Emily Carr


Book Description

Emily Carr (1871--1945) is one of Canada's most beloved artists. An independent woman and a Westerner who gained prominence at a time when female painters were not recognized internationally, her life and work reflect a profound commitment to the land she knew and loved. Carr's sensitive evocations reveal an artist grappling with spiritual questions inspired by the Canadian sea, land, and people. Although more than half a century has passed since her death, any artist who engages with the West Coast must contend with her legacy. Her paintings continue to inspire generations of artists. Along with the Group of Seven, Carr became a leading figure in Canadian modern art in the early twentieth century. Emily Carr: Life & Work traces the artist's trajectory from her life in Victoria, where she struggled to receive acceptance, to her status as one of Canada's most influential painters. With insight and intelligence, author Lisa Baldissera explores how although during Carr's life she endured hardship, personal isolation, and rejection, she persevered to create an iconic vision for the nation. This book explores how Carr travelled extensively, learning from European, American, and Indigenous forms and receiving formal training at art academies as well as from private tutors. In doing so, she continued to grow in artistic power as a result of her own intense observation and of her vigorous experimentation with a variety of methods and media, reflecting the fusion of wide-ranging influences. Baldissera reveals why Carr's art remains relevant today and its legacy interests many contemporary West Coast artists.




Iljuwas Bill Reid


Book Description

Few twentieth-century artists were catalysts for the reclamation of a culture, but Iljuwas Bill Reid (1920-1998) was among them. The first book on the artist by an Indigenous scholar details Reid's incredible journey to becoming one of the most significant Northwest Coast artists of our time. Born in British Columbia and denied his mother's Haida heritage in his youth, Iljuwas Bill Reid lived the reality of colonialism yet tenaciously forged a creative practice that celebrated Haida ways of seeing and making. Over his fifty-year career, he created nearly a thousand original works and dozens of texts, and he is remembered as a passionate artist, community activist, mentor, and writer. Reid was often said to embody the Raven, a trickster who transforms the world. He followed in the footsteps of his great-great-uncle, master Haida artist Daxhiigang (Charles Edenshaw), engaging with a culture whose practices were once banned by the Indian Act and producing symbols for a nation. His iconic large-scale works now occupy sites such as the Canadian Embassy in Washington, D.C., and the Museum of Anthropology at the University of British Columbia in Vancouver. Reid's legacy is a complex story of power, resilience, and strength. In Iljuwas Bill Reid: Life & Work, acclaimed scholar Gerald McMaster examines how the artist made a critical inquiry into his craft throughout his life, gaining a sense of identity, purpose, and impact.




Michael Snow


Book Description




William Kurelek


Book Description




Canadian Art in the Twentieth Century


Book Description

Joan Murray discusses social and political events in combination with the movements, ideas, attitudes, styles, and important groups in Canadian art of this century.




Robert Houle


Book Description

Saulteaux artist Robert Houle (b.1947) has claimed space and authority for Indigenous representation in contemporary art for more than fifty years. This new publication celebrates his generational influence and coincides with his exhibition Red Is Beautiful, organized by the Art Gallery of Ontario and touring to the Winnipeg Art Gallery and the National Museum of the American Indian at the Smithsonian Institution. A curator, writer, and educator as well as an artist, Houle has made a profound impact. Growing up on the Sandy Bay First Nation/Kaa-wii-kwe-tawang-kak in Manitoba, he was placed in residential school and denied access to his family and traditions. Always fiercely principled, he has dedicated his career to challenging colonialist perspectives. In 1980, he resigned from his position as the first curator of contemporary Indigenous art at the National Museum of Man (now the Canadian Museum of History) and set off on a path toward creating a remarkable body of work that spans painting, drawing, and large-scale installation. Robert Houle: Life & Work reveals how Houle's artistic output has opened critical discussion on political and cultural issues surrounding First Nations peoples, including Indigenous identity, the impact of colonialism, and land claims and residential schools. Houle has played a pivotal role in bringing contemporary Indigenous artists into the Canadian art mainstream through his writing and curating of important exhibitions, such as Land, Spirit, Power: First Nations at the National Gallery of Canada in 1992. This book also explores the artist's public art projects, critical elements of his legacy for art in Canada.




Revision and Resistance


Book Description

Revision & Resistance reveals the story of Kent Monkman's monumental 2019 diptych commission mistik?siwak (Wooden Boat People) for the Metropolitan Museum of Art. This book celebrates Monkman's historic achievement with essays and contributions by today's most prominent voices on Indigenous art and Canadian painting.




Annie Pootoogook


Book Description

Cape Dorset-born Annie Pootoogook (1969-2016) explored, celebrated, and depicted her northern community in unprecedented ways. Pootoogook belonged to a family of famed Inuit artists that included her parents Eegyvudluk and Napachie, and her grandmother, the celebrated Pitseolak Ashoona. In 1997, Pootoogook started working at the West Baffin Eskimo Co-operative's Kinngait Studios, where she produced drawings in ink and crayon on a monumental scale. In addition to depicting scenes of everyday life in the North--including people watching TV, playing cards, shopping, or cooking dinnerh--Pootoogook depicted such difficult subjects as alcoholism, domestic abuse, food scarcity, and the effects of intergenerational trauma. Pootoogook's compelling drawings resulted in her national and international recognition. Author Nancy G. Campbell reveals how the strength of Pootoogook's work speaks not to what she saw but the way she saw it, and how her distinct images of nude women, spiritual encounters, and domestic scenes led the way for the works of many contemporary Inuit artists.




Unsettling Canadian Art History


Book Description

Bringing together fifteen scholars of art and culture, Unsettling Canadian Art History addresses the visual and material culture of settler colonialism, enslavement, and racialized diasporas in the contested white settler state of Canada. This collection offers new avenues for scholarship on art, archives, and creative practice by rethinking histories of Canadian colonialisms from Black, Indigenous, racialized, feminist, queer, trans, and Two-Spirit perspectives. Writing across many positionalities, contributors offer chapters that disrupt colonial archives of art and culture, excavating and reconstructing radical Black, Indigenous, and racialized diasporic creation and experience. Exploring the racist frameworks that continue to erase histories of violence and resistance, this book imagines the expansive possibilities of a decolonial future. Unsettling Canadian Art History affirms the importance of collaborative conversations and work in the effort to unsettle scholarship in Canadian art and culture.




Western Voices in Canadian Art


Book Description

The story of artists in Western Canada, and how they changed the face of Canadian art “Listen to the visual voices of artists. They tell us so poignantly who we are, what we must cherish, and what we must address as a society.” Patricia Bovey Throughout her remarkable career as a gallery director, curator, and author, Patricia Bovey has tirelessly championed the work of Western Canadian artists. Western Voices in Canadian Art brings this lifelong passion to a crescendo, delivering the most ambitious survey of Western Canadian Art to date. Beginning with the earliest European-trained artists in Western Canada, and moving up to present day, Bovey amplifies the depth, scope, and importance of the diverse artists (both settler and Indigenous) whose distinct voices have contributed to the Western Canadian artistic tradition. Bovey then adopts a thematic approach, richly informed by her knowledge and experience, connecting art and artists through time and across provincial boundaries. Insights from Bovey’s studio visits and conversations with artists enhance our understandings of the history and trajectory of, and impetus for Canadian artistic creation. Lavishly illustrated with over 250 works reproduced in full colour, Western Voices in Canadian Art is a book that needs to be seen, and its artists and art celebrated.