Books-in-Brief: Anthropomorphic Depictions of God


Book Description

This monumental study examines issues of anthropomorphism in the three Abrahamic Faiths, as viewed through the texts of the Hebrew Bible, the New Testament and the Qur’an. Throughout history Christianity and Judaism have tried to make sense of God. While juxtaposing the Islamic position against this, the author addresses the Judeo-Christian worldview and how each has chosen to framework its encounter with God, to what extent this has been the result of actual scripture and to what extent the product of theological debate, or church decrees of later centuries and absorption of Hellenistic philosophy. Shah also examines Islam’s heavily anti-anthropomorphic stance and Islamic theological discourse on Tawhid as well as the Ninety-Nine Names of God and what these have meant in relation to Muslim understanding of God and His attributes. Describing how these became the touchstone of Muslim discourse with Judaism and Christianity he critiques theological statements and perspectives that came to dilute if not counter strict monotheism. As secularism debates whether God is dead, the issue of anthropomorphism has become of immense importance. The quest for God, especially in this day and age, is partly one of intellectual longing. To Shah, anthropomorphic concepts and corporeal depictions of the Divine are perhaps among the leading factors of modern atheism. As such he ultimately draws the conclusion that the postmodern longing for God will not be quenched by pre-modern anthropomorphic and corporeal concepts of the Divine which have simply brought God down to this cosmos, with a precise historical function and a specified location, reducing the intellectual and spiritual force of what God is and represents, causing the soul to detract from a sense of the sacred and thereby belief in Him.




In the Eyes of God


Book Description

Throughout the Bible, divine interaction with humanity is portrayed in almost embarrassingly human terms. God sees, hears, thinks, feels, runs, rides chariots, laughs, wields weapons, gives birth, and even repents. Many of these descriptions, taken at face value, seem to run afoul of classical thought about God's qualities of divine simplicity, transcendence, omniscience, omnipotence, omnipresence, and, especially, immutability. Traditionally, such representations have been seen as accommodations to human intellectual and moral limitations. They allowed God to be more comprehensible but did not actually describe any real part of His character, being, or interaction with humanity. References to God seeing or hearing, for example, are not deemed to represent real acts, as God is all-knowing. This view is largely based on the Aristotelian conception of metaphors: they are rhetorical devices and should not be taken literally. Since the 1970s, our understanding of the ways in which metaphors convey meaning has become much more sophisticated. We are better able to unlock the function of human acts of God within the Bible. This book aims to explore the biblical metaphor of divine sight in Genesis and how current conceptions of metaphorical function can enrich our reading of the text and its theology.




God's Body


Book Description

Images of the body in ancient Near Eastern civilizations are radically different from body images today, which in turn creates significant consequences for our understanding of the biblical notion of God's human shape and the frequent and widespread misconceptions therein. Andreas Wagner illuminates such frequent and widespread misconceptions, and reveals the sometimes distant pictorial world of ancient body images. He contrasts these with contemporary models and makes the matter of the Old Testament concept of God's human form accessible and clear. Wagner begins by introducing readers to aspects of anthropomorphism, the study of body parts, and Israel's basic understanding of the human body. He then turns specifically to the body of God, analysing why and how certain body parts are emphasized or regularly employed in the biblical text when it tries to describe God. Wagner draws out the theological aspects of the ways in which God's body is described as well as considering the diverse range of ancient Near Eastern perspectives on God, and the ways in which ancient cultures constructed and understood deities. Wagner concludes by looking at how the depiction of God in the Old Testament fits with the concept of mankind made in God's image. Enhanced by over fifty illustrations, God's Body will lead the debate in biblical anthropomorphism for years to come.




Language for God in Patristic Tradition


Book Description

Mark Sheridan, an expert in early Christianity, explores how ancient Christian theologians interpreted Scripture in order to address the problem of attributing human characteristics and emotions to God.




God of All Things


Book Description

Abstract theology is overrated, for God can be found in even the most ordinary of things. Jesus used things like a lily, sparrow, and sheep to teach about the kingdom of God. And in the Old Testament, God repeatedly describes himself and his saving work in relation to physical things such as a rock, horn, or eagle. In God of All Things, pastor and author Andrew Wilson invites you to rediscover God in this way, too--through ordinary, everyday things. He explores the idea of a material world and presents a variety of created marvels that reveal the gospel in everyday life and fuel worship and joy in God--marvels like: Dust: the image of God Horns: the salvation of God Donkeys: the peace of God Water: the life of God Viruses: the problem of God Cities: the kingdom of God God of All Things will leave you with a deeper understanding of Scripture, the world you live in, and the God who made it all.




