CALYPSO'S ENCHANTMENT


Book Description

Malta—the island where I fell in love. Susannah and Mark fell in love on the beautiful island of Malta. They thought their love would last forever, but Susannah soon found reason to doubt Mark’s intentions and left the island without a word. One year later, they happen to meet again, and Susannah finds out that Mark is an incredibly successful investor, something he’d never told her before. Disgusted by his lies, she attempts to distance herself from him. But when she finds out her sister desperately needs help, she has no choice but to reluctantly approach him…




Enchanted Islands


Book Description

In Enchanted Islands, renowned art historian Mary D. Sheriff explores the legendary, fictional, and real islands that filled the French imagination during the ancien regime as they appeared in royal ballets and festivals, epic literature, paintings, engravings, book illustrations, and other objects. Some of the islands were mythical and found in the most popular literary texts of the day—islands featured prominently, for instance, in Ariosto’s Orlando furioso,Tasso’s Gerusalemme liberata, and Fénelon’s, Telemachus. Other islands—real ones, such as Tahiti and St. Domingue—the French learned about from the writings of travelers and colonists. All of them were imagined to be the home of enchantresses who used magic to conquer heroes by promising sensual and sexual pleasure. As Sheriff shows, the theme of the enchanted island was put to many uses. Kings deployed enchanted-island mythology to strengthen monarchical authority, as Louis XIV did in his famous Versailles festival Les Plaisirs de l’île enchantée. Writers such as Fénelon used it to tell morality tales that taught virtue, duty, and the need for male strength to triumph over female weakness and seduction. Yet at the same time, artists like Boucher painted enchanted islands to portray art’s purpose as the giving of pleasure. In all these ways and more, Sheriff demonstrates for the first time the centrality of enchanted islands to ancient regime culture in a book that will enchant all readers interested in the art, literature, and history of the time.




Women of the Prologue


Book Description

He strives to release both writing practices and female identity from a repressive ideology of the self and focuses on their transformative nature. He presents ways for both writer and female character to define oneself by and for oneself and not in terms of an "other." And in both cases, he stresses the importance of absence to distance himself from past tradition and to emphasize greater freedom and responsibilities for writer and reader and for women in seventeenth-century Spain."--Jacket.




This Enchanted Island


Book Description

Miss Metis Seabourne flees scandal and humiliation for a Continental sea voyage… and quite happily gets herself kidnapped by privateers. On board the Caliban, Metis finds a new family of misfit, piratical rogues including the handsome Captain Bones and his dazzling first mate, Calypso. She ditches the teagowns for britches, and learns to feel capable rather than ladylike. For the first time in her life, she is free to be herself. Her old world, of house parties and magical croquet, returns with a jolt when the crew of the Caliban join a caper with a runaway queen and the mysterious Isle of Dream with its mermaids, sea witches and whimsical wild magic. Caught between two people she loves, Metis must learn to be braver than she’s ever been before. The long-awaited sixth novella in the Teacup Magic series! If you enjoy queer pirates, ruffled white shirts, and chaotic magical adventures, you'll adore this off-the-rails cozy gaslamp fantasy.




Visions of Enchantment


Book Description

Himself primarily a classicist, Parry offers 10 essays introducing magical themes and variations in literary fiction, both to begin what he sees as a neglected endeavor, and to encourage lay and specialist readers to turn or return to some of the works he considers. He focuses almost exclusively on western literature and a select scattering of ancient and modern texts. c. Book News Inc.







The Unknown Odysseus


Book Description

The Unknown Odysseus is a study of how Homer creates two versions of his hero, one who is the triumphant protagonist of the revenge plot and another, more subversive, anonymous figure whose various personae exemplify an entirely different set of assumptions about the world through which each hero moves and about the shape and meaning of human life. Separating the two perspectives allows us to see more clearly how the poem's dual focus can begin to explain some of the notorious difficulties readers have encountered in thinking about the Odyssey. In The Unknown Odysseus, Thomas Van Nortwick offers the most complete exploration to date of the implications of Odysseus' divided nature, showing how it allows Homer to explore the riddles of human identity in a profound way that is not usually recognized by studies focusing on only one "real" hero in the narrative. This new perspective on the epic enriches the world of the poem in a way that will interest both general readers and classical scholars. ". . .an elegant and lucid critical study that is also a good introduction to the poem." ---David Quint, London Review of Books "Thomas Van Nortwick's eloquently written book will give the neophyte a clear interpretive path through the epic while reminding experienced readers why they should still care about the Odyssey's unresolved interpretive cruces. The Unknown Odysseus is not merely accessible, but a true pleasure to read." ---Lillian Doherty, University of Maryland "Contributing to an important new perspective on understanding the epic, Thomas Van Nortwick wishes to resist the dominant, even imperial narrative that tries so hard to trick, beguile, and even bully its listeners into accepting the inevitability of Odysseus' heroism." ---Victoria Pedrick, Georgetown University Thomas Van Nortwick is Nathan A. Greenberg Professor of Classics at Oberlin College and author of Somewhere I Have Never Travelled: The Second Self and the Hero's Journey in Ancient Epic (1992) and Oedipus: The Meaning of a Masculine Life (1998). Jacket art: Head of Odysseus from a sculptural group representing Odysseus killing Polyphemus in the Museo Archeologico Nazionale in Sperlonga, Italy. Photograph by Marie-Lan Nguyen.




Transforming Texts


Book Description

Presents four essays whose themes are rooted in ancient texts whether they be in the Homeric poetry of Ulysses, the Greek myth of Orpheus, Old Testament archetypes, or the Mayan astronomers of pre-Columbian Mexico.[Book Jacket].




The Hero's Quest and the Cycles of Nature


Book Description

This examination of the heroic journey in world mythology casts the protagonist as a personification of nature--a "botanical hero" one might say--who begins the quest in a metaphorical seed-like state, then sprouts into a period of verdant strength. But the hero must face a mythic underworld where he or she contends with mortality and sacrifice--embracing death as a part of life. For centuries, humans have sought superiority over nature, yet the botanical hero finds nothing is lost by recognizing that one is merely a part of nature. Instead, a cyclical promise of continuous life is realized, in which no element fully disappears, and the hero's message is not to dwell on death.




Old Tales and New Truths


Book Description

This guidebook to the Bright-Shadow World develops three closely related issues. The first is the position that fairytales and folktales are of value today because they encourage the growth of capabilities important in our postmodern world. Each of us, like the fairytale hero, sets out on his/her own quests, seeks his/her own identity, faces his/her own dilemmas with few resources but wit, imagination, and a certain power of improvisation. King develops the implications of this situation for such common fairytale problems as learning to read the world productively; navigating various kinds of "edges;" exploiting power sources; developing highly personal moral commitments; problem solving; and data collecting. The second concern of this book is with the development of a system for analyzing narrative structure. The formula offered here involves an examination of interactions among actors, physical settings, lines of force, and power sources as a narrative moves toward its denouement. This system facilitates the classifying, and contrasting of narratives, and illuminates the structure of both narrative and lived experience. Finally, this book is concerned with myth-making or world-making processes. It is shown that traditional narrative actually points to and delineates another dimension of existence (here called "the Bright-Shadow World") that operates by rules of its own and may be penetrated by individuals from our ordinary world. Inferences about the Bright-Shadow World drawn from traditional narrative are described and evaluated.