50 Seasons a Stokie


Book Description

Read the history of each of Stoke City's 50 seasons, from Stan Matthew's homecoming in 1961 to our two historic visits to Wembley in 2011. Read about how this middle-aged, balding and slightly-built bloke came back to his home town club and breathed new life into it. Things - everything - changed from that moment. It's all in here - the players, the managers, the owners, the fashions, the TV programmes and the films we were watching, the music we were listening to, the changes to the Potteries and the wider world. And pies, oatcakes and lobby.




Our Dumb Animals


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Bootsie's Big '50s


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"Negro America's Favorite Cartoonist" That's what Langston Hughes called Ollie Harrington, whose cartoons and comic strips were a staple of America's Black newspapers for decades starting in the 1930s. In his single-panel series "Dark Laughter," Harrington brought out the vibrancy of Harlem life in its day, while serving some cutting looks at the politics of the time. At the heart of "Dark Laughter" is Bootsie, a cunning, conning, girl-chasing ne'er-do-well who is nonetheless beloved in his Harlem community... if often reluctantly. Bootsie is both the victim of the world's troubles and a frequent cause of them for others. Here's a collection of prime cartoons from the mid-1950s, drawn with the detailed joy that only Ol Harrington (who also worked as Oliver W. Harrington) could bring, finally available to a larger audience.




Hammer Complete


Book Description

Think you know everything there is to know about Hammer Films, the fabled "Studio that Dripped Blood?" The lowdown on all the imperishable classics of horror, like The Curse of Frankenstein, Horror of Dracula and The Devil Rides Out? What about the company's less blood-curdling back catalog? What about the musicals, comedies and travelogues, the fantasies and historical epics--not to mention the pirate adventures? This lavishly illustrated encyclopedia covers every Hammer film and television production in thorough detail, including budgets, shooting schedules, publicity and more, along with all the actors, supporting players, writers, directors, producers, composers and technicians. Packed with quotes, behind-the-scenes anecdotes, credit lists and production specifics, this all-inclusive reference work is the last word on this cherished cinematic institution.




The Publishers Weekly


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Double Take and Fade Away


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Forest and Stream


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Bootsie Barker Bites


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Seeing bully Bootsie Barker get her comuppance is guaranteed to make young readers smile. It's the worst when Bootsie Barker comes to my house. Bootsie's the one who pulls my hair and tears my books. She hates Charlene, my pet salamander. She says that I'm a turtle and she's a turtle-eating dinosaur. Uh-oh, I think I hear a car pulling up. That's her now! Eeek! "The colorful cartoon and wash drawings, filled with amusing detail, perfectly express the terroristic tactics and the narrator's frustration. When Bootsie is on a rampage, even the stuffed animals cover their eyes." --School Library Journal




Animals


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The Worst It Can Be Is A Disaster


Book Description

The Worst It Can Be is a Disaster is the autobiography of Braham Murray, founding director of the Royal Exchange Manchester which in 2006 celebrated its thirtieth anniversary. With a foreword by Sir Tom Courtenay. Born into a Jewish family, Braham Murray struggled against his parents' expectations that he should follow them into the world of commerce; instead he became at twenty-two the youngest artistic director in the country when he took over Century Theatre, a theatre company based in Manchester. Detailing his relationships and the theatrical successes and flops along the way, the narrative takes us through his early years with Century Theatre, with the 69 Theatre Company, and the birth of the Royal Exchange Manchester in the heart of Manchester in 1976. Twenty years later, the theatre rose from the ashes of the IRA bomb brilliantly opening a new production on time just ten days after the bomb had destroyed the city centre. The role and influence of the author's Jewish heritage and of his key collaborators - including Caspar Wrede and Michael Elliott - are explored in this illuminating and inspiring account of one of English theatre's great directors. 'Braham's passion is sometimes overwhelming, sometimes annoying but completely inspirational. It's his passion that the Royal Exchange has thrived on, and this book is full of his passion for the theatre.' Robert Lindsay