOOK JACKET.




The J. Paul Getty Museum


Book Description

This revised and updated J. Paul Getty Museum Handbook of the Collections includes many major objects that recently have been added to the collections, as well as the more familiar masterpieces frequent visitors have become acquainted with over the years from the antiquities, drawings, manuscripts, paintings, photographs, and sculpture and decorative arts holdings. Among the notable new accessions is a major collection of modern and contemporary sculpture, a 2005 gift from the Fran and Ray Stark Trust. Moreover, the new edition of the Handbook marks the historic moment at which the Museum commences operating on two sites simultaneously--the dazzling Getty Center on a hilltop in Brentwood and the magnificently reimagined Getty Villa in Malibu, devoted to Western antiquities. Readers who have not been among the millions of visitors to the two sites will find this Handbook an inducement for paying a visit; for those who have seen the collections, it will help them recall the experience and enrich their recollection.




Architectural Space in Eighteenth-Century Europe


Book Description

Architectural Space in Eighteenth-Century Europe: Constructing Identities and Interiors explores how a diverse, pan-European group of eighteenth-century patrons - among them bankers, bishops, bluestockings, and courtesans - used architectural space and décor to shape and express identity. Eighteenth-century European architects understood the client's instrumental role in giving form and meaning to architectural space. In a treatise published in 1745, the French architect Germain Boffrand determined that a visitor could "judge the character of the master for whom the house was built by the way in which it is planned, decorated and distributed." This interdisciplinary volume addresses two key interests of contemporary historians working in a range of disciplines: one, the broad question of identity formation, most notably as it relates to ideas of gender, class, and ethnicity; and two, the role played by different spatial environments in the production - not merely the reflection - of identity at defining historical and cultural moments. By combining contemporary critical analysis with a historically specific approach, the book's contributors situate ideas of space and the self within the visual and material remains of interiors in eighteenth-century Europe. In doing so, they offer compelling new insight not only into this historical period, but also into our own.




Furnishing the Eighteenth Century


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Catalogue des objets d'art, de curiosité et d'ameublement, tableaux de différentes écoles, importante composition par Alexandre Hesse, dessins anciens par : Barbiéri, Lalive, Pillement, etc., porcelaines et faïences, Paris, Chantilly, Chine, Compagnie des Indes, etc., bois et ivoires sculptés, argenterie et métal, objets de vitrine, objets variés, parure en or et mosaïque provenant de la vente des diamants de la Couronne, bronzes, pendules, meubles anciens des XVIIe et XVIIIe siècles en marqueterie et bronzes, mobilier de salon Louis XVI, couvert de tapisserie d'Aubusson, autres salons Louis XVI et Directoire, chambre à coucher de la Restauration, commodes, secrétaires, meubles d'appui, bureaux, lits Directoire, berceau Empire, tables et sièges divers, etc., suite de trois belles tapisseries des Flandres de la fin du XVIe siècle, autres tapisseries anciennes des Flandres, d'Aubusson et de Felletin, tapis d'Aubusson


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Cannibalismes disciplinaires


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Ce volume est issu du colloque "Histoire de l'art et anthropologie" qui s'est tenu du 21 au 23 juin 2007