Born Dancing


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Jose! Born to Dance


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José was a boy with a song in his heart and a dance in his step. Born in Mexico in 1908, he came into the world kicking like a steer, and grew up to love to draw, play the piano, and dream. José's dreaming took him to faraway places. He dreamed of bullfighters and the sounds of the cancan dancers that he saw with his father. Dance lit a fire in José's soul. With his heart to guide him, José left his family and went to New York to dance. He learned to flow and float and fly through space with steps like a Mexican breeze. When José danced, his spirit soared. From New York to lands afar, José Limón became known as the man who gave the world his own kind of dance. ¡OLÉ! ¡OLÉ! ¡OLÉ! Susanna Reich's lyrical text and Raúl Colón's shimmering artwork tell the story of a boy who was determined to make a difference in the world, and did. José! Born to Dance will inspire picture book readers to follow their hearts and live their dreams.




Born to Dance


Book Description

A New York Times bestseller! “In Jordan Matter’s photos, dancers make all the world their stage.” —New York Times From Jordan Matter, YouTube star and New York Times–bestselling author of Dancers Among Us, a celebration of what it means to be young and full of possibility, featuring gorgeous photographs of well-known dancers (including Tate McRae and Sofie Dossi) as well as stars in the making. Jordan Matter is known to millions for his 10 Minute Photo Challenge YouTube videos. Now, in one dazzling photograph after another, he portrays dancers—ages 2 through 18—in ordinary and extraordinary pursuits, from hanging with friends to taking selfies, from leaping for joy to feeling left out. The subjects include TV and internet stars like Chloé Lukasiak, Kalani Hilliker, Nia Sioux, and Kendall Vertes, as well as boys and girls from around the neighborhood. What they all share is the skill to elevate their hopes and dreams with beauty, humor, grace, and surprise. Paired with empowering words from the dancers themselves, the photographs convey each child’s declaration that they were born to dance. Bonus Features: Scan the QR code next to dozens of photos and watch behind-the-scenes videos documenting the shoots. “Breathtaking photos to free your imagination.” —Diane Sawyer, ABC World News “When you take the natural grace of dancers and put them in unexpected places, you get photos that really tell a story.” —Fox News




Birth of a Dancing Star


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Dancing With Natasha


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Dancing With Natasha takes the reader from "I Can't Dance," to "I'm A Dancing Machine." Greg and co-author Natasha detail the often agonizing, but always rewarding endeavor of learning Ballroom Dance. In this engaging, witty and poignant memoir, Greg and his wife, Joan make the trek to the Arthur Murray Dance Studio in Dayton, Ohio, for a few lessons to better enjoy the professional formal functions they attend. What they find is nothing short of miraculous. In her own exuberant style, Natasha, their Russian instructress, explains how she moves beginners who consider the 'obligatory grope' on the floor to be dancing, to graceful self-expression. With the foreword written by Barbara Haller, Four-time United States Professional Theatrical Arts champion, and details from other students, instructors, and dance pros, Dancing With Natasha gives the reader an uncommon peek into this incredibly popular and exciting endeavor.




Dancing Machines


Book Description

The age of high tech is haunted by an image from the last century that developed in the three decades between the patenting of the cinematographe and its turn toward sound: the dancing machine, paradox of the ease of mechanization and its tortures, embodiment of the motor and the automaton, image of fusion and fragmentation. An excavation of this image, in the historical context of maximum productivity and mechanical reproducibility, reveals its development in European Modernism--Modernism drawn to dancers of American, African, and Asian origins, to Taylorism as well as to Primitivism, to cinema and to myth. This book traces the abstraction and anonymity of the bodies making machines dance, in the codes of modernisms graphic and choreographic, and in the streamlined gestures of industry, avant-garde art, and entertainment. What surfaces is dance’s centrality to machine aesthetics and to its alternatives, as well as to the early elaboration of the machine that would become the ultimate guarantor of modern dance’s de-mechanization, the motion picture camera.




Dancing with the Void


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Born in Denmark, in 1890, Sunyata was from birth, utterly without desire, ambition and ego. Thus, the name "Sunyata"—and description of "rare-born mystic"—was given to him years later in India by the revered sage, Sri Ramana Maharshi. A lover of silence and solitude, Sunyata remained untouched by the common worldly conditioning that entraps so many. His fateful journeys, inspiring friendships, and the spiritual wisdom shared in these collected writings, all reflect the soul of an authentic seer. Sunyata's experiences and musings are ever relevant, for they concern something that is of value to all—the illumination and liberation of the human spirit. Adyashanti writes, “Sunyata was the rarest of incarnations. A naturally born enlightened being of singular uniqueness and inventiveness. The story of his life is itself a profound spiritual teaching and a living example of how awakened spirit moves through the challenges of life.”




Night's Dancer


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The biography of the first African-American prima ballerina Winner of the The Marfield Prize / National Award for Arts Writing (2011) Dancer Janet Collins, born in New Orleans in 1917 and raised in Los Angeles, soared high over the color line as the first African-American prima ballerina at the Metropolitan Opera. Night's Dancer chronicles the life of this extraordinary and elusive woman, who became a unique concert dance soloist as well as a black trailblazer in the white world of classical ballet. During her career, Collins endured an era in which racial bias prevailed, and subsequently prevented her from appearing in the South. Nonetheless, her brilliant performances transformed the way black dancers were viewed in ballet. The book begins with an unfinished memoir written by Collins in which she gives a captivating account of her childhood and young adult years, including her rejection by the Ballet Russe de Monte Carlo. Dance scholar Yaël Tamar Lewin then picks up the thread of Collins's story. Drawing on extensive research and interviews with Collins and her family, friends, and colleagues to explore Collins's development as a dancer, choreographer, and painter, Lewin gives us a profoundly moving portrait of an artist of indomitable spirit.




Barn Dance!


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Unable to sleep a young boy follows the sound of music to an unusual barn dance.




Modern Dancing and Dancers


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