Shadowbytes


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Tremulous Hinge


Book Description

Rain intermits, bus windows steam up, loved ones suffer from dementia—in the constantly shifting, metaphoric world of Tremulous Hinge, figures struggle to remain standing and speaking against forces of gravity, time, and language. In these visually porous poems, boundaries waver and reconfigure along the rumbling shoreline of Rockaway or during the intermediary hours that an insomniac undergoes between darkness and dawn. Through a series of self-portraits, elegies, and Eros-tinged meditations, this hovering never subsides but offers, among the fragments, momentary constellations: “moths all swarming the / same light bulb.” From the difficulties of stuttering to teetering attempts at love, from struggling to order a hamburger to tracing the deckled edge of a hydrangea, these poems tumble and hum, revealing a hinge between word and world. Ultimately, among lofting waves, collapsing hands, and darkening skies, words themselves—a stutterer's maneuvers through speech, a deceased grandfather’s use of punctuation—become forms of consolation. From its initial turbulence to its final surprising solace, this debut collection mesmerizes.




All the World a Poem


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Poems tall or short or wide— All are infinite inside. In Gilles Tibo’s wonder-filled tribute to poetry, poems bloom in fields, fly on the wings of birds, and float on the foam of the sea. They are written in the dark of night, in the light of happiness, and in the warmth of the writer’s heart. Each poem is illustrated with Manon Gauthier’s whimsical paper collage art, which is both child-like and sophisticated. Rhymed or unrhymed, regular or irregular, the verses bring not just poems but the very concept of poetry to the level of a child, making them accessible to all. If all the world is a poem, then anyone can be a poet!




Radical Artifice


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Explores the intricate relationships of postmodern poetics to the culture of network television, advertising layout, and the computer. Perloff argues that poetry today, like the visual arts and theater, is always "contaminated" by the language of mass media. Among the many poets Perloff discusses are John Ashbery, George Oppen, Susan Howe, Clark Coolidge, Lyn Hejinian, Leslie Scalapino, Charles Bernstein, Johanna Drucker, Steve McCaffery, and preeminently, John Cage--Publisher.




Spring Essence


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Featured on NPR's "Fresh Air" "Sometimes books really do change the world... This one will set in motion a project that may transform Vietnamese culture."--Utne Reader Ho Xuan Huong--whose name translates as "Spring Essence"--is one of the most important and popular poets in Vietnam. A concubine, she became renowned for her poetic skills, writing subtly risque poems which used double entendre and sexual innuendo as a vehicle for social, religious, and political commentary. The publication of Spring Essence is a major historical and cultural event. It features a "tri-graphic" presentation of English translations alongside both the modern Vietnamese alphabet and the nearly extinct calligraphic Nom writing system, the hand-drawn calligraphy in which Ho Xuan Huong originally wrote her poems. It represents the first time that this calligraphy--the carrier of Vietnamese culture for over a thousand years--will be printed using moveable type. From the technology demonstrated in this book scholars worldwide can begin to recover an important part of Vietnam's literary history. Meanwhile, readers of all interests will be fascinated by the poetry of Ho Xuan Huong, and the scholarship of John Balaban. "It's not every day that a poet gets to save a language, although some might argue that is precisely the point of poetry."-- Publishers Weekly "Move over, Sappho and Emily Dickinson."-- Providence Sunday Journal "In the simple landscape of daily objects-jackfruit, river snails, a loom, a chess set, and perhaps most famously a paper fan--Ho found metaphors for sex, which turned into trenchant indictments of the plight of women and the arrogance, hypocrisy and corruption of men... Balaban's deft translations are a beautiful and significant contribution to the West's growing awareness of Vietnam's splendid literary heritage."--The New York Times Book Review The translator, John Balaban, was twice a National Book Award finalist for his own poetry and is one of the preeminent American authorities on Vietnamese literature. During the war Balaban served as a conscientious objector, working to bring war-injured children better medical care. He later returned to Vietnam to record folk poetry. Like Alan Lomax's pioneering work in American music, Balaban was to first to record Vietnam's oral tradition. This important work led him to the poetry of Ho Xuan Huong. Ngo Than Nhan, a computational linguist from NYU's Courant Institute of Mathematics, has digitized the ancient Nom calligraphy.




