Lost Architecture of the Rio Grande Borderlands


Book Description

Mexican settlers first came to the valley of the Rio Grande to establish their ranchos in the 1750s. Two centuries later the Great River, dammed in an international effort by the U.S. and Mexican governments to provide flood control and a more dependable water supply, inundated twelve settlements that had been built there. Under the waters of the new Falcón Reservoir lay homes, businesses, churches, and cemeteries abandoned by residents on both sides of the river when the floods of 1953 filled the 115,000-acre area two years ahead of schedule. The Smithsonian Institution, the National Park Service, and the University of Texas at Austin conducted an initial survey of the communities lost to the Falcón Reservoir, but these studies were never completed or fully reported. When architect W. Eugene George came to the area in the 1960s, he found a way of life waiting to be preserved in words, photographs, and drawings. Two subsequent recessions of the reservoir—in 1983–86 and again in 1996–98—gave George new access to one of the settlements, Guerrero Viejo in Mexico. Unfortunately, the receding lake waters also made the village accessible to looters. George’s work, then, was crucial in documenting the indigenous architecture of these villages, both as it existed prior to the flooding and as it remained before it was despoiled by vandals’ hands. Lost Architecture of the Rio Grande Borderlands combines George’s original 1975 Texas Historical Commission report with the information he gleaned during the two low-water periods. This handsome, extended photographic essay casts new light on the architecture and lives of the people of the Texas-Mexico borderlands.




Building the Borderlands


Book Description

Cotton, crucial to the economy of the American South, has also played a vital role in the making of the Mexican north. The Lower Río Bravo (Rio Grande) Valley irrigation zone on the border with Texas in northern Tamaulipas, Mexico, was the centerpiece of the Cárdenas government’s effort to make cotton the basis of the national economy. This irrigation district, built and settled by Mexican Americans repatriated from Texas, was a central feature of Mexico’s effort to control and use the waters of the international river for irrigated agriculture. Drawing on previously unexplored archival sources, Casey Walsh discusses the relations among various groups comprising the “social field” of cotton production in the borderlands. By describing the complex relationships among these groups, Walsh contributes to a clearer understanding of capitalism and the state, of transnational economic forces, of agricultural and water issues in the U.S.-Mexican borderlands, and of the environmental impacts of economic development. Building the Borderlands crosses a number of disciplinary, thematic, and regional frontiers, integrating perspectives and literature from the United States and Mexico, from anthropology and history, and from political, economic, and cultural studies. Walsh’s important transnational study will enjoy a wide audience among scholars of Latin American and Western U.S. history, the borderlands, and environmental and agricultural history, as well as anthropologists and others interested in the environment and water rights.




Master Builder of the Lower Rio Grande


Book Description

"In 1865, Heinrich Portscheller immigrated to Mexico from his native Germany, perhaps motivated by a desire to avoid compulsory military service in the Austro-Prussian War. The scion of a well-known family of masons and master builders, he had the misfortune to disembark at Veracruz during the Franco-Mexican War. Portscheller and his traveling companion were impressed into the imperialist forces and sent to northern Mexico. Sometime following the Battle of Santa Gertrudis in1866, Portscheller deserted the army and eventually made a place for himself in Roma, a small town in Starr County, Texas. Over the next decades, Portscheller acquired a reputation as a master builder and architect. He brought to the lower Rio Grande Valley his long heritage of Old World building knowledge and skills and integrated them with the practices of local Mexican construction and vernacular architecture. However, despite his many contributions to the distinctive architecture of Roma and surrounding places, by the mid-twentieth century he was largely forgotten. During nearly fifty years of historical sleuthing in South Texas and Germany, W. Eugene George reconstructed many of the details of the life and career of this important South Texas craftsman. Containing editorial contributions by Mary Carolyn Hollers George and featuring a foreword by Maria Eugenia Guerra and a concluding assessment by noted architectural historian Stephen Fox, Master Builder of the Lower Rio Grande: Heinrich Portscheller at last permits a long-overdue appreciation of the legacy of this influential architect and builder of the Texas-Mexico borderlands."--Provided by publisher.




Prairie Time


Book Description

Matt White's connections with both prairie plants and prairie people are evident in the stories of discovery and inspiration he tells as he tracks the ever dwindling parcels of tallgrass prairie in northeast Texas. In his search, he stumbles upon some unexpected fragments of virgin land, as well as some remarkable tales of both destruction and stewardship.




