Five Centuries of British Painting


Book Description

"Britain has played a key part in the history of the last five centuries, and its art reflects this in absorbing and complex ways. Andrew Wilton, Keeper and Senior Research Fellow at Tate Britain, traces the story of British painting from its hesitant beginnings under the influence of Holbein through its maturity in the time of Hogarth and Reynolds, when it reflected a prosperous society with growing imperial influence. He then explores the pioneering role of Constable and Turner in the revolutions of the Romantic period, and the enigmatic position of artists in Victorian England, when a stiff moral code came into conflict with the uncertainties of the age of Darwin. A consistent undercurrent has been Britain's preference for the real world (landscape, portraiture) as against 'high' art and abstraction. Andrew Wilton offers new insights into the great personalities of British painting, and assesses afresh the latest flowering, in which many threads of modern art come together in sometimes startling guises."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved




Celtic and Anglo-Saxon Painting


Book Description

This book presents a colection of colour pla tes from famous illuminated manuscripts that emerged from mo nasteries and island workshops during the 7th and 8th centur ies A.D., including the Book of Kells, the Lindisfarne Gospe ls, and the Book of Durrow. '




Picturing Imperial Power


Book Description

An interdisciplinary study of visual representations of British colonial power in the eighteenth century.




British Art and the Environment


Book Description

This book explores the nature of Britain-based artists’ engagement with the transformations of their environment since the early days of the Industrial Revolution. At a time of pressing ecological concerns, the international group of contributors provide a series of case studies that reconsider the nature–culture divide and aim at identifying the contours of a national narrative that stretches from enclosed lands to rising seas. By adopting a longer historical view, this book hopes to enrich current debates concerning art’s engagement with recording and questioning the impact of human activity on the environment. The book will be of interest to scholars working in art history, contemporary art, environmental humanities, and British studies.




British Landscape Painting of the Eighteenth Century


Book Description

Discusses the beginnings of landscape painting in Britain to the rise of the classical tradition under the Italian influence; the topographical tradition; landscape artists who drew inspiration from visits to Italy; the tradition of the Netherlands and the rise of the Picturesque.




Handbook of Modern British Painting and Printmaking 1900-90


Book Description

Originally published in 1998, The Handbook of Modern British Painting and Printmaking 1900-1990 has been designed for people who enjoy, study and buy British art. The only portable dictionary-style guide to the life and work of modern British painters and printmakers, the book provides information on some 2,000 artists, as well as entries on schools of art, on museums, galleries and collections, on societies and groups, and critics and patrons who have influenced the development of modern art in Britain. Compiled by scholars, the entries are cross-referenced and each concise biographical outline provides the relevant facts about the artist's life, a brief characterisation of the artist's work, and major bibliographic references. Wherever possible, one or two suggestions for further reading are cited.







British Marine Painting


Book Description

You will love C. Geoffrey Holme's sublime paintings of marine life in the beautiful country of England. British Marine Painting contains a variety of lovely ocean views by many skilled British artists such as J. McNeill Whistler, Copley Fielding, and David Cox.







Bridget Riley


Book Description

Bridget Riley: Perceptual Abstraction explores Bridget Riley's longstanding relationship with the United States, beginning in 1965 with the inclusion of her works in the pivotal exhibition, The Responsive Eye, at the Museum of Modern Art in New York. Accompanying the exhibition catalogue are essays by Maryam Ohadi-Hamadani and Rachel Stratton, along with an original reflection by the artist.