Drukwerk


Book Description

Karel Marten's work occupies a unique place in the present European art and design landscape. While working in the tradition of Dutch modernism, he maintains distance from the main developments of his time: from both the practices of routinized Modernism and the facile reactions against it. His work is personal and experimental, while at the same time publicly answerable. This book presents Martens graphic design oeuvre in reproductions of startling fidelity, and described in informal captions. Printed on uncoated paper and Chinese-bound, the book itself has a compelling tactile quality. For this long-awaited second edition, twenty-four pages have been added to cover Marten's most recent work.




I Lay This Body Down


Book Description

Rosey E. Pool (1905–71) did not live an ordinary life. She witnessed the rise of the Nazis in Berlin firsthand, tutored Anne Frank, operated in a Jewish resistance group, escaped from a Nazi transit camp, published African American poets in Europe, operated a London “salon” with her partner, witnessed independence movements in Nigeria and Senegal, and took part in the American civil rights movement. I Lay This Body Down is the first study of Pool and her remarkable transatlantic life. A translator, educator, and anthologist of African American poetry, Pool corresponded, after World War II, with Langston Hughes, W. E. B. Du Bois, Naomi Long Madgett, Owen Dodson, Gordon Heath, and others who fostered her involvement in the Black Arts Movement, both in Britain and the United States. Though Pool was often cast as an outsider—one poet was amazed that “one so removed” was interested in the Black cause—she saw herself as part of a transatlantic struggle against oppression. For Pool, the “yellow Jew stars” the Nazis forced her to wear “were our darker skins.” Rosey E. Pool’s life allows Lonneke Geerlings to explore intersections of European and American history. As a Holocaust survivor and activist fighting against segregation in the Deep South, Pool connects stories that are often studied and told in isolation. Her life helps us understand the intersecting histories of Jewish Europe and Black America, but it also allows us to see how Pool dealt with tragedy, trauma, and loss. At its core, this book is about resilience and hope. Indeed, Pool’s life illuminates the power of reinvention for dealing with both challenging personal circumstances and the traumas of global history.




Dutch Housing Associations


Book Description




Laughing to Keep from Crying


Book Description

"Reprinted 1976 by special arrangement"--T.p. verso.




Europa


Book Description

Providing sufficient affordable living space-especially in European conglomerations-is one of the great challenges of the future, requiring new solutions. In the face of demographic change, changing family structures, and a growing environmental awareness, completely new residential forms have evolved in Europe: cross-generational residences, residential cooperatives, housing projects for senior citizens, ecological estates, integrative residences, or district neighborhoods. The significance of communal living, in particular, will change in light of social traditions and framework conditions such as housing policy and the housing market. This book provides an insight into communal living in eleven European countries-Austria, the Netherlands, France, Great Britain, the Czech Republic, Denmark, Sweden, Norway, Finland, and Germany-and presents a range of exemplary residential projects with their architectural and social concepts, as well as their different funding schemes.




Author Catalog


Book Description




The Transatlantic Century


Book Description

An unprecedented account of the American Century in Europe, ranging from economics, culture and consumption to war, politics and diplomacy.




Der Mensch Ist Gut


Book Description

Excerpt from Der Mensch Ist Gut Der Sohn war awanaig Bahre alt. (i: betam bie (einberufung an einem Dienstag, belam ein halbes v Sahr fpater has eiferne Streng. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Gender and the Built Environment


Book Description

Papers submitted to the conference entitled: Emancipation as related to physical planning, housing and mobility in Europe, which was initiated by the Netherlands Ministry of Physical Planning, Housing and Environment and organized by the Section Emancipation of the Netherlands Institute for Physical Planning and Housing (SEIROV) in Driebergen in the Netherlands in September 1994.




The First World Festival of Negro Arts, Dakar 1966


Book Description

In April 1966, thousands of artists, musicians, performers and writers from across Africa and its diaspora gathered in the Senegalese capital, Dakar, to take part in the First World Festival of Negro Arts (Premier Festival Mondial des arts nègres). The international forum provided by the Dakar Festival showcased a wide array of arts and was attended by such celebrated luminaries as Duke Ellington, Josephine Baker, Aimé Césaire, André Malraux and Wole Soyinka. Described by Senegalese President Léopold Sédar Senghor, as 'the elaboration of a new humanism which this time will include all of humanity on the whole of our planet earth', the festival constituted a highly symbolic moment in the era of decolonization and the push for civil rights for black people in the United States. In essence, the festival sought to perform an emerging Pan-African culture, that is, to give concrete cultural expression to the ties that would bind the newly liberated African 'homeland' to black people in the diaspora. This volume is the first sustained attempt to provide not only an overview of the festival itself but also of its multiple legacies, which will help us better to understand the 'festivalization' of Africa that has occurred in recent decades with most African countries now hosting a number of festivals as part of a national tourism and cultural development strategy.