C.R.W. Nevinson


Book Description




C.R.W. Nevinson


Book Description

C.R.W. Nevinson (1889-1946) is regarded as one of the finest British printmakers of the first half of the twentieth century - admired by contemporaries and modern-day viewers in equal measure. Drawing on original archival research and including a catalogue raisonne of Nevinson's prints, this unrivalled resource stands as a landmark publication in the literature available on this outstanding British modernist."




A Dilemma of English Modernism


Book Description

Presents a "first history" of the artist and his work within the literary and sociocultural context of contemporary London, Paris, Milan, and New York. This work also emphasizes a re-evaluative positioning of Nevinson's work within a modernist framework in literature and art in the first half of the twentieth century in northwest Europe.




How the work of artist C.R.W. Nevinson reflected the political events and movements happening at the time


Book Description

Seminar paper from the year 2014 in the subject Art - History of Art, grade: 1,9, , language: English, abstract: C.R.W. Nevinson, like other war artists, painted what he witnessed at first hand at the frontline during the First World War. Yet, his art is not merely reporting the events but likewise an artistic vision and interpretation of it. This paper explores the impact of his work on the perception of the war at the time and seeks to understand the role of "war artist" in the early twentieth century.




C.R.W. Nevinson


Book Description

Christopher Nevinson is best known for his depictions of World War I, but he was also an accomplished painter and printmaker. In this, the most comprehensive book available on Nevinson's work and art, his achievements and his contribution to twentieth-century art receive a long-overdue reassessment.




Modern War


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The Modernity of English Art, 1914-30


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"The modernity of English art reconceptualises the history of English painting from 1914 to the end of the 1920s. Whereas most accounts have tended to see the period as marked by a tension between the native tradition and Modernism, this ground-breaking book rethinks the 1920s by situating both Modernist and non-Modernist painters within a wider cultural history. Established figures such as Paul Nash, Edward Wadsworth and Wyndham Lewis, as well as lesser-known artists like Charles Sims, John Armstrong and Ethelbert White, are discussed and illustrated in a series of innovative readings within this context. The modernity of English art offers a new account of painting in England after 1914 and argues for a strongly revisionist view of the significance of the modern during this important but neglected period in English art." --




A Crisis of Brilliance


Book Description

The formative years of five of the most important British artists of the 20th century.




The Vorticists


Book Description

The first exhibition in Italy dedicated to Vorticism, Britain's contribution to the visual avant-gardes that flourished in Europe at the beginning of the 20th century. Its distinctive figurative abstraction was a London-based Anglo-American response to Cubism and Futurism. Led by poet Ezra Pound and by artist and writer Wyndham Lewis Vorticism flared up between 1913 and 1918.




Paint And Prejudice


Book Description

A prominent figure in the Vorticist art movement of the early 20th century, C.R.W. Nevinson was also a prolific writer and journalist. In this collection of essays and articles, he reflects on a wide range of artistic and cultural topics, from the impact of the First World War on the avant-garde to the rise of modernism in literature. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.