Byzantine, Greek and Russian Icons: "image Picture God Likeness".
Author :
Publisher :
Page : 46 pages
File Size : 39,74 MB
Release : 1973
Category : Icons
ISBN :
Author :
Publisher :
Page : 46 pages
File Size : 39,74 MB
Release : 1973
Category : Icons
ISBN :
Author : Temple Gallery (London, England)
Publisher :
Page : 102 pages
File Size : 25,1 MB
Release : 1974
Category : Art
ISBN :
Author :
Publisher :
Page : 48 pages
File Size : 29,71 MB
Release : 1973
Category : Icons
ISBN :
Author : Robin Cormack
Publisher : Harvard University Press
Page : 156 pages
File Size : 24,15 MB
Release : 2007
Category : Art
ISBN : 9780674026193
Byzantine and Russian Orthodox icons are perhaps the most enduring form of religious art ever developed--and one of the most mysterious. This book provides an accessible guide to their story and power. Illustrated mostly with Cretan, Greek, and Russian examples from the British Museum, which houses Britain's most important collection, the book examines icons in the context of the history of Christianity, as well as within the perspective of art history.
Author : Dr Clemena Antonova
Publisher : Ashgate Publishing, Ltd.
Page : 210 pages
File Size : 35,22 MB
Release : 2013-06-28
Category : Religion
ISBN : 1409480593
This book contributes to the re-emerging field of 'theology through the arts' by proposing a way of approaching one of the most challenging theological concepts - divine timelessness - through the principle of construction of space in the icon. One of the main objectives of this book is to discuss critically the implications of 'reverse perspective', which is especially characteristic of Byzantine and Byzantining art. Drawing on the work of Pavel Florensky, one of the foremost Russian religious philosophers at the beginning of the 20th century, Antonova shows that Florensky's concept of 'supplementary planes' can be used productively within a new approach to the question. Antonova works up new criteria for the understanding of how space and time can be handled in a way that does not reverse standard linear perspective (as conventionally claimed) but acts in its own way to create eternalised images which are not involved with perspective at all. Arguing that the structure of the icon is determined by a conception of God who exits in past, present, and future, simultaneously, Antonova develops an iconography of images done in the Byzantine style both in the East and in the West which is truer to their own cultural context than is generally provided for by western interpretations. This book draws upon philosophy, theology and liturgy to see how relatively abstract notions of a deity beyond time and space enter images made by painters.
Author : Bertrand Davezac
Publisher :
Page : 288 pages
File Size : 44,32 MB
Release : 1988
Category : Christian saints in art
ISBN :
Author : Dennis J. Sardella
Publisher : Paraclete Press
Page : 175 pages
File Size : 15,77 MB
Release : 2022-10-25
Category : Religion
ISBN : 1640607307
A comprehensive and beautifully illustrated guide to Russian icons — the "beating heart of the Christian East" Religious icons have been at the spiritual heart of the Christian East for nearly two thousand years. Their mysterious, peaceful quality and almost magnetic power can stop us in our tracks and draw our gaze, without us even knowing why. The sophisticated composition and symbolism of icons emphasize that their subjects are inhabitants of another, transcendent, world. They are not simply the art of the Christian East, but the expression and pulse of its spirituality. And on a personal level for many Christians of all backgrounds, icons are not only objects of admiration, but a deep wellspring of meditation, reflection, and veneration. A docent at the Museum of Russian Icons in Clinton, Massachusetts, for many years, Dennis J. Sardella now offers an inviting guide to the most famous icons in the collection. This vibrantly illustrated book will: • Introduce you to icons and instill a desire for a deeper appreciation of them • Teach you about their origin, their historical evolution, their complex symbolic language, and their role in the spiritual and liturgical life of the Eastern Churches, both Orthodox and Catholic • Answer your questions about when and where the first icons were created • Show the physical and spiritual steps in their creation • Explain the different types of icons, the symbolism that is key to deciphering them, as well as their role in Eastern Christian spirituality and liturgy. Those who are knowledgeable about Russian icons and Byzantine icons, as well as newcomers, will find Visible Image of the Invisible God to be a treasured resource.
Author : Bissera V
Publisher : Penn State Press
Page : 346 pages
File Size : 23,74 MB
Release :
Category : Art
ISBN : 0271035846
"Explores the Byzantine aesthetic of fugitive appearances by placing and filming art objects in spaces of changing light, and by uncovering the shifting appearances expressed in poetry, descriptions of art, and liturgical performance"--Provided by publisher.
Author :
Publisher :
Page : 614 pages
File Size : 45,51 MB
Release : 1973
Category : American literature
ISBN :
Includes entries for maps and atlases.
Author : Clarence E. Walker
Publisher : Oxford University Press
Page : 210 pages
File Size : 26,89 MB
Release : 2001-06-14
Category : History
ISBN : 0195357302
Afrocentrism has been a controversial but popular movement in schools and universities across America, as well as in black communities. But in We Can't Go Home Again, historian Clarence E. Walker puts Afrocentrism to the acid test, in a thoughtful, passionate, and often blisteringly funny analysis that melts away the pretensions of this "therapeutic mythology." As expounded by Molefi Kete Asante, Yosef Ben-Jochannan, and others, Afrocentrism encourages black Americans to discard their recent history, with its inescapable white presence, and to embrace instead an empowering vision of their African (specifically Egyptian) ancestors as the source of western civilization. Walker marshals a phalanx of serious scholarship to rout these ideas. He shows, for instance, that ancient Egyptian society was not black but a melange of ethnic groups, and questions whether, in any case, the pharaonic regime offers a model for blacks today, asking "if everybody was a King, who built the pyramids?" But for Walker, Afrocentrism is more than simply bad history--it substitutes a feel-good myth of the past for an attempt to grapple with the problems that still confront blacks in a racist society. The modern American black identity is the product of centuries of real history, as Africans and their descendants created new, hybrid cultures--mixing many African ethnic influences with native and European elements. Afrocentrism replaces this complex history with a dubious claim to distant glory. "Afrocentrism offers not an empowering understanding of black Americans' past," Walker concludes, "but a pastiche of 'alien traditions' held together by simplistic fantasies." More to the point, this specious history denies to black Americans the dignity, and power, that springs from an honest understanding of their real history.