Border Fictions


Book Description

Border Fictions offers the first comparative analysis of multiethnic and transnational cultural representations about the United States' borders with Mexico and Canada. Blending textual analysis with theories of globalization and empire, Claudia Sadowski-Smith forges a new model of inter-American studies. Border Fictions places into dialogue a variety of hemispheric perspectives from Chicana/o, Asian American, American Indian, Latin American, and Canadian studies. Each chapter examines fiction that ranges widely, from celebrated authors such as Carlos Fuentes, Leslie Marmon Silko, and Alberto Ríos to writers whose contributions to border literature have not yet been fully appreciated, including Karen Tei Yamashita, Thomas King, Janette Turner Hospital, and emerging Chicana/o writers of the U.S.-Mexico border. Proposing a diverse and geographically expansive view of border and inter-American studies, Border Fictions links the work of these and numerous other authors to civil rights movements, environmental justice activism, struggles for land and border-crossing rights, as well as to anti-imperialist forms of nationalism in the United States' neighboring countries. The book forces us to take into account the ways in which shifts in the nature of global relations affect literary production, especially in its hemispheric manifestations.




Border Districts


Book Description

"[A] man moves from a capital city to a remote town in the border country, where he intends to spend the last years of his life. It is time, he thinks, to review the spoils of a lifetime of seeing, a lifetime of reading. Which sights, which people, which books, fictional characters, turns of phrase, and lines of verse will survive into the twilight? A dark-haired woman with a wistful expression? An ancestral house in the grasslands? The colors in translucent panes of glass, in marbles and goldfish and racing silks? Feeling an increasing urgency to put his mental landscape in order, the man sets to work cataloging this treasure, little knowing where his 'report' will lead and what secrets will be brought to light"--Amazon.com.




Border Fictions


Book Description

Border Fictions offers the first comparative analysis of multiethnic and transnational cultural representations about the United States' borders with Mexico and Canada. Blending textual analysis with theories of globalization and empire, Claudia Sadowski-Smith forges a new model of inter-American studies. Border Fictions places into dialogue a variety of hemispheric perspectives from Chicana/o, Asian American, American Indian, Latin American, and Canadian studies. Each chapter examines fiction that ranges widely, from celebrated authors such as Carlos Fuentes, Leslie Marmon Silko, and Alberto Rios to writers whose contributions to border literature have not yet been fully appreciated, including Karen Tei Yamashita, Thomas King, Janette Turner Hospital, and emerging Chicana/o writers of the U.S.-Mexico border. Proposing a diverse and geographically expansive view of border and inter-American studies, Border Fictions links the work of these and numerous other authors to civil rights movements, environmental justice activism, struggles for land and border-crossing rights, as well as to anti-imperialist forms of nationalism in the United States' neighboring countries. The book forces us to take into account the ways in which shifts in the nature of global relations affect literary production, especially in its hemispheric manifestations.




Beyond the Border


Book Description

A collection of 15 short stories by female, Latin American writers, including Isabel Allende and Luisa Valenzuela. Ranging across boundaries of geography and gender, the work covers such topics as incest, race, politics, sexual needs, love, old age, and child abuse.




Tears of the Trufflepig


Book Description

LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE. One of Tor.com's Best Books of 2019. "Readers of this breakout work [will leave] thrilled and disoriented in equal measure." --Sam Sacks, The Wall Street Journal One of The Daily Beast's Best Summer Beach Reads of 2019, one of Lit Hub and The Millions's Most Anticipated Books of 2019, one of Buzzfeed and Tor.com's Books to Read This Spring, and one of the Chicago Review of Books' Best New Books of May A parallel universe. South Texas. A third border wall might be erected between the United States and Mexico, narcotics are legal and there’s a new contraband on the market: filtered animals—species of animals brought back from extinction to amuse the very wealthy. Esteban Bellacosa has lived in the border town of MacArthur long enough to know to keep quiet and avoid the dangerous syndicates who make their money through trafficking. But his simple life gets complicated after a swashbuckling journalist invites him to an underground dinner at which filtered animals are served. Bellacosa soon finds himself in the middle of an increasingly perilous and surreal journey, in the course of which he encounters legends of the long-disappeared Aranaña Indian tribe and their object of worship: the mysterious Trufflepig, said to possess strange powers. Written with infectious verve, bold imagination, and oddball humor, Fernando A. Flores’s Tears of the Trufflepig is an absurdist take on life along the border, an ode to the myths of Mexican culture, and an introduction to a staggeringly smart new voice in American fiction.




