Breaking Resemblance


Book Description

In recent decades curators and artists have shown a distinct interest in religion, its different traditions, manifestations in public life, gestures and images. Breaking Resemblance explores the complex relationship between contemporary art and religion by focusing on the ways artists re-work religious motifs as a means to reflect critically on our desire to believe in images, on the history of seeing them, and on their double power— iconic and political. It discusses a number of exhibitions that take religion as their central theme, and a selection of works by Bill Viola, Lawrence Malstaf, Victoria Reynolds, and Berlinde de Bruyckere—all of whom, in their respective ways and media, recycle religious motifs and iconography and whose works resonate with, or problematize the motif of, the true image.




That's the Joint!


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Spanning 25 years of serious writing on hip-hop by noted scholars and mainstream journalists, this comprehensive anthology includes observations and critiques on groundbreaking hip-hop recordings.




Modernism on Sea


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These lively and intelligent essays examine artistic responses to the British seaside from the 1930s onwards, including writers and artists such as Virginia Woolf, Sylvia Plath, and John Piper.




The Problem of Human Life


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Lucky Break


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Two men with trust issues find a second chance at love in this slow burn western romance. Welcome to Clean Slate Ranch: Home of tight jeans, cowboy boots and rough trails. For some men, it’s a fantasy come true. Shawn Matthews never imagined he’d be living out of his car, trying to make ends meet, but life doesn’t always go your way—he knows that better than most. When an accident leaves the Clean Slate Ranch shorthanded, Shawn is enlisted to help cook and finds himself bunked next to the sexiest cowboy he’s ever laid eyes on. The first time Robin Butler spots the new chef, he thinks he’s seeing an actual ghost. Shawn is the spitting image of his late husband, and it spooks the hell out of him. The former rodeo-star-turned-ranch-hand does his best to avoid the soft-spoken cook—except it’s kind of tough when the man makes the best damn grub this side of the Mississippi and has a boy-next-door charm that’s impossible to resist. Even though the tension between them practically sizzles, Shawn doesn’t do hookups and Robin isn’t ready for a new relationship. Besides, Robin can tell Shawn’s been hurt and deserves a partner who isn’t saddled with a tragic past. But chemistry doesn’t lie. Maybe finding each other—and a second chance at love—is the lucky break they both need. “[A] passionate, trope-heavy romance . . . scintillating romantic tension and steamy sex scenes.” —Publishers Weekly on Hard Ride







Fra Angelico


Book Description

A Florentine painter who took Dominican vows, Fra Angelico (1400-1455) approached his work as a largely theological project. For him, the problems of representing the unrepresentable, of portraying the divine and the spiritual, mitigated the more secular breakthroughs in imitative technique. Didi-Huberman explores Fra Angelico's solutions to these problems - his use of color to signal approaching visibility, of marble to recall Christ's tomb, of paint drippings to simulate (or stimulate) holy anointing. He shows how the painter employed emptiness, visual transformation, and displacement to give form to the mystery of faith. In the work of Fra Angelico, an alternate strain of Renaissance painting emerges to challenge rather than reinforce verisimilitude. Didi-Huberman traces this disruptive impulse through theological writings and iconographic evidence and identifies a widespread tradition in Renaissance art that ranges from Giotto's break with Byzantine image-making well into the sixteenth century. He reveals how the techniques that served this ultimately religious impulse may have anticipated the more abstract characteristics of modern art, such as color fields, paint spatterings, and the absence of color. Part of Didi-Huberman's large-scale rethinking of art theory and history, and the first of his books to appear in English translation, Fra Angelico is a fitting introduction to one of the most original and celebrated writers in the world of art history and criticism.




Word and sacrament


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To Break Russia's Chains


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A brilliant examination of the enigmatic Russian revolutionary about whom Winston Churchill said "few men tried more, gave more, dared more and suffered more for the Russian people," and who remains a legendary and controversial figure in his homeland today. Although now largely forgotten outside Russia, Boris Savinkov was famous, and notorious, both at home and abroad during his lifetime, which spans the end of the Russian Empire and the establishment of the Soviet Union. A complex and conflicted individual, he was a paradoxically moral revolutionary terrorist, a scandalous novelist, a friend of epoch-defining artists like Modigliani and Diego Rivera, a government minister, a tireless fighter against Lenin and the Bolsheviks, and an advisor to Churchill. At the end of his life, Savinkov conspired to be captured by the Soviet secret police, and as the country’s most prized political prisoner made headlines around the world when he claimed that he accepted the Bolshevik state. But as this book argues, this was Savinkov’s final play as a gambler and he had staked his life on a secret plan to strike one last blow against the tyrannical regime. Neither a "Red" nor a "White," Savinkov lived an epic life that challenges many popular myths about the Russian Revolution, which was arguably the most important catalyst of twentieth-century world history. All of Savinkov’s efforts were directed at transforming his homeland into a uniquely democratic, humane and enlightened state. There are aspects of his violent legacy that will, and should, remain frozen in the past as part of the historical record. But the support he received from many of his countrymen suggests that the paths Russia took during the twentieth and twenty-first centuries--the tyranny of communism, the authoritarianism of Putin’s regime--were not the only ones written in her historical destiny. Savinkov's goals remain a poignant reminder of how things in Russia could have been, and how, perhaps, they may still become someday. Written with novelistic verve and filled with the triumphs, disasters, dramatic twists and contradictions that defined Savinkov's life, this book shines a light on an extraordinary man who tried to change Russian and world history.




Break It Down


Book Description

“These stories . . . offer a peephole into a distinct fictional world . . . they attest to the author’s gift as an observer and archivist of emotion.” —The New York Times The thirty-four stories in this seminal collection powerfully display what have become Lydia Davis’s trademarks—dexterity, brevity, understatement, and surprise. Although the certainty of her prose suggests a world of almost clinical reason and clarity, her characters show us that life, thought, and language are full of disorder. Break It Down is Davis at her best. In the words of Jonathan Franzen, she is “a magician of self-consciousness.” Praise for Lydia Davis “Davis is one of the most precise and economical writers we have.” —Dave Eggers, McSweeney’s “An American virtuoso of the short story form.” —Salon “The best prose stylist in America.” —Rick Moody “[Davis has] a capacity to make language unleash entire states of existence.” —Siddhartha Deb, The New York Times