Forming God


Book Description

This volume examines divine anthropomorphism in the Hebrew Bible, a study characterized by disagreement and contradiction. Discussions of anthropomorphism in the Hebrew Bible are typically found in three areas of inquiry: ancient Israelite religion, as reflected by the compositions of the Pentateuch; comparisons with ancient Near Eastern religions; and comparison with ancient translation and interpretation of the Hebrew Bible. Contradictory arguments exist, both within each area of study and between them, about the intent of biblical writers, with respect to a theology of anthropomorphism. In this work, Knafl asserts that biblical studies has reached this impasse, largely due to its approach to the study of the phenomenon. The prevailing method has been to study divine anthropomorphism within an assumed framework of polemic and by associating it with a theological system. By contrast, Knafl analyzes divine anthropomorphism as a literary-contextual phenomenon and seeks to build a typology, from which secondary arguments regarding theology or history of religion may be built. This typology will provide scholars of biblical studies, history of religion, and (systematic) theology with a means of evaluating divine anthropomorphisms and their relation to human-divine interactions, as a biblical phenomenon.




Book on the Living God


Book Description

You should not read this book if you believe the teachings of your faith with heart and soul. You should not read this book if you have never doubted God. This book is written for all those who suffered bitter conflicts in themselves in their labours, never found Him.




Anthropomorphism in Islam


Book Description

Through a close, contextualized, and interdisciplinary reading in Hadith compilations, theological treatises, and historical sources, this book offers an evaluation and understanding of the traditionalistic endeavours to define anthropomorphism in the most crucial and indeed most formative period of Islamic thought.




The Bodies of God and the World of Ancient Israel


Book Description

Sommer utilizes a recovered ancient perception of divinity as having more than one body, fluid and unbounded selves.




Battling the Gods


Book Description

How new is atheism? Although adherents and opponents alike today present it as an invention of the European Enlightenment, when the forces of science and secularism broadly challenged those of faith, disbelief in the gods, in fact, originated in a far more remote past. In Battling the Gods, Tim Whitmarsh journeys into the ancient Mediterranean, a world almost unimaginably different from our own, to recover the stories and voices of those who first refused the divinities. Homer’s epic poems of human striving, journeying, and passion were ancient Greece’s only “sacred texts,” but no ancient Greek thought twice about questioning or mocking his stories of the gods. Priests were functionaries rather than sources of moral or cosmological wisdom. The absence of centralized religious authority made for an extraordinary variety of perspectives on sacred matters, from the devotional to the atheos, or “godless.” Whitmarsh explores this kaleidoscopic range of ideas about the gods, focusing on the colorful individuals who challenged their existence. Among these were some of the greatest ancient poets and philosophers and writers, as well as the less well known: Diagoras of Melos, perhaps the first self-professed atheist; Democritus, the first materialist; Socrates, executed for rejecting the gods of the Athenian state; Epicurus and his followers, who thought gods could not intervene in human affairs; the brilliantly mischievous satirist Lucian of Samosata. Before the revolutions of late antiquity, which saw the scriptural religions of Christianity and Islam enforced by imperial might, there were few constraints on belief. Everything changed, however, in the millennium between the appearance of the Homeric poems and Christianity’s establishment as Rome’s state religion in the fourth century AD. As successive Greco-Roman empires grew in size and complexity, and power was increasingly concentrated in central capitals, states sought to impose collective religious adherence, first to cults devoted to individual rulers, and ultimately to monotheism. In this new world, there was no room for outright disbelief: the label “atheist” was used now to demonize anyone who merely disagreed with the orthodoxy—and so it would remain for centuries. As the twenty-first century shapes up into a time of mass information, but also, paradoxically, of collective amnesia concerning the tangled histories of religions, Whitmarsh provides a bracing antidote to our assumptions about the roots of freethinking. By shining a light on atheism’s first thousand years, Battling the Gods offers a timely reminder that nonbelief has a wealth of tradition of its own, and, indeed, its own heroes.