Brancusi, Rosso, Man Ray. Framing Sculpture


Book Description

This catalogue is published to accompany the exhibition of the same name in Museum Boijmans Van Beuningen, Rotterdam (8 February-11 May 2014). The exhibition is a unique meeting of the work of three of the most influential artists of the twentieth century: Constantin Brancusi (1876-1957), Medardo Rosso (1858-1928) and Man Ray (1890-1976). The works exhibited and discussed in the catalogue, forty-five sculptures and some hundred photographs they took of them, offer a glimpse over the shoulders of these artists.Not only were Brancusi, Rosso and Man Ray all crucial in the development of modern sculpture, they were innovators in the way they involved photography in their work-not so much for recording it, but as a means of explaining how viewers should look at and interpret their sculptures. They played with the possibilities of the medium-experimental for the time-using overexposure, innovative camera angles and blurring the foreground or background.




In Defiance of Painting


Book Description

The invention of collage by Picasso and Braque in 1912 proved to be a dramatic turning point in the development of Cubism and Futurism and ultimately one of the most significant innovations in twentieth-century art. Collage has traditionally been viewed as a new expression of modernism, one allied with modernism's search for purity of means, anti-illusionism, unity, and autonomy of form. This book - the first comprehensive study of collage and its relation to modernism - challenges this view. Christine Poggi argues that collage did not become a new language of modernism but a new language with which to critique modernism. She focuses on the ways Cubist collage - and the Futurist multimedia work that was inspired by it - undermined prevailing notions of material and stylistic unity, subverted the role of the frame and pictorial ground, and brought the languages of high and low culture into a new relationship of exchange.




The Sculptural Imagination


Book Description

Potts also offers a detailed view of selected iconic works by sculptors ranging from Antonio Canova and Auguste Rodin to Constantin Brancusi, David Smith, Carl Andre, Eva Hesse and Louise Bourgeois - key players in modern thinking about the sculptural. The impact of minimalism features prominently in this discussion, for it disrupted accepted understanding of how a viewer interacts with a work of art, thereby placing the phenomenology of viewing three-dimensional objects for the first time at the center of debate about modern visual art."--Jacket.




The Original Copy


Book Description

"Published in conjunction with the exhibition The original copy: photography of sculpture, 1839 to today, at the Museum of Modern Art, New York (August 1-November 1, 2010)"--T.p. verso.




The Annotated Mona Lisa


Book Description

Like music, art is a universal language. Although looking at works of art is a pleasurable enough experience, to appreciate them fully requires certain skills and knowledge." --Carol Strickland, from the introduction to The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern * This heavily illustrated crash course in art history is revised and updated. This second edition of Carol Strickland's The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern offers an illustrated tutorial of prehistoric to post-modern art from cave paintings to video art installations to digital and Internet media. * Featuring succinct page-length essays, instructive sidebars, and more than 300 photographs, The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern takes art history out of the realm of dreary textbooks, demystifies jargon and theory, and makes art accessible-even at a cursory reading. * From Stonehenge to the Guggenheim and from Holbein to Warhol, more than 25,000 years of art is distilled into five sections covering a little more than 200 pages.




Cai Guo-Qiang


Book Description

This publication celebrates an artist at the height of his international career. The highly anticipated exhibition 'Cai Guo-Qiang: Falling Back to Earth' will be accompanied by a richly illustrated catalogue, tracing QAGOMA's unique history with this globally renowned artist, from his early-career works from 'The Asia Pacific Triennial of Contemporary Art' in 1996 and 1999 through to the presentation in 2013 of his major new works. Essays by Australian and international authors will explore the exhibition's interrelated themes of nature, spirituality and globalisation, and focus on Cai's new works, documented here for the first time. With writing also by Cai Guo-Qiang on his collaborations with children from around the world.




Galliano


Book Description

Galliano: Spectacular Fashion is the first detailed guide to the work of one of fashion's greatest talents. Though the designer's otherwise glittering career has been punctured by years out of the limelight, his catalogue of work remains astonishing. Written by internationally renowned fashion expert Kerry Taylor, this beautifully illustrated and meticulously researched book looks in depth at John Galliano's collections from his 1984 graduate show at Saint Martins to his triumphant renaissance at Maison Margiela in 2015. With never-before-seen images of rare designs from private couture archives, close ups revealing the intricacies of garments, and iconic runway shots showing the designer's most innovative creations in motion, this visually rich book examines his revolutionary designs in unprecedented depth. In addition, original interviews with the designer as well as the people who worked closely with him throughout his career shed new light on both the clothes and the context in which they were created. A must-have for fashion lovers, collectors and researchers alike, Galliano: Spectacular Fashion is the ultimate overview of the work of a design genius.




Photography and Sculpture


Book Description

Ever since the mid-nineteenth century, when the new medium of photography was pressed into service to illustrate sculpture, photographs of sculptural objects have directed viewers as to what, in the course of ambling around a sculpture, was the single perfect moment to stop and look. What is the photograph’s place in writing the history of sculpture? How has it changed according to culture, generation, criti-cal conviction, and changes in media? Photography and Sculpture: The Art Object in Reproduction studies aspects of these questions from the perspectives of sixteen leading art historians. Their essays consider iconic photographs, archival collections, new and forgotten technologies, and conceptual challenges in photographing three-dimensional forms that have directed changing historical and stylistic attitudes about how we see, write about, and narrate histories of sculpture. Chapters on such varied topics as picturing Conceptual art, manipulating sacred images in India to be non-photographs, and framing Roman art with an iPad illustrate the latent visual and narrative powers and ever-expanding potential of these images of sculpture.




Ugo Rondinone


Book Description

With his installations, Ugo Rondinone creates personal dreamscapes. In his retrospective exhibition at the Museum Boijmans Van Beuningen in Rotterdam, the artist presented Vocabulary of Solitude, an arrangement of his works inspired by the color spectrum. Clowns, clocks, candles, shoes, windows, light bulbs and rainbows: they are recognizable images that speak to all of us. These symbols excite free-association and memories. The forty-five clowns with their different postures represent activities of everyday life, at the same time expressing the anguish of human solitude: be, breathe, sleep, dream, wake, rise, sit, hear, look, think, stand, walk, pee, shower, dress, drink, fart, shit, read, laugh, cook, smell, taste, eat, clean, write, daydream, remember, cry, nap, touch, feel, moan, enjoy, float, love, hope, wish, sing, dance, fall, curse, yawn, undress, lie. This is the first of a four-chapter publication series by Ugo Rondinone.




Carrie Mae Weems


Book Description

The work of contemporary artist Carrie Mae Weems (b. 1953) hits hard with a powerful mix of lived life and social commentary. Since the late 1970s, her photographs, films, and installations have become known for presenting realistic and authentic images of African Americans while confronting themes of race, gender, and class. This book, the first major survey of Weems's career, traces the artist's commitment to addressing issues of social justice through her artwork. Her early photographs, which focused on African American women and families, have since led to work that examines more general aspects of the African diaspora, from the legacy of slavery to the perpetuation of debilitating stereotypes. Increasingly, she has broadened her view to include global struggles for equality and justice. This beautifully illustrated book highlights over 200 of Weems's most important works. Accompanying essays by leading scholars explore Weems's interest in folklore, her focus on the spoken and written word, the performative aspect of her constructed tableaux, and her expressions of black beauty.