The Oxford Companion to the American Musical


Book Description

From the silver screen to the Great White Way, small community theatres to television sets, the musical has long held a special place in America's heart and history. Now, in The Oxford Companion to the American Musical, readers who flocked to the movies to see An American in Paris or Chicago, lined up for tickets to West Side Story or Rent, or crowded around their TVs to watch Cinderella or High School Musical can finally turn to a single book for details about them all. For the first time, this popular subject has an engaging and authoritative book as thrilling as the performances themselves. With more than two thousand entries, this illustrated guide offers a wealth of information on musicals, performers, composers, lyricists, producers, choreographers, and much more. Biographical entries range from early stars Fred Astaire, Bing Crosby, Mary Martin, and Mae West to contemporary show-stoppers Nathan Lane, Savion Glover, and Kristin Chenoweth, while composers Irving Berlin, George Gershwin, Richard Rodgers, and Andrew Lloyd Webber all have articles, and the choreography of Bob Fosse, Tommy Tune, and Debbie Allen receives due examination. The plays and films covered range from modern hits like Mamma Mia! and Moulin Rouge! to timeless classics such as Yankee Doodle Dandy and Show Boat. Also, numerous musicals written specifically for television appear throughout, and many entries follow a work-Babes in Toyland for example-as it moves across genres, from stage, to film, to television. The Companion also includes cross references, a comprehensive listing of recommended recordings and further reading, a useful chronology of all the musicals described in the book, plus a complete index of Tony Award and Academy Award winners. Whether you are curious about Singin' in the Rain or Spamalot, or simply adore The Wizard of Oz or Grease, this well-researched and entertaining resource is the first place to turn for reliable information on virtually every aspect of the American musical.




MGM


Book Description

M-G-M: Hollywood’s Greatest Backlot is the illustrated history of the soundstages and outdoor sets where Metro-Goldwyn-Mayer produced many of the world’s most famous films. During its Golden Age, the studio employed the likes of Garbo, Astaire, and Gable, and produced innumerable iconic pieces of cinema such as The Wizard of Oz, Singin’ in the Rain, and Ben-Hur. It is estimated that a fifth of all films made in the United States prior to the 1970s were shot at MGM studios, meaning that the gigantic property was responsible for hundreds of iconic sets and stages, often utilizing and transforming minimal spaces and previously used props, to create some of the most recognizable and identifiable landscapes of modern movie culture. All of this happened behind closed doors, the backlot shut off from the public in a veil of secrecy and movie magic. M-G-M: Hollywood’s Greatest Backlot highlights this fascinating film treasure by recounting the history, popularity, and success of the MGM company through a tour of its physical property. Featuring the candid, exclusive voices and photographs from the people who worked there, and including hundreds of rare and unpublished photographs (including many from the archives of Warner Bros.), readers are launched aboard a fun and entertaining virtual tour of Hollywood’s most famous and mysterious motion picture studio.




The 1931-1940: American Film Institute Catalog of Motion Pictures Produced in the United States


Book Description

"The entire field of film historians awaits the AFI volumes with eagerness."--Eileen Bowser, Museum of Modern Art Film Department Comments on previous volumes: "The source of last resort for finding socially valuable . . . films that received such scant attention that they seem 'lost' until discovered in the AFI Catalog."--Thomas Cripps "Endlessly absorbing as an excursion into cultural history and national memory."--Arthur Schlesinger, Jr.




Wonderful Design


Book Description

As one of the most beloved and beguiling genres of entertainment, the film musical wears its style ostentatiously. The genre allows for hyperbolic expression, extravagant sonic and visual decor, and extremely stylized forms of movement and performance. By staging a glittering spectacle, by releasing a current of lush sentiment, by unveiling a world of elegance and romance, the film musical woos us with patterns, textures, finesse and sensory display. In this book, author Lloyd Whitesell asks what, exactly, makes film musicals so glamorous. As he argues, glamour projects an aura of ethereality or sophistication by way of suave deportment, sensuous textures, elevated styles, and aesthetically refined effects. Glamour, in other words, is what unites "Cheek to Cheek" from Top Hat and the title song from Beauty and the Beast, each a sonic evocation of luxury, sparkle, grace, and finesse. Whitesell redirects our attention from visual cues like sequins and evening gloves to explore how glamour resides in the sonic. Discussing dozens of musical numbers, analyzing ingenious orchestration, and appraising the distinctive styles of favorite musical stars, Whitesell illuminates fundamental traits of the genre, its aesthetic strategies, and cultural ambitions.