Capturing Nature


Book Description

Mexican-born artisan Dionicio Rodríguez created imaginative outdoor sculptures of reinforced concrete that imitated the natural forms and textures of trees and rocks. He worked in eight different states from 1924 through the early 1950s but spent much of his early career in San Antonio, where sites such as the bus stop on Broadway and the faux bois bridge in Brackenridge Park have become landmarks. Those who appreciate landscape art and Texas and Southwestern art will welcome this book and its long-overdue appreciation of this artist




All the Houses Were Painted White


Book Description

Many of the historic houses in and around the town of Victoria, Texas, were built between 1875 and 1910 by immigrant owners. From 1973 to 1975, with the support of a grant from the National Endowment for the Arts, Rick Gardner traveled throughout the region, taking photographs of these historic homes. Gardner relied on his own instincts and guidance from knowledgeable locals as to where he should aim his lens. This book is an appreciative glimpse at what these vernacular houses looked like a century after their construction. Gardner has teamed up with Victoria historian and preservationist Gary Dunnam to present these rich images along with brief historical sketches of the houses and, where possible, the persons who occupied them when they were newly constructed. The result is an understated and elegant suggestion of what life may have been like for the merchants, bankers, agriculturalists, and others who built and lived in these homes during the late nineteenth and early twentieth centuries. Designed to appeal to those with a love for old houses and especially for the preservation of historic structures, All the Houses Were Painted White offers its readers a stately appreciation of these homes and their place in the South Texas landscape. It is also a tribute to the architects, owners, and anonymous craftspeople who built the houses—to their vision, skill, ingenuity, imagination, creativity, and endurance.




Make Thrift Mend


Book Description

Slow fashion influencer Katrina Rodabaugh, bestselling author of Mending Matters, teaches readers how to mend, patch, dye, and alter clothing for an environmentally conscious, reimagined wardrobe Slow fashion influencer Katrina Rodabaugh follows her bestselling book, Mending Matters, with a comprehensive guide to building (and keeping) a wardrobe that matters. Whether you want to repair your go-to jeans, refresh a favorite garment, alter or dye clothing you already have—this book has all the know-how you’ll need. Woven throughout are stories, essays, and a slow fashion call-to-action, encouraging readers to get involved or deepen their commitment to changing the destructive habit of overconsumption. Rodabaugh has an engaged community (her kits are in high demand and her classes sell out quickly) and a proven ability to tempt sewists and nonsewists alike to take up needle and thread.




Tectonics


Book Description

Deformation of the Earth’s crust happens at a multitude of scales, ranging from submicroscopic to planetary. Tectonics explores structures and processes from regional to global, differentiating itself from the material covered in most structural geology textbooks. Moores and Twiss emphasize basic principles and methodologies of tectonics, embracing the time-honored perspective of using present processes to understand the past. Comprehensive in scope and detail, coverage includes the effects of plate motions and reconstructions and the resultant structures associated with active rift, transform, and subduction boundaries as well as triple junctions and collision zones; deformations of both the ocean basins and the continents; and orogenic belts. Moores and Twiss present tectonics as an open-ended field of study in which assumptions can be challenged and interpretations changed. The authors emphasize the use of models as a means of understanding observations and putting them in context to maintain a distinction between what we know from observing the Earth and what we infer from interpretation.




To Life!


Book Description

This title documents the burgeoning eco art movement from A to Z, presenting a panorama of artistic responses to environmental concerns, from Ant Farms anti-consumer antics in the 1970s to Marina Zurkows 2007 animation that anticipates the havoc wreaked upon the planet by global warming.




Architecture for the Poor


Book Description

Architecture for the Poor describes Hassan Fathy's plan for building the village of New Gourna, near Luxor, Egypt, without the use of more modern and expensive materials such as steel and concrete. Using mud bricks, the native technique that Fathy learned in Nubia, and such traditional Egyptian architectural designs as enclosed courtyards and vaulted roofing, Fathy worked with the villagers to tailor his designs to their needs. He taught them how to work with the bricks, supervised the erection of the buildings, and encouraged the revival of such ancient crafts as claustra (lattice designs in the mudwork) to adorn the buildings.