By the Sweat of My Tongue


Book Description

"Lawyers earn their living by the sweat of their tongues, and they don't mind hard work." (anon.) Some legal pundits espouse the use of conversational tones when addressing Jurors. They recommend a friendly discussion approach while arguing points To The Trier of Fact. These Courthouse virtuosos suggest that the sophistication of contemporary Jurors makes Courtroom oratory passe. Excuse me! A PROSECUTOR has a sworn duty to proclaim the truth. Even the most casual Courtroom combatant knows that facts don't automatically prevail. Justice is often frustrated. Truth doesn't inexorably impose its will on a Jury. There is no magic charm-wand in the Courtroom. No vaccine for insulating undecided Jurors from the noxious effect of falsehood. No ambient conditioner to endow equivocal Juries with perfect discernment during their deliberations. The cause of Justice must be championed by PASSIONATE ADVOCACY. The People's Lawyer must prosecute aggressively but prudently, and he must speak dynamically. Truth is promulgated by evidence, proper instructions, perspiration, and eloquence! Manner of delivery is a matter of personal style to be sure, but it's also a matter of taking charge in the Courtroom.




Salt On Your Tongue


Book Description

'An ode to the ocean, and the generations of women drawn to the waves or left waiting on the shore' Guardian In Salt On Your Tongue, Charlotte Runcie explores what the sea means to us, and particularly what it has meant to women through the ages. In mesmerising prose, she explores how the sea has inspired, fascinated and terrified us, and how she herself fell in love with the deep blue. This book is a walk on the beach with Turner, with Shakespeare, with the Romantic Poets and shanty-singers. It’s an ode to our oceans – to the sailors who brave their treacherous waters, to the women who lost their loved ones to the waves, to the creatures that dwell in their depths, to beachcombers, swimmers, seabirds and mermaids. Navigating through ancient Greek myths, poetry, shipwrecks and Scottish folktales, Salt On Your Tongue is about how the wild untameable waves can help us understand what it means to be human.




The Khecarividya of Adinatha


Book Description

Describing one of the most important practices of hathayoga (khecarimudra), the Khecarividya of Adinatha is presented here to an English-speaking readership for the first time. The author, James Mallinson, draws on thirty Sanskrit works, as well as original fieldwork amongst yogins in India who use the practice, to demonstrate how earlier tantric yogic techniques developed and mutated into the practices of hathayoga. Accompanied by an introduction and an extensively annotated translation, the work sheds light on the development of hathayoga and its practices.




Ayiti


Book Description

From the New York Times–bestselling author of Hunger and Bad Feminist, a powerful short story collection exploring the Haitian diaspora experience. In Ayiti, a married couple seeking boat passage to America prepares to leave their homeland. A young woman procures a voodoo love potion to ensnare a childhood classmate. A mother takes a foreign soldier into her home as a boarder, and into her bed. And a woman conceives a daughter on the bank of a river while fleeing a horrific massacre, a daughter who later moves to America for a new life but is perpetually haunted by the mysterious scent of blood. Roxane Gay is an award-winning literary voice praised for her fearless and vivid prose, and her debut collection Ayiti exemplifies the raw talent that made her “one of the voices of our age” (National Post, Canada). Praise for Ayiti “Highly dimensioned characters and unforgettable moments. . . . Dismantling the glib misconceptions of her complex ancestral home, Gay cuts and thrills. Readers will find her powerful first book difficult to put down.” —Booklist “The themes explored in Gay’s nonfiction, such as the transactional nature of violence and the ways in which stereotypes of poverty add another layer of dehumanization, are just as potent here. Even her more lyrical mode is filtered through a keen sense of the lost promise of one country and the blinkered privilege of the other. It’s Gay’s unflinching directness—the sense that her characters are in the room with you, telling it like it is—that makes her irresistible.” —Vogue “A set of brief, tart stories mostly set amid the Haitian-American community and circling around themes of violation, abuse, and heartbreak . . . This book set the tone that still characterizes much of Gay’s writing: clean, unaffected, allowing the (often furious) emotions to rise naturally out of calm, declarative sentences. That gives her briefest stories a punch even when they come in at two pages or fewer, sketching out the challenges of assimilation in terms of accents, meals, or ‘What You Need to Know About a Haitian Woman’. . . . This debut amply contains the righteous energy that drives all her work.” —Kirkus Reviews




Let Them See You Sweat


Book Description

You may think, with this book’s title, it’s about being calm and cool in the face of pressure. It’s actually quite the opposite and more literal. My body actually stopped sweating. This was one of a variety of unusual health issues I faced, partially or wholly brought on by stress. And I had to learn how to get my body to sweat again naturally as no pill or prescription was going to help me. My solution to this and other issues were going to come from within. With people becoming more aware about stress and its incredible health impacts, many of us have found that we can pay a hefty price if we ignore or don’t acknowledge it. And I believe it frequently goes undiagnosed in the medical community. This book is about my journey, one I think many of you can relate to. This is not about what I’ve overcome. It’s about what I’ve learned in the hope it can help others. In this book I will share you with my journey and the key lessons I’ve learned along the way.










Wound from the Mouth of a Wound


Book Description

A versatile missive written from the intersections of gender, disability, trauma, and survival. “Some girls are not made,” torrin a. greathouse writes, “but spring from the dirt.” Guided by a devastatingly precise hand, Wound from the Mouth of a Wound—selected by Aimee Nezhukumatathil as the winner of the 2020 Ballard Spahr Prize for Poetry—challenges a canon that decides what shades of beauty deserve to live in a poem. greathouse celebrates “buckteeth & ulcer.” She odes the pulp of a bedsore. She argues that the vestigial is not devoid of meaning, and in kinetic and vigorous language, she honors bodies the world too often wants dead. These poems ache, but they do not surrender. They bleed, but they spit the blood in our eyes. Their imagery pulses on the page, fractal and fluid, blooming in a medley of forms: broken essays, haibun born of erasure, a sonnet meant to be read in the mirror. greathouse’s poetry demands more of language and those who wield it. “I’m still learning not to let a stranger speak / me into a funeral.” Concrete and evocative, Wound from the Mouth of a Wound is a testament to persistence, even when the body is not allowed to thrive. greathouse—elegant, vicious, “a one-girl armageddon” draped in crushed velvet—teaches us that fragility is not synonymous with flaw.