Hollywood Classics Index, Books 1-16: A-Z


Book Description

This cumulative index to all the films detailed and reviewed in the "Hollywood Classics" series to date, features both original release and alternative titles, together with the year of production. This book is lavishly illustrated with black-and-white reproductions of original movie posters, many from the author's private collection.




The 50 MGM Films That Transformed Hollywood


Book Description

Movies don’t exist in a vacuum. Each MGM movie is a tiny piece of a large, colorful (although often black-and-white) quilt, with threads tying it into all of the rest of that studio’s product, going forward, yes, but also backward, and horizontally, and three-dimensionally across its entire landscape. Not necessarily a “best of” compilation, this book discusses the films that for one reason or another (and not all of them good ones) changed the trajectory of MGM and the film industry in general, from the revolutionary use of “Cinerama” in 1962’s How the West Was Won to Director Alfred Hitchcock’s near-extortion of the profits from the 1959 hit thriller North by Northwest.And there are the studio’s on-screen self-shoutouts to its own past or stars, in films like Party Girl (1958), the That’s Entertainment series, Garbo Talks (1984), Rain Man (1955), and De-Lovely (2004), or the studio’s acquisition of other successful franchises such as James Bond. But fear not—what we consider MGM’s classic films all get their due here, often with a touch of irony or fascinating anecdote. Singin' in the Rain (1952), for example, was in its day neither a financial blockbuster nor critically acclaimed but rather an excuse for the studio to reuse some old songs it already owned. The Wizard of Oz (1939) cost almost as much to make as Gone With the Wind (also 1939) and took ten years to recoup its costs. But still, the MGM mystique endures. Like the popular Netflix series The Movies that Made Us, this is a fascinating look behind the scenes of the greatest—and at times notorious—films ever made.




Musicals in Film


Book Description

This wide-ranging guide introduces (or reintroduces) readers to movie musicals past and present, enabling them to experience the development of this uniquely American art form—and discover films they'll love. This comprehensive guide covers movie musicals from their introduction with the 1927 film The Jazz Singer through 2015 releases. In all, it describes 125 movies, opening up the world of this popular form of entertainment to preteens, teens, and adults alike. An introduction explains the advent of movie musicals; then, in keeping with the book's historical approach, films are presented by decade and year with overviews of advances during particular periods. In this way, the reader not only learns about individual films but can see the big picture of how movie musicals developed and changed over time. For each film covered, the guide offers basic facts—studio, director, songwriters, actors, etc.—as well as a brief plot synopsis. Each entry also offers an explanation of why the movie is noteworthy, how popular it was or wasn't, and the influence the film might have had on later musicals. Sidebars offering brief biographies of important artists appear throughout the book.




Hollywood Musicals Nominated for Best Picture


Book Description

Only one year after the presentation of the first Academy Awards on May 16, 1929, two musicals joined the select group of five films nominated for Best Picture. One, The Broadway Melody, won the award, and since then, 37 additional musicals have received Best Picture nominations. Of those, nine have won the award. This book covers all 39 Hollywood musicals nominated for Best Picture. It explains why each film was nominated and why the winners won, points out the influences that guided the productions, and discusses these films' influences on succeeding films. Plot descriptions are provided, along with facts about the acting, direction, choreography, and orchestration; complete cast and production credits; and comments from critics.




Free and Easy?


Book Description

A History of the American Musical narrates the evolution of the film musical genre, discussing its influences and how it has come to be defined; the first text on this subject for over two decades, it employs the very latest concepts and research. The most up-to-date text on the subject, with uniquely comprehensive coverage and employing the very latest concepts and research Surveys centuries of music history from the music and dance of Native Americans to contemporary music performance in streaming media Examines the different ways the film musical genre has been defined, what gets counted as a musical, why, and who gets to make that decision The text is written in an accessible manner for general cinema and musical theatre buffs, whilst retaining theoretical rigour in research Describes the contributions made to the genre by marginalized or subordinated identity groups who have helped invent and shape the musical




Comedy Quotes from the Movies


Book Description

Clever repartee, double entendres, punch lines and many other variations of humor have been a staple of movie dialogue since the advent of talkies. Collected here are over 4,000 of the best comedic lines from the movies. The compilers of this book have tried to bring together some of the funniest, wittiest and most outrageous snatches of dialogue on film over a sixty year time period. For each entry the authors set the quotation in context, provide the name of the actor or actress, the name of the movie and the year of release. The quotations are arranged by a broad range of categories, such as politics, food and eating, gambling, and many others. A title index and a name index follow the body of the book..