A Twentieth-Century Crusade


Book Description

The first comprehensive history of the Vatican’s agenda to defeat the forces of secular liberalism and communism through international law, cultural diplomacy, and a marriage of convenience with authoritarian and right-wing rulers. After the United States entered World War I and the Russian Revolution exploded, the Vatican felt threatened by forces eager to reorganize the European international order and cast the Church out of the public sphere. In response, the papacy partnered with fascist and right-wing states as part of a broader crusade that made use of international law and cultural diplomacy to protect European countries from both liberal and socialist taint. A Twentieth-Century Crusade reveals that papal officials opposed Woodrow Wilson’s international liberal agenda by pressing governments to sign concordats assuring state protection of the Church in exchange for support from the masses of Catholic citizens. These agreements were implemented in Mussolini’s Italy and Hitler’s Germany, as well as in countries like Latvia, Lithuania, and Poland. In tandem, the papacy forged a Catholic International—a political and diplomatic foil to the Communist International—which spread a militant anticommunist message through grassroots organizations and new media outlets. It also suppressed Catholic antifascist tendencies, even within the Holy See itself. Following World War II, the Church attempted to mute its role in strengthening fascist states, as it worked to advance its agenda in partnership with Christian Democratic parties and a generation of Cold War warriors. The papal mission came under fire after Vatican II, as Church-state ties weakened and antiliberalism and anticommunism lost their appeal. But—as Giuliana Chamedes shows in her groundbreaking exploration—by this point, the Vatican had already made a lasting mark on Eastern and Western European law, culture, and society.




Two-Way Mirror: The Life of Elizabeth Barrett Browning


Book Description

Finalist for the 2022 Plutarch Award Longlisted for the PEN/Jacqueline Bograd Weld Award for Biography A Washington Post Best Book of 2021 “An elegant act of rehabilitation.”—New York Times Book Review, Editors’ Choice A "nuanced and insightful" (New Statesman) portrait of Britain’s most famous female poet, a woman who invented herself and defied her times. "How do I love thee? Let me count the ways." With these words, Elizabeth Barrett Browning has come down to us as a romantic heroine, a recluse controlled by a domineering father and often overshadowed by her husband, Robert Browning. But behind the melodrama lies a thoroughly modern figure whose extraordinary life is an electrifying study in self-invention. Born in 1806, Barrett Browning lived in an age when women could not attend a university, own property after marriage, or vote. And yet she seized control of her private income, defied chronic illness and disability, became an advocate for the revolutionary Italy to which she eloped, and changed the course of cultural history. Her late-in-life verse novel masterpiece, Aurora Leigh, reveals both the brilliance and originality of her mind, as well as the challenges of being a woman writer in the Victorian era. A feminist icon, high-profile activist for the abolition of slavery, and international literary superstar, Barrett Browning inspired writers as diverse as Emily Dickinson, George Eliot, Rudyard Kipling, Oscar Wilde, and Virginia Woolf. Two-Way Mirror is the first biography of Barrett Browning in more than three decades. With unique access to the poet’s abundant correspondence, “astute, thoughtful, and wide-ranging guide” (Times [UK]) Fiona Sampson holds up a mirror to the woman, her art, and the art of biography itself.




Living Architecture


Book Description

When architects venture from commercial commissions to home design, there is a freedom to take more risks, often resulting in their stylistic and philosophic visions to be most fully realized. Here, former House & Garden editor-in-chief Dominique Browning presents a stunning selection of America's most innovative and iconic houses of the 20th century, as crafted by these risk-takers and envelope-pushers. When forward-thinking art collectors John and Dominique de Menil needed a new home in the 1940s, they took a chance on a then-unknown architect named Philip Johnson. While initially a controversial structure for its minimalist, International Style, the home Johnson built for them near Houston has since become one of the country's most cherished cultural icons. In more than 130 illustrations, Browning highlights architecture's best in a range of styles and eras--from James Deering's Vizcaya, his 1916 Italian Renaissance-inspired villa in Miami, to postwar marvels by Bauhaus practitioners Ludwig Mies van der Rohe (Farnsworth House) and Marcel Breuer (Hooper House II), to more recent constructions, such as Marwan Al-Sayed's mirage-like House of Earth and Light in the Southwest desert. Featuring works that blur the lines between dwellings and art, Living Architecture is an excellent visual guide of cutting-edge architecture for both industry professionals and design lovers of all kinds. ILLUSTRATIONS 166 images




