Brady's Civil War Journal


Book Description

“My greatest aim has been to advance the art of photography and to make it what I think I have, a great and truthful medium of history.” —Mathew Brady Mathew Brady and his team of assistants risked their lives to capture up-close images of the fury of the American Civil War and its aftermath. Brady actually got so close to the action during the First Battle of Bull Run that he only narrowly avoided capture. Brady's Civil War Journal chronicles the events of the war by showcasing a selection of Brady's moving, one-of-a-kind images and describing each in terms of its significance. Brady’s team not only captured thousands of portraits of the combatants, the generals, the fighting men, the sick, the dead, and the dying, but also documented the infrastructure of the war machine itself, recording images of artillery pieces, the early railroads, and extraordinary engineering feats. The text by Theodore P. Savas, an expert on the Civil War, adds context to Brady's memorable photographs, creating an unrivaled visual account of the most costly conflict in American history as it unfolded. His unique record of the war gives modern readers a fascinating insight into the terrible maelstrom that shaped our nation.







War Upon the Land


Book Description

In this first book-length environmental history of the American Civil War, Lisa M. Brady argues that ideas about nature and the environment were central to the development and success of Union military strategy. From the start of the war, both sides had to contend with forces of nature, even as they battled one another. Northern soldiers encountered unfamiliar landscapes in the South that suggested, to them, an uncivilized society's failure to control nature. Under the leadership of Ulysses S. Grant, William Tecumseh Sherman, and Philip Sheridan, the Union army increasingly targeted southern environments as the war dragged on. Whether digging canals, shooting livestock, or dramatically attempting to divert the Mississippi River, the Union aimed to assert mastery over nature by attacking the most potent aspect of southern identity and power--agriculture. Brady focuses on the siege of Vicksburg, the 1864 Shenandoah Valley campaign, marches through Georgia and the Carolinas, and events along the Mississippi River to examine this strategy and its devastating physical and psychological impact. Before the war, many Americans believed in the idea that nature must be conquered and subdued. Brady shows how this perception changed during the war, leading to a wider acceptance of wilderness. Connecting environmental trauma with the onset of American preservation, Brady pays particular attention to how these new ideas of wilderness can be seen in the creation of national battlefield memorial parks as unaltered spaces. Deftly combining environmental and military history with cultural studies, War upon the Land elucidates an intriguing, largely unexplored side of the nation's greatest conflict.




Mathew Brady


Book Description

The first narrative biography of the Civil War's pioneering visual historian, Mathew Brady, known as the “father of American photography.” Mathew Brady's attention to detail, flair for composition, and technical mastery helped establish the photograph as a thing of value. In the 1840s and '50s, “Brady of Broadway” photographed such dignitaries as Henry Clay, Daniel Webster, Dolley Madison, Horace Greeley, the Prince of Wales, and Jenny Lind. But it was during the Civil War that Brady's photography became an epochal part of American history. The Civil War was the first war in history to leave a detailed photographic record, and Brady knew better than anyone the dual power of the camera to record and excite, to stop a moment in time and preserve it. More than ten thousand war images are attributed to the Brady studio. But as Wilson shows, while Brady himself accompanied the Union army to the first major battle at Bull Run, he was so shaken by the experience that throughout the rest of the war he rarely visited battlefields except well before or after a major battle, instead sending teams of photographers to the front. Mathew Brady is a gracefully written and beautifully illustrated biography of an American legend-a businessman, a suave promoter, a celebrated portrait artist, and, most important, a historian who chronicled America during the gravest moments of the nineteenth century.




Mathew Brady and His World


Book Description

Photographs by Mathew Brady from the Meserve Collection. Biographical. Indexed.




War Photographs Taken on the Battlefields of the Civil War


Book Description

Fought over the course of four years, the Civil War pitted countrymen against countrymen, North versus South, friend against friend, and brother against brother. The photographs within these pages document the war that united America as one. These rare shots were taken in the middle of the battlefield during the earliest days of photography. Selected from a collection of seven thousand original negatives, these historic photos capture nearly every aspect of Civil War life. Among these photos are images of camps sprawling across acres, soldiers at their battlements, firing of heavy artillery, the aftermath of battle, and the terror that these young men faced. See first-hand of Union and Confederate officers strategizing their next moves, and Abraham Lincoln addressing his Union commanders. Originally released from the private collection of Edward Bailey Eaton in 1907, this edition is a must have for any Civil War buff or historian. No collection can be considered complete without these photographs by Matthew Brady and Alexander Gardner, as well as the meticulous passages that put the images in illuminating context.




The Untold Civil War


Book Description

132 untold stories and 475 rare illustrations offer a completely new perspective on the Civil War.




War Matters


Book Description




Civil War Journal


Book Description

Based on the History Channel documentary series. How the Civil War sparked profound changes in slavery, immigration, women’s roles, journalism, and more. “In many arenas, the Civil War changed things both in military and civilian life,” William C. Davis observes. “The roles in society of women and minorities were altered drastically. Advancements in medicine and technology exerted a profound impact on the future. Industry burgeoned. The reporting of news entered the modern era with the photograph. Culture changed as the complexion of Americans evolved and as war’s wounds imposed lasting divisions upon our society. It ensured at once that future wars would be more terrible, and yet we would be equipped to cope with that terror to come. These are the legacies of the war covered in this volume.” Civil War Journal: The Legacies is the third volume of a three-volume treatment of the Civil War developed from the popular History Channel series Civil War Journal. Drawing on personal letters, diaries, and newspaper reports, these volumes focus on seldom-told stories of people, places, and events that bring to life the heroic intensity of the Civil War. They portray the human side of the conflict that is frequently overlooked in recounting troop movements and engagements.




Performance in a Militarized Culture


Book Description

The long cultural moment that arose in the wake of 9/11 and the conflict in the Middle East has fostered a global wave of surveillance and counterinsurgency. Performance in a Militarized Culture explores the ways in which we experience this new status quo. Addressing the most commonplace of everyday interactions, from mobile phone calls to traffic cameras, this edited collection considers: How militarization appropriates and deploys performance techniques How performing arts practices can confront militarization The long and complex history of militarization How the war on terror has transformed into a values system that prioritizes the military The ways in which performance can be used to secure and maintain power across social strata Performance in a Militarized Culture draws on performances from North, Central, and South America; Europe; the Middle East; and Asia to chronicle a range of experience: from those who live under a daily threat of terrorism, to others who live with a distant, imagined fear of such danger.