Border


Book Description

“Remarkable: a book about borders that makes the reader feel sumptuously free.” —Peter Pomerantsev In this extraordinary work of narrative reportage, Kapka Kassabova returns to Bulgaria, from where she emigrated as a girl twenty-five years previously, to explore the border it shares with Turkey and Greece. When she was a child, the border zone was rumored to be an easier crossing point into the West than the Berlin Wall, and it swarmed with soldiers and spies. On holidays in the “Red Riviera” on the Black Sea, she remembers playing on the beach only miles from a bristling electrified fence whose barbs pointed inward toward the enemy: the citizens of the totalitarian regime. Kassabova discovers a place that has been shaped by successive forces of history: the Soviet and Ottoman empires, and, older still, myth and legend. Her exquisite portraits of fire walkers, smugglers, treasure hunters, botanists, and border guards populate the book. There are also the ragged men and women who have walked across Turkey from Syria and Iraq. But there seem to be nonhuman forces at work here too: This densely forested landscape is rich with curative springs and Thracian tombs, and the tug of the ancient world, of circular time and animism, is never far off. Border is a scintillating, immersive travel narrative that is also a shadow history of the Cold War, a sideways look at the migration crisis troubling Europe, and a deep, witchy descent into interior and exterior geographies.




The Border


Book Description

ONE OF THE MOST ACCLAIMED BOOKS OF THE YEAR Contains an excerpt from Don Winslow’s explosive new novel, City on Fire! NAMED A BEST BOOK OF THE YEAR BY Washington Post • NPR • Financial Times • The Guardian • Booklist • New Statesman • Daily Telegraph • Irish Times • Dallas Morning News • Sunday Times • New York Post "A big, sprawling, ultimately stunning crime tableau." – Janet Maslin, New York Times "You can't ask for more emotionally moving entertainment." – Stephen King "One of the best thriller writers on the planet." – Esquire The explosive, highly anticipated conclusion to the epic Cartel trilogy from the New York Times bestselling author of The Force What do you do when there are no borders? When the lines you thought existed simply vanish? How do you plant your feet to make a stand when you no longer know what side you’re on? The war has come home. For over forty years, Art Keller has been on the front lines of America’s longest conflict: The War on Drugs. His obsession to defeat the world’s most powerful, wealthy, and lethal kingpin?the godfather of the Sinaloa Cartel, Adán Barrera?has left him bloody and scarred, cost him the people he loves, even taken a piece of his soul. Now Keller is elevated to the highest ranks of the DEA, only to find that in destroying one monster he has created thirty more that are wreaking even more chaos and suffering in his beloved Mexico. But not just there. Barrera’s final legacy is the heroin epidemic scourging America. Throwing himself into the gap to stem the deadly flow, Keller finds himself surrounded by enemies?men who want to kill him, politicians who want to destroy him, and worse, the unimaginable?an incoming administration that’s in bed with the very drug traffickers that Keller is trying to bring down. Art Keller is at war with not only the cartels, but with his own government. And the long fight has taught him more than he ever imagined. Now, he learns the final lesson?there are no borders. In a story that moves from deserts of Mexico to Wall Street, from the slums of Guatemala to the marbled corridors of Washington, D.C., Winslow follows a new generation of narcos, the cops who fight them, street traffickers, addicts, politicians, money-launderers, real-estate moguls, and mere children fleeing the violence for the chance of a life in a new country. A shattering tale of vengeance, violence, corruption and justice, this last novel in Don Winslow’s magnificent, award-winning, internationally bestselling trilogy is packed with unforgettable, drawn-from-the-headlines scenes. Shocking in its brutality, raw in its humanity, The Border is an unflinching portrait of modern America, a story of—and for—our time.




Borders


Book Description

A People Magazine Best Book Fall 2021 From celebrated Indigenous author Thomas King and award-winning Métis artist Natasha Donovan comes a powerful graphic novel about a family caught between nations. Borders is a masterfully told story of a boy and his mother whose road trip is thwarted at the border when they identify their citizenship as Blackfoot. Refusing to identify as either American or Canadian first bars their entry into the US, and then their return into Canada. In the limbo between countries, they find power in their connection to their identity and to each other. Borders explores nationhood from an Indigenous perspective and resonates deeply with themes of identity, justice, and belonging.




Border Markers


Book Description




El Paso Del Norte


Book Description

The Chicano characters in Richard Yañez's debut story collection live in El Paso's Lower Valley but inhabit a number of borders—between two countries, two languages, and two cultures, between childhood and manhood, life and death. The teenaged narrator of "Desert Vista" copes with a new school and a first love while negotiating the boundaries between his family's tenuous middle-class status and the working-class community in which they have come to live. Tony Amoroza, the protagonist of "Amoroza Tires," wrestles with the grief from his wife's death until an unexpected legacy fills him with new faith. María del Valle, "La Loquita," the central character of "Lucero's Mkt.," crosses the border into madness while her neighbors watch, gossip, and try to offer—or refuse—aid. Yañez writes with perfect understanding of his borderland setting, a landscape where poverty and violence impinge on traditional Mexican-American values, where the signs of gang culture strive with the ageless rituals of the Church. His characters are vivid, unique, fully authentic, searching for purpose or identity, for hope or meaning, in lives that seem to deny them almost everything. Yañez's world is that of the Southwestern Chicanos, but the fears and yearnings of his characters are universal.