California Cool: Revised Edition


Book Description

0 0 1 80 459 The Images Publishing Group 3 1 538 14.0 Normal 0 false false false EN-AU JA X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:Cambria;} From Southern California’s beach towns, to the rolling hills surrounding San Francisco Bay, and to the lush vineyards of Napa and Sonoma, this book examines residential design in both urban and rural settings. Russell Abraham’s striking architectural images and insightful writing give a unique human face to the architects and their works. The table is set and the doors are open. Come in and feast on the architectural bounty that is California Cool. Updated and revised, this new edition is sure to delight as much as the original.




California Cool


Book Description

Showcases the modern residential style in Southern California and includes many of California's masters of modern residential architecture. Includes outstanding photography by Russell Abrahams.With Silicon Valley in the north and Hollywood in the south, California has become a magnet for creative and entrepreneurial types from within the United States and around the world. Architects have not been immune to the Golden State's aesthetic and cultural draw. Here, in the melting pot of world cultures and native talent, modern residential architecture has been reborn. From the seaside towns of Los Angeles to the rolling hills of San Francisco and the wine country of the Napa and Sonoma Valleys, California's adventurous architects have reached back to the cultural and economic optimism of the 1950s to give modern architectural design a new look.With its mild climate and sun-filled days, California has always been a natural fit for modernism's tenets of open plans, indoor-outdoor living, and expansive window walls. There modernist design concepts have adapted easily to the 21st Century's demand for green architecture and energy conservation. Many of the houses in 'California Cool' are energy independent and built using either recycled or sustainable materials.'California Cool' includes contemporary work from some of modern architecture's progenitor's from the mid 20th century along with designs from the young practitioners of the 21st century, who can be found working out of converted warehouses and lofts in Los Angeles, San Francisco, and Berkeley. From north to south, this beautifully illustrated book captures the rich, creative vibrancy of California's modern architectural presence.AUTHOR: Russell Abraham is one of the leading architectural photographers on the U.S. West Coast. He has the unique ability to both write about and photograph architecture in an incisive way. His work has appeared in many books and trade journals on architecture and interior design. SELLING POINTS:- Showcases the modern residential style in Southern California- Includes many of California's masters of modern residential architecture- Includes outstanding photography by Russell Abraham 270 col.




Lauren Conrad: California Cool Lifestyle Designer


Book Description

In this engaging biography, readers will learn about the creator of LC Lauren Conrad, Lauren Conrad. Follow Conrad's story from her childhood in California, to her early years as an actress, to her founding of the fashion lines Lauren Conrad Collection, LC Lauren Conrad, and Paper Crown and the marketing site The Little Market. Fun facts, a timeline, a glossary, and an index supplement the color photos showcased in this inspiring biography. Aligned to Common Core Standards and correlated to state standards. Checkerboard Library is an imprint of Abdo Publishing, a division of ABDO.




