Brazilian Tangos and Dances


Book Description

Brazilian pianist/composer Ernesto Jí_lio de Nazareth (1863-1934) composed approximately 210 works for the piano. His tangos "Brejerio" and "Odeon" were immensely popular during his lifetime and continue to be two of the most popular pieces ever written by a Brazilian salon composer. Written for late intermediate to early advanced level pianists, both are included here, along with four other tangos, two waltzes, and a charming polka, "Ameno resedíç". Nazareth's position in Brazilian music is often compared with Scott Joplin's historical importance in American music.




Tangos, milongas and other Latin-American dances


Book Description

This collection features 40 dance pieces from the Caribbean and South America, including pieces by Ignacio Cervantes, Carlos Gomes, Juan Morel Campos, Ernesto Nazareth, Manuel Ponce, José Quintón, Manuel Saumell, and Alberto Williams.







The Tango and Other Up-to-date Dances


Book Description

This manual is an excellent source for ragtime era dances including the one step, tango, Brazilian maxixe, and hesitation waltz. The book is richly illustrated with more than twenty photos of many famous exhibition ballroom couples such as Irene and Vernon Castle, and Maurice and Florence Walden.




Argentinean Tangos for Keyboard


Book Description

A stunning sampler of romantic piano solos from the early days of the tango. Here is the first extensive collection of early tango music ever published outside of Argentina. This anthology presents 42 facsimile piano scores in a wide range of tango styles found in 19th century Argentina and Uruguay. Selections include classics by Argentina's and Uruguay's most famous guardia vieja (old guard) composers, written druring the tango's formative years between 1900 and 1920. Many off these pieces evoke musical parallels with American piano rags of the same era. These wonderful early tangos embody the full emotional depth and rhythmic complexity of this fascinating genre, yet are accessible to players of varied abilities.




Tango Lessons


Book Description

From its earliest manifestations on the street corners of nineteenth-century Buenos Aires to its ascendancy as a global cultural form, tango has continually exceeded the confines of the dance floor or the music hall. In Tango Lessons, scholars from Latin America and the United States explore tango's enduring vitality. The interdisciplinary group of contributors—including specialists in dance, music, anthropology, linguistics, literature, film, and fine art—take up a broad range of topics. Among these are the productive tensions between tradition and experimentation in tango nuevo, representations of tango in film and contemporary art, and the role of tango in the imagination of Jorge Luis Borges. Taken together, the essays show that tango provides a kaleidoscopic perspective on Argentina's social, cultural, and intellectual history from the late nineteenth to the early twenty-first centuries. Contributors. Esteban Buch, Oscar Conde, Antonio Gómez, Morgan James Luker, Carolyn Merritt, Marilyn G. Miller, Fernando Rosenberg, Alejandro Susti




The Music of Brazil


Book Description

Here is the most comprehensive history of Brazilian music available in English. Concise yet remarkably detailed, it provides professional musicologists and music lovers alike with a clear outline of the major trends, important composers, and currents of thought that have shaped the folk, popular, and art music that are an important part of Brazil's unique cultural heritage. The Music of Brazil contains over seventy musical examples representing musical idiom and form throughout recent history. A useful glossary introduces the reader to the key terms of Brazilian music, from agogô—a percussion instrument composed of two bells—to xocalho—a wooden or metal rattler.




Modern Dancing


Book Description




Brazilian Bodies and Their Choreographies of Identification


Book Description

Brazilian Bodies, and their Choreographies of Identification retraces the presence of a particular way of swaying the body that, in Brazil, is commonly known as ginga . Cristina Rosa its presence across distinct and specific realms: samba-de-roda (samba-in-a-circle) dances, capoeira angola games, and the repertoire of Grupo Corpo.




Tangos


Book Description

The tangos in this collection are not traditional Argentinean dance pieces, but rather instrumental pieces written specifically for the piano. Included are delightful pieces by composers Isaac Albéniz, Ernesto Nazareth, Manuel Ponce, Joaquín Turina and others. The selections range in difficulty from intermediate to moderately difficult. Titles: * Tango, Op. 165, No. 2 (Albéniz) * Danza espagnola, Op. 232, No. 3 (Albéniz) * Cielo de encantos (Campos) * El velorio (Cervantes) * La tarde está amorosa (Cervantes) * Los tres golpes (Cervantes) * Tango (Hinson) * Solace (Joplin) * Duvidoso (Nazareth) * Espalhafatoso (Nazareth) * Famoso (Nazareth) * Fon-fon (Nazareth) * Garôto (Nazareth) * Matuto (Nazareth) * Odeon (Nazareth) * Ranzinza (Nazareth) * Remando (Nazareth) * Sagaz (Nazareth) * Malgré tout (Ponce) * Tango, Op. 8, No. 2 (Turina)