Bring on the Dancing Girls


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Dancing Girls


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A splendid collection of short stories from the author of the New York Times bestselling novel The Handmaid’s Tale—the inspiration behind the award-winning Hulu original series. Margaret Atwood brings her singular voice to this unforgettable volume of short stories filled with rare intensity and exceptional intelligence. With brilliant flashes of fantasy, humor, and unexpected violence, the stories reveal the complexities of human relationships and bring to life characters who touch us deeply, evoking terror, laughter, compassion and recognition—and dramatically demonstrate why Margaret Atwood is one of the most important writers in English today.




Dancing on My Ashes


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Holly and Heather share their story and help to walk the reader through the painful yet necessary healing process for when life deals us its harshest blows. Dancing on my ashes soothes and empathizes with the broken heart, while sharing the truth of scripture, and the hope that comes from the heart of God.




A Dictionary of Catch Phrases


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A catch phrase is a well-known, frequently-used phrase or saying that has `caught on' or become popular over along period of time. It is often witty or philosophical and this Dictionary gathers together over 7,000 such phrases.




The Dancing Girls of Lahore


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An unforgettable and compassionate look at the lives of the residents of Lahore’s pleasure district The Dancing Girls of Lahore inhabit the Diamond District in the shadow of a great mosque. The 21st century goes on outside the walls, this ancient quarter, but scarcely registers within. Though their trade can be described with accuracy as prostitution, the dancing girls have an illustrious history: beloved by sultans, their sophisticated art encompassed the best of Mughal culture. The modern day Bollywood aesthetic, with its love of gaudy spectacle, music, and dance, is their distant legacy. But the life of the pampered courtesan is not the one now being lived by Maha and her three girls. What they do is forbidden by Islam, though tolerated; but they are, unclean, and Maha’s daughters, like her, are born into the business and will not leave it. Sociologist Louise Brown spent four years in the most intimate study of the family life of one Lahori courtesan. Beautifully understated, it turns a novelist’s eye on a true story that beggars the imagination. Maha, at fourteen a classically trained dancer of exquisite grace, had her virginity sold to the Sultan of Dubai; when her own daughter Nena comes of age and Maha cannot bring in the money she once did, she faces a terrible decision as the agents of the Sultan come calling once more.




The Girl on the Dancing Horse


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*THE TOP 10 BESTSELLER FROM THE MOST DECORATED BRITISH FEMALE OLYMPIAN IN HISTORY* 'Refreshingly honest [...] a highly enjoyable, fascinating read.' Horse and Hound _______________________________________________ "To ride into that arena, next to a sea of British flags and hear the roar of clapping and cheering, was so exciting. It's a sound I will never, ever forget." Charlotte Dujardin and her charismatic horse Valegro burst onto the international sports scene with their record-breaking performance at the London, 2012 Olympics. The world was captivated by the young woman with the dazzling smile and her dancing horse. But no one quite knew what it took to get there, nor how hard the path to success would be - until now. Dujardin began riding horses at the age of two, but dressage was firmly the domain of the wealthy, not the life of a girl from a middle-class family. Her parents sacrificed all and with a undeterred focus, Charlotte left school at 16 to follow her dream. When she was invited to be a groom for the British Olympian Carl Hester, she began to ride Valegro, a dark bay gelding and an unbreakable bond was formed. This is their incredible story.







Castes and Tribes of Southern India (Complete)


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In 1894, equipped with a set of anthropometric instruments obtained on loan from the Asiatic Society of Bengal, I commenced an investigation of the tribes of the Nīlgiri hills, the Todas, Kotas, and Badagas, bringing down on myself the unofficial criticism that “anthropological research at high altitudes is eminently indicated when the thermometer registers 100° in Madras.” From this modest beginning have resulted:—(1) investigation of various classes which inhabit the city of Madras; (2) periodical tours to various parts of the Madras Presidency, with a view to the study of the more important tribes and classes; (3) the publication of Bulletins, wherein the results of my work are embodied; (4) the establishment of an anthropological laboratory; (5) a collection of photographs of Native types; (6) a series of lantern slides for lecture purposes; (7) a collection of phonograph records of tribal songs and music. The scheme for a systematic and detailed ethnographic survey of the whole of India received the formal sanction of the Government of India in 1901. A Superintendent of Ethnography was appointed for each Presidency or Province, to carry out the work of the survey in addition to his other duties. The other duty, in my particular case—the direction of a large local museum—happily made an excellent blend with the survey operations, as the work of collection for the ethnological section went on simultaneously with that of investigation. The survey was financed for a period of five (afterwards extended to eight) years, and an annual allotment of Rs. 5,000 provided for each Presidency and Province. This included Rs. 2,000 for approved notes on monographs, and replies to the stereotyped series of questions. The replies to these questions were not, I am bound to admit, always entirely satisfactory, as they broke down both in accuracy and detail. I may, as an illustration, cite the following description of making fire by friction. “They know how to make fire, i.e., by friction of wood as well as stone, etc. They take a triangular cut of stone, and one flat oblong size flat. They hit one another with the maintenance of cocoanut fibre or copper, then fire sets immediately, and also by rubbing the two barks frequently with each other they make fire.”




Come Up and Get Me


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A few years after his release from a North Vietnamese prisoner-of-war camp in 1973, Colonel Joseph Kittinger retired from the Air Force. Restless and unchallenged, he turned to ballooning, a lifelong passion as well as a constant diversion for his imagination during his imprisonment. His primary goal was a solitary circumnavigation of the globe, and in its pursuit he set several ballooning distance records, including the first solo crossing of the Atlantic in 1984. But the aeronautical feats that first made him an American hero had occurred a quarter of a century earlier. By the time Kittinger was shot down in Vietnam in 1972, his Air Force career was already legendary. He had made a name for himself at Holloman Air Force Base near Alamogordo, New Mexico, as a test pilot who helped demonstrate that egress survival for pilots at high altitudes was possible in emergency situations. Ironically, Kittinger and his pre-astronaut colleagues would help propel Americans into space using the world's oldest flying machine--the balloon. Kittinger's work on Project Excelsior--which involved daring high-altitude bailout tests--earned him the Distinguished Flying Cross long before he earned a collection of medals in Vietnam. Despite the many accolades, Kittinger's proudest moment remains his free fall from 102,800 feet during which he achieved a speed of 614 miles per hour. In this long-awaited autobiography, Kittinger joins author Craig Ryan to document an astonishing career. Selected by Popular Mechanics as a Top Book of 2010