Cairo's Street Stories


Book Description

In 1872, Ismail Pasha, the khedive of Egypt, was the first to adopt the European custom of positioning heroic statues on public display as a symbolic message of the continuing authority of the ruling Muhammad Ali dynasty to which he belonged, but it was not until the early twentieth century and the determination of sculptor Mahmoud Mukhtar that such public art gained general acceptance, and today statues stand, ride, or sit in the streets, squares, and gardens of Cairo. Each sculpture adds a piece to the jigsaw of history spanning personalities and events that shaped the city and wider Egypt from 1805 to 1970, and here Cairo-based author Lesley Lababidi provides a unique perspective on Egyptian history through looking at more than thirty statues and monumental sculptures and the stories behind them. Between statues, she explores Cairo's growth and its multidimensional identity, as manifested in the development and changing use of city space over the centuries, and examines the relationship of Cairo's modern denizens with the landscapes, districts, palaces, archaeological sites, cafés, bridges, and gardens of their great and maddening city, the Mother of the World. Illustrated throughout with color photographs and archival pictures, Cairo's Street Stories presents a unique and lively view of the history that fashioned the city's streets and open spaces, and of the many and often unexpected uses to which its inventive inhabitants put them.




Cairo’s Street Stories


Book Description

In 1872, Ismail Pasha, the khedive of Egypt, was the first to adopt the European custom of positioning heroic statues on public display as a symbolic message of the continuing authority of the ruling Muhammad Ali dynasty to which he belonged, but it was not until the early twentieth century and the determination of sculptor Mahmoud Mukhtar that such public art gained general acceptance, and today statues stand, ride, or sit in the streets, squares, and gardens of Cairo. Each sculpture adds a piece to the jigsaw of history spanning personalities and events that shaped the city and wider Egypt from 1805 to 1970, and here Cairo-based author Lesley Lababidi provides a unique perspective on Egyptian history through looking at more than thirty statues and monumental sculptures and the stories behind them. Between statues, she explores Cairo’s growth and its multidimensional identity, as manifested in the development and changing use of city space over the centuries, and examines the relationship of Cairo’s modern denizens with the landscapes, districts, palaces, archaeological sites, cafés, bridges, and gardens of their great and maddening city, the Mother of the World. Illustrated throughout with color photographs and archival pictures, Cairo’s Street Stories presents a unique and lively view of the history that fashioned the city’s streets and open spaces, and of the many and often unexpected uses to which its inventive inhabitants put them.




Cairo


Book Description

From its earliest days as a royal settlement fronting the pyramids of Giza to its current manifestation as the largest metropolis in Africa, Cairo has forever captured the urban pulse of the Middle East. In Cairo: Histories of a City, Nezar AlSayyad narrates the many Cairos that have existed throughout time, offering a panoramic view of the city’s history unmatched in temporal and geographic scope, through an in-depth examination of its architecture and urban form. In twelve vignettes, accompanied by drawings, photographs, and maps, AlSayyad details the shifts in Cairo’s built environment through stories of important figures who marked the cityscape with their personal ambitions and their political ideologies. The city is visually reconstructed and brought to life not only as a physical fabric but also as a social and political order—a city built within, upon, and over, resulting in a present-day richly layered urban environment. Each chapter attempts to capture a defining moment in the life trajectory of a city loved for all of its evocations and contradictions. Throughout, AlSayyad illuminates not only the spaces that make up Cairo but also the figures that shaped them, including its chroniclers, from Herodotus to Mahfouz, who recorded the deeds of great and ordinary Cairenes alike. He pays particular attention to how the imperatives of Egypt's various rulers and regimes—from the pharaohs to Sadat and beyond—have inscribed themselves in the city that residents navigate today.