The Ring and the Book


Book Description

This is the final of the four volumes published from 1868-1869that make up Robert Browning'sThe Ring and the Book, a long blank-verse poem composed of 12 books and over 20,000 lines. This volume includes the booksThe Pope, GuidoandThe Book and the Ring.




Robert Browning's Poetry


Book Description

Works by modern and Victorian critics are presented together with poems from each stage of Browning's literary career.







The Penguin Book of Victorian Verse


Book Description

Daniel Karlin has selected poetry written and published during the reign of Queen Victoria, (1837-1901). Giving pride of place to Tennyson, Robert Browning, and Christina Rossetti, the volume offers generous selections from other major poets such asArnold, Emily Bronte, Hardy and Hopkins, and makes room for several poem-sequences in their entirety. It is wonderful, too, in its discovery and inclusion of eccentric, dissenting, un-Victorian voices, poets who squarely refuse to 'represent' their period. It also includes the work of Elizabeth Barrett Browning, George Meredith, James Thomson and Augusta Webster.




The Well-lived Life


Book Description

Few magazines can lay claim to a century of history or to having published work by some extraordinary and distinguished photographers and writers as House & Garden. Now, straight from the pages of this well-loved periodical, The Well-Lived Life presents a lavish chronicle of a country and a culture coming into its own, documenting America's continuing education in matters of house, home and garden over the course of the 20th century. Selecting high points from the magazine, this book surveys the growing confidence and imagination reflected in American interiors and entertaining over the last century -the dinners, picnics and parties of a country dedicated to welcoming others- and the changing definition of home. It also illuminates the joys -sedentary or sporting- Americans have always found in the out-of-doors. The Well-Lived Life surveys the landscape of our lawns and gardens, from rigid formality to exotic beauty, and takes a close look at blooms and their ability to charm, seduce, amaze and inspire. It also travels to the places we build to get away from it all -the cabins, cottages and summer palaces where we shed the formality and stress of everyday life. Above all, this volume illustrates the abiding affection we have for how and where we make our lives. Featuring such legendary photographers as Irving Penn, Horst P. Horst, John Rawlings, Andre Kertesz, Lord Snowdon, Alfred Eisenstaedt, Ezra Stoller and George Hoyningen-Huene Illustrated




My Last Duchess (Unabridged)


Book Description

This carefully crafted ebook: "My Last Duchess (Unabridged)" is formatted for your eReader with a functional and detailed table of contents. "My Last Duchess" is a poem, frequently anthologised as an example of the dramatic monologue. It first appeared in 1842 in Browning's Dramatic Lyrics. The poem is written in 28 rhymed couplets of iambic pentameter. The poem is set during the late Italian Renaissance. The speaker (presumably the Duke of Ferrara) is giving the emissary of the family of his prospective new wife (presumably a third or fourth since Browning could have easily written 'second' but did not do so) a tour of the artworks in his home. He draws a curtain to reveal a painting of a woman, explaining that it is a portrait of his late wife; he invites his guest to sit and look at the painting. Robert Browning (1812 - 1889) was an English poet and playwright whose mastery of dramatic verse, and in particular the dramatic monologue, made him one of the foremost Victorian poets. His poems are known for their irony, characterization, dark humor, social commentary, historical settings, and challenging vocabulary and syntax. The speakers in his poems are often musicians or painters whose work functions as a metaphor for poetry.