Brutal Punishment for Captive Girls


Book Description

When two Americans crash land in the South Pacific, they are immediately taken hostage by an all-female tribe. But this is no Paradise Island; Wonder Woman is nowhere in sight. Little do they know the horrors that await! Originally published as "Island of Captive Girls" in 1953, Brutal Punishment for Captive Girls went through various permutations under numerous publishers, including Irving Klaw and Times Square owner and operator, Edward Mishkin. This newly restored classic quite simply features some of the best fetish art by Gene Bilbrew under his rogue alias, "Eneg," produced only three years after he had switched careers from professional singer to underground cartoonist. It contains both volumes, originally published separately, and, as a bonus, includes the continuation of the tale as it originally appeared in 1953. Let this unique, subversive collection be your introduction to this great, neglected African American artist. Pick up your copy today! Also available on Amazon: Gene Bilbrew Revealed, a biography of the artist's life illustrated with hundreds of images.




The Unforgotten Women of the Islamic State


Book Description

The Unforgotten Women of the Islamic State explores the governance of the Islamic State (IS) terrorist organization through the lives and words of local Iraqi, Syrian, and Kurdish women. While the roles and activities of foreign (predominantly Western), pro-IS women have garnered significant attention, the experiences and insights of local civilian populations have been largely overlooked. Drawing on the testimonies of 63 local Sunni Muslim and Yazidi women, Gina Vale exposes the group's intra-gender stratified system of governance. Eligibility for the group's protection, security, 'citizenship', and entrance into the (semi-)public sphere were not universal, but required convergence with the gender norms of IS, through permanent erasure or at least temporary disguise of certain markers of difference. In some cases, this was directed by a pre-meditated 'divide and conquer' strategy, while in others, it manifested as unregulated violences at the hands of individual group members, including women. The structure follows the trajectory of IS's increasing control over its 'citizens' and captive populations: its militarization of society; imposition of law and order; provision of goods and services; and intervention in civilians' private lives. Analysis of diverse first-hand accounts and the group's documentation reveals that the presence, exclusion, and victimization of local civilian women were necessary to the functioning and legitimation of IS's 'caliphate' project, and the supremacy of affiliated men - and women. As a fledgling proto-state, IS needed local Iraqi, Syrian, and Kurdish women. Though far from represented or protected, they were by no means forgotten.







Catalog of Copyright Entries. Third Series


Book Description

Includes Part 1, Number 2: Books and Pamphlets, Including Serials and Contributions to Periodicals July - December)







Bloody, Brutal, and Barbaric?


Book Description

Christians cannot ignore the intersection of religion and violence. In our own Scriptures, war texts that appear to approve of genocidal killings and war rape raise hard questions about biblical ethics and the character of God. Have we missed something in our traditional readings? Identifying a spectrum of views on biblical war texts, Webb and Oeste pursue a middle path using a hermeneutic of incremental, redemptive-movement ethics.




Report


Book Description




Captive in Iran


Book Description

Maryam Rostampour and Marziyeh Amirizadeh knew they were putting their lives on the line. Islamic laws in Iran forbade them from sharing their Christian beliefs, but in three years, they’d covertly put New Testaments into the hands of twenty thousand of their countrymen and started two secret house churches. In 2009, they were finally arrested and held in the notorious Evin Prison in Tehran, a place where inmates are routinely tortured and executions are commonplace. In the face of ruthless interrogations, persecution, and a death sentence, Maryam and Marziyeh chose to take the radical—and dangerous—step of sharing their faith inside the very walls of the government stronghold that was meant to silence them. In Captive in Iran, two courageous Iranian women recount how God used their 259 days in Evin Prison to shine His light into one of the world’s darkest places, giving hope to those who had lost everything and showing love to those in despair.




Psycho Girls in Bondage


Book Description

Irving Klaw was the legendary New York-based mail order merchant who, between around 1949 and his eventual prosecution for obscenity in 1966, produced thousands of films, photographic sets and printed booklets based on themes of fetishism, bondage, and sado-masochism. Although best-known for his discovery and promotion of the iconic bondage model Betty Page, Klaw's greatest legacy undoubtedly lies in his pioneering publishing work in the field of bondage illustration. Klaw's earliest bondage art series -- which he published as photographs in sets of episodes -- were mostly themed around images of girls fighting. But Klaw's activities soon attracted other artists, such as Eric Stanton and Gene Bilbrew ("Eneg"), who offered work more firmly based on bondage, restraint, and cruelty. The popularity of this type of art was quickly established, and Klaw went on to produce dozens of sets by a whole range of like-minded artists throughout the 1950s. PSYCHO GIRLS IN BONDAGE is a new anthology which collects some of the most outstanding examples of bondage art and fiction originally published by Klaw. The featured artists are Stanton, Eneg, Jim, Ruiz, and Dixon, all stalwarts of Klaw's bondage-art catalogue. The book includes over 200 images. Klaw Klassix is a new illustrated book series of classic "non-nude" erotic art and fiction, dedicated to preserving and presenting the very best works originally published by Irving Klaw.