California Design, 1930¿1965 Living In a Modern Way


Book Description

The first comprehensive examination of California''s mid-century modern design, generously illustrated. In 1951, designer Greta Magnusson Grossman observed that California design was "not a superimposed style, but an answer to present conditions.... It has developed out of our own preferences for living in a modern way." California design influenced the material culture of the entire country, in everything from architecture to fashion. This generously illustrated book, which accompanies a major exhibition at the Los Angeles County Museum of Art, is the first comprehensive examination of California''s mid-century modern design. It begins by tracing the origins of a distinctively California modernism in the 1930s by such European émigrés as Richard Neutra, Rudolph Schindler, and Kem Weber; it finds other specific design influences and innovations in solid-color commercial ceramics, inspirations from Mexico and Asia, new schools for design training, new concepts about leisure, and the conversion of wartime technologies to peacetime use (exemplified by Charles and Ray Eames''s plywood and fiberglass furniture). The heart of California Design is the modern California home, famously characterized by open plans conducive to outdoor living. The layouts of modernist homes by Pierre Koenig, Craig Ellwood, and Raphael Soriano, for example, were intended to blur the distinction between indoors and out. Homes were furnished with products from Heath Ceramics, Van Keppel-Green, and Architectural Pottery as well as other, previously unheralded companies and designers. Many objects were designed to be multifunctional: pool and patio furniture that was equally suitable indoors, lighting that was both task and ambient, bookshelves that served as room dividers, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. of wartime technologies to peacetime use (exemplified by Charles and Ray Eames''s plywood and fiberglass furniture). The heart of California Design is the modern California home, famously characterized by open plans conducive to outdoor living. The layouts of modernist homes by Pierre Koenig, Craig Ellwood, and Raphael Soriano, for example, were intended to blur the distinction between indoors and out. Homes were furnished with products from Heath Ceramics, Van Keppel-Green, and Architectural Pottery as well as other, previously unheralded companies and designers. Many objects were designed to be multifunctional: pool and patio furniture that was equally suitable indoors, lighting that was both task and ambient, bookshelves that served as room dividers, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. , and fashion, and ten incisive essays that trace the rise of the California design aesthetic.P>California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic.of wartime technologies to peacetime use (exemplified by Charles and Ray Eames''s plywood and fiberglass furniture). The heart of California Design is the modern California home, famously characterized by open plans conducive to outdoor living. The layouts of modernist homes by Pierre Koenig, Craig Ellwood, and Raphael Soriano, for example, were intended to blur the distinction between indoors and out. Homes were furnished with products from Heath Ceramics, Van Keppel-Green, and Architectural Pottery as well as other, previously unheralded companies and designers. Many objects were designed to be multifunctional: pool and patio furniture that was equally suitable indoors, lighting that was both task and ambient, bookshelves that served as room dividers, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. , and fashion, and ten incisive essays that trace the rise of the California design aesthetic.iders, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. , and fashion, and ten incisive essays that trace the rise of the California design aesthetic.




California Cool


Book Description

Following The Cover Art of Blue Note', this is a selection of the best of the covers produced by the Contemporary and Pacific Jazz record labels during the boom days of West Coast jazz in the 1950s. Unlike Blue Note, which was an East Coast operation, these two labels were based in and around Los Angeles, on the West Coast, and there is a Californian feel to the covers they produced.




Bulletin


Book Description




How We Talk


Book Description

In short, delightful essays, a professor of English explains the key features that make American speech so expressive and distinct. With chapters on ethnic dialects and dialects in the movies, the author reveals the resplendence of one of our nation's greatest natural resources--its endless and varied talk.




Industrial Management


Book Description




The Modern Moves West


Book Description

In 1921 Sam Rodia, an Italian laborer and tile setter, started work on an elaborate assemblage in the backyard of his home in Watts, California. The result was an iconic structure now known as the Watts Towers. Rodia created a work that was original, even though the resources available to support his project were virtually nonexistent. Each of his limitations—whether of materials, real estate, finances, or his own education—passed through his creative imagination to become a positive element in his work. In The Modern Moves West, accomplished cultural historian Richard Cándida Smith contends that the Watts Towers provided a model to succeeding California artists that was no longer defined through a subordinate relationship to the artistic capitals of New York and Paris. Tracing the development of abstract painting, assemblage art, and efforts to build new arts institutions, Cándida Smith lays bare the tensions between the democratic and professional sides of modern and contemporary art as California developed a distinct regional cultural life. Men and women from groups long alienated—if not forcibly excluded—from the worlds of "high culture" made their way in, staking out their participation with images and objects that responded to particular circumstances as well as dilemmas of contemporary life, in the process changing the public for whom art was made. Beginning with the emergence of modern art in nineteenth-century France and its influence on young Westerners and continuing through to today's burgeoning border art movement along the U.S.-Mexican frontier, The Modern Moves West dramatically illustrates the paths that California artists took toward a more diverse and inclusive culture.