Brother Against Brother; or, The Tompkins Mystery


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This scene occurs in what is now West Virginia. It is west of the mountain range, but where, on every hand, are frowning precipices, deep gorges and swift-flowing torrents. On the right, the jutting headlands are crowned with huge old boulders, just peeping out from the thicket of evergreens and creeping vines which surround them. Although not called mountainous, it is a country whose picturesque heights and umbrageous valleys would excite a degree of enthusiasm in the bosom of a lover of the beautiful. Down in those lonely valleys, almost hidden in their leafy groves, was the home of many an old Virginia aristocrat. The great, gnarled oak standing upon the verge of some miniature precipice, and glooming sullenly through the misty rain, seems but part of some pictured scene. Far in the distance, faintly penciled against the misty sky, rise headlands to what seems an enormous height, about them a dark mass of clouds, like some giant's garment caught upon the peaks and blown about at the will of the wind. It envelops and conceals the highest peaks, leaving the imagination to add to the belief in their stupendous height.







Brother Against Brother


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Reproduction of the original: Brother Against Brother by John R. Musick







A Century Too Soon: The Age of Tyranny


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This book is focused on telling an event in history known as Bacon's Rebellion. It was an armed rebellion held by Virginia settlers, led by Nathaniel Bacon against Colonial Governor William Berkeley, after Berkeley refused Bacon's request to drive Native Americans out of Virginia. Thousands of Virginians from all classes (including those in indentured servitude) and races rose up in arms against Berkeley, chasing him from Jamestown and ultimately torching the settlement. The rebellion was first suppressed by a few armed merchant ships from London whose captains sided with Berkeley and the loyalists. Government forces arrived soon after and spent several years defeating pockets of resistance and reforming the colonial government to be once more under direct Crown control.




Brother Against Brother


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Not Even Past


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How the Civil War endures in American life through literature and culture. Recipient of the Eric Hoffer Award's Montaigne Medal The American Civil War lives on in our collective imagination like few other events. The story of the war has been retold in countless films, novels, poems, memoirs, plays, sculptures, and monuments. Often remembered as an emancipatory struggle, as an attempt to destroy slavery in America now and forever, it is also memorialized as a fight for Southern independence; as a fratricide that divided the national family; and as a dark, cruel conflict defined by its brutality. What do these stories, myths, and rumors have in common, and what do they teach us about modern America? In this fascinating book, Cody Marrs reveals how these narratives evolved over time and why they acquired such lasting power. Marrs addresses an eclectic range of texts, traditions, and creators, from Walt Whitman, Abram Ryan, and Abraham Lincoln to Margaret Mitchell, D. W. Griffith, and W. E. B. Du Bois. He also identifies several basic plots about the Civil War that anchor public memory and continually compete for cultural primacy. In other words, from the perspective of American cultural memory, there is no single Civil War. Whether they fill us with elation or terror; whether they side with the North or the South; whether they come from the 1860s, the 1960s, or today, these stories all make one thing vividly clear: the Civil War is an ongoing conflict, persisting not merely as a cultural touchstone but as an unresolved struggle through which Americans inevitably define themselves. A timely, evocative, and beautifully written book, Not Even Past is essential reading for anyone interested in the Civil War and its role in American history.










The Publishers Weekly


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