Poetry


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In Bytes We Travel


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In bits we marvel, in bytes we travel, this is a book written by a techie, Lin Hsin Hsin, which describes, navigates and encapsulates life in the cyberspace in five chapters: Net Life, Net.Net, Net Art, World Wide Web and NetFuture.It is here we savor the lifestyle of geeks and nerds, the cyber “kindwunders” and hear the voices of Netizens tunnelling through email. As we aspire and perspire in e-commerce, this book tells us how the author observed e-fraud and e-crimes that murder. Check out her views of aesthetics on the Net in the Net Art. In Net.Net, watch how she poetically portrays the beauty of firewall and protocols, and feel her frustration when a line drops. However, move on to the World Wide Web, pause and navigate together. As we look further, she asks “can we be cyberly-punctured?” As we wonder, this chapter offers a glimpse into the NetFuture. Whatever the case, as we nurture and mature in cyberspace, these are the bytes she has unraveled, hoping that you DON'T EVER miss this witty, humorous, unprecedented, unique 100-poems Net savvy poetry recital, sandwiched with the most lucid and sparkling images graphically created by the author in between chapters!




Second Millennium Poems


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"In this thoughtful, lyrical, and soaring collection, Bob takes the reader on a journey of love, loss, and revelation—illuminating the quiet truths of everyday moments and a sense of the divine in unexpected places. His poems are a joy to read." —Victoria Kelly, acclaimed poet and novelist, author of the poetry book When the Men Go Off to War and the novel Mrs. Houdini OK, so you are thinking of buying this book, or you have already purchased it. And you are now reading the back cover to get a hint about what’s on the inside. Good. I’m here to help. Below is what the author has provided the publisher to give you a snapshot of what you will find within, including a small biography. This book of 75 poems by Robert J. Mack is the culmination of a very creative period in the author’s life from the end of 2020 to the end of April 2022. The poems explore nature, life, our current culture, identity, good vs. evil, and what to make of it all. One poem regarding the 20th anniversary of 9/11 is owned by the Tunnel to Towers Foundation charity, and another about Winston Churchill is owned by the International Churchill Society. There are astute observations here about our lives on this planet, about the sense of wisdom we may get from our parents, and about God’s influence. Most of the poems have a short introduction.




The Book of Sharks


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Poetry. "THE BOOK OF SHARKS is an accomplishment at the micro and macro level. Rob Carney has crafted lines that you'll want to save for your next tattoo inside of efficient poems that touch on creation myth, forgotten industries, and slices of life in villages he manufactures with a creator's divine spark. All of this works on its own inside of a larger, complex quilt that he has woven into an intricate pattern that revisits themes, finishes stories, and reminds you that THE BOOK OF SHARKS is a larger poem that is greater than just its sharpened teeth."--Jesse Parent "In precise, sharp lines, Rob Carney's THE BOOK OF SHARKS builds and interrogates myth and myth-makers, turning to sharks to also turn inward and outward, exploring one's purpose and place and the stories one tells to make meaning. Here, poems wash out and return like the tides they describe, inviting the reader to feel their weight, as if 'to disappear under the stories / as though they were waves.' In the end, whether in water, sky, or story, Carney invites us to consider the essential motivation of 'moving, arriving, being full,' what it means to seek."--Callista Buchen "'Some say sharks are the ocean's anger at us for being in its future,' writes Rob Carney. I say poems are sharks' way of forgiving us for the soup, the necklaces, the movies, and the mascots. And, let's not even mention climate change. Rob Carney's trenchant, probing poems circle around the self, not so much sensing blood but, perhaps even more dangerously, searching for understanding. Part confession, part documentation, part meditation, these smartly crafted lyrics explore how and why we have and have not allowed sharks (metaphors for so many things) to swim into our lives. This is a major effort from a talented poet."--Dean Rader "In his ambitious collection, THE BOOK OF SHARKS, Rob Carney reimagines the human world and facets of contemporary society by creating a mythology and origin story that correct the erroneous legend of sharks. In building a new lens through which to view the sea and its most vilified species, Carney opens up a new way to conceive of art, life, storytelling, and the connections among living creatures in the sea, on land, and among the stars. 'Some say sharks are the ocean's anger,' he repeats in two poems, and later--as the collection evolves--they become 'the ocean's blueprint.' In this collection, comprised of seven sections, containing seven poems each, Carney weds structure and symbolism to reinforce his creation myth; correction and etymology to reconfigure historical facts; and repetition of images and phrases to place these poems--all without titles, bleeding poignantly into one another as part of an ongoing narrative or interconnected species--in the epic tradition. Here we are offered a sympathetic view of sharks, an alternative way to see constellations and their corresponding myths, and a new foundation from which to begin our lives and our stories. Carney's speaker demands that we reexamine what is actually dangerous versus what's been stereotyped so, and most of all he begs us to see ourselves new, 'to bear in mind / we aren't the measure of Creation. Just a part.'"--Lisa Fay Coutley




How to Read an Oral Poem


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Drawing on many examples including an American slam poet, a Tibetan paper-singer, a South African praise-poet, and an ancient Greek bard (Homer) the author shows that although oral poetry predates writing it continues to be a vital culture-making and communications tool. Based on research on epics, folktales, lyrics, laments, charms, etc.--Back cover.