Broadway Melody of 1999


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Rent


Book Description

(Applause Libretto Library). Finally, an authorized libretto to this modern day classic! Rent won the 1996 Pulitzer Prize for Drama, as well as four Tony Awards, including Best Musical, Best Book, and Best Score for Jonathan Larson. The story of Mark, Roger, Maureen, Tom Collins, Angel, Mimi, JoAnne, and their friends on the Lower East Side of New York City will live on, along with the affirmation that there is "no day but today." Includes 16 color photographs of productions of Rent from around the world, plus an introduction ("Rent Is Real") by Victoria Leacock Hoffman.







The Ultimate Book of New York Lists


Book Description

Where can you find New York City's best hamburger? What are the ten best songs ever written about New York? The ten best books set in New York? Bert Randolph Sugar and some famous friends answer these burning questions, helping both New Yorkers and tourists learn what makes the greatest city on earth so great. With a foreword by legendary newspaperman Bill Gallo of the New York Daily News and lists from celebrity New Yorkers like Pete Hamill and Howard Stern, this is a book no lover of New York City should be without.







Hollywood Musicals Year by Year


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A chronologically arranged reference book on the Hollywood musical, with each entry including pertinent facts about a film and a brief essay about the plot and production. Includes hundreds of black & white stills.




Into the Woods


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Broadway Melody


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Broadway melody


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Resounding International Relations


Book Description

This book explores a provocative area of inquiry for critical theory and research into world politics and popular culture: music. Not just because political science barely engages with anything musical, but also because it is clear that many opportunities for critical scholarship and reflection on global politics and economics are present in the spaces and relationships created by organized sound. It is easy to focus on the textual elements of music, but there is more at stake than just the words. Critical reflection on the intersections between music and politics also need to take into account the visceral and non-verbal elements such as counterpoint and harmony, polyphony and dissonance, noise, rhymes, rhythms, performance and the visual/aural dimensions to music-making.