A Field Guide to the Street Names of Central Cairo


Book Description

The map of a city is a palimpsest of its history. In Cairo, people, places, events, and even dates have lent their names to streets, squares, and bridges, only for those names often to be replaced, and then replaced again, and even again, as the city and the country imagine and reimagine their past. The resident, wandering boulevards and cul-de-sacs, finds signs; the reader, perusing novels and histories, finds references. Who were ʿAbd el-Khaleq Sarwat Basha or Yusef el-Gindi that they should have streets named after them? Who was Nubar Basha and why did his street move from the north of the city to its center in 1933? Why do older maps show two squares called Bab el-Luq, while modern maps show none? Focusing on the part of the city created in the wake of Khedive Ismail’s command, given in 1867, to create a “Paris on the Nile” on the muddy lands between medieval Cairo and the river, A Field Guide to the Street Names of Cairo lists more than five hundred current and three hundred former appellations. Current street names are listed in alphabetical order, with an explanation of what each commemorates and when it was first recorded, followed by the same for its predecessors. An index allows the reader to trace streets whose names have disappeared or that have never achieved more than popular status. This is a book that will satisfy the curiosity of all, be they citizens, long-term residents, or visitors, who are fascinated by this most multi-layered of cities and wish to understand it better.




Cairo Stories


Book Description

Egypt is the setting for this collection, but the stories are universal -whether it's the girl whose mother no longer recognises her, a young man who uses the changing political climate to avenge his despotic father, or the woman consumed by guilt for abandoning her children. Echoing V.S. Pritchett's words, they 'look for the silent moment in which our singularity breaks through, when emotions change, without warning, and reveal themselves. And while revealing themselves they also unveil the scents and sensations of modern Cairo, from the early 1930s to the present day. Essential reading, not only for those with a love of this fascinating city but for those who cherish the story, unobtrusively and beautifully rendered.




The Literary Atlas of Cairo


Book Description

Unlike The Literary Atlas of Cairo, which focuses on the literary geopolitics of the cityscape, this companion volume immerses the reader in the complex network of socioeconomic and cultural lives in the city. The seven chapters first introduce the reader to representations of some of Cairo's prominent profiles, both political and cultural, and their impact on the city's literary geography, before presenting a spectrum of readings of the city by its multiethnic, multinational, and multilingual writers across class, gender, and generation. Daunting images of colonial school experiences and startling contrasts of postcolonial educational realities are revealed, while Cairo's moments of political participation and oppression are illustrated, as well as the space accorded to women within the city across history and class. The city's marginals are placed on its literary map, alongside representations of the relationship between writing and drugs, and the places, paraphernalia, and products of the drug world across class and time.




Sugar Street


Book Description







The Book of Cairo


Book Description

A corrupt police officer trawls the streets of Cairo on the most important assignment of his career: the answer to the truth of all existence… A young journalist struggles over the obituary of a nightclub dancer… A man slowly loses his mind in one of the city’s new desert developments... There is a saying that, whoever you are, if you come to Cairo you will find a hundred people just like you. For over a thousand years, the city on the banks of the Nile has welcomed travellers from around the world. But in recent years Cairo has also been a stage for expressions of short-lived hope, political disappointments and a violent repression that can barely be written about. These ten short stories showcase some of the most exciting, emerging voices in Egypt, guiding us through one of the world’s largest and most historic cities as it is today – from its slums to its villas, its bars and its balconies, through its infamous traffic. Appearing in English for the first time, these stories evoke the sadness and loss of the modern city, as well as its humour and beauty. Translated by Adam Talib, Raphael Cohen, Basma Ghalayini, Thoraya El-Rayyes, Raph Cormack, Andrew Leber, Ruth Ahmedzai Kemp, Elisabeth Jaquette, Kareem James Abu-Zeid & Yasmine Seale. One of World Literature Today's 75 Notable Translations of 2019. '[The Book of Cairo] has no need for camels or pyramids or an exaggeration of whatever the Western eye is looking for. Reading it feels like sitting in a cafe in Cairo with young literary men and women, listening to their stories that dig deep into what Cairo is and is not.' - Asymptote Journal 'Though each story in The Book of Cairo is unique – ten stories by ten writers, translated by ten translators – they feed into one another artfully, like a movie soundtrack, a concept album, or a full novel. The cogs of Cairo turn through this book, and they move faster and more erratically as the pages turn – just as life in Cairo itself does.' - Books and Bao




The Story of Cairo


Book Description

Cairo is in the fullest sense a medieval city. It had no existence before the Middle Ages; its vigorous life as a separate Metropolis almost coincides with the arbitrary millennium of the middle period of history; and it still retains to this day much of its mediaeval character and aspect. The aspect is changing, but not the life. The amazing improvements of the past hundred years have altered the Egyptian's material condition, but scarcely as yet touched his character.