Canebrake Beach


Book Description

Four tenant families, some black and some white, lived on the farm owned by author John Keith’s family as a child. Although no one who grew up on the farm except for him was active in the civil rights movement, in Canebrake Beach he imagines what would happened to members of black and white families as they progress from the Jim Crow era and beyond. The other short stories in the book explore friendships, relationships, and conflicts of white and black people in the South at various intervals over a span of seventy years.







Virginia Plants and Animals


Book Description

Discusses the native plants, animals, and ecosystems of the state of Virginia.




Nicaraguan Gringa


Book Description

After her father's death, Sarah Rutledge returns from North Carolina to Nicaragua in an attempt to prevent the family's property from being expropriated by the Sandinista government. The novel begins with Sarah's childhood on the coffee farm where her British-American family has lived for almost a century. Natural disasters, civil conflicts, and political changes force her to ponder who belongs in Nicaragua, just where she belongs, to whom she belongs, and what belongs to her. Author John Keith's life was significantly shaped by two social transformations of the twentieth century, the civil rights movement in the United States and the new vision of mission and development by churches in Central America. In Canebrake Beach: A Novella and Four Short Stories (2012) he reflected on the relationships of black and white people in the South over a span of seventy years. In Nicaraguan Gringa: Claiming a Home, he explores the evolving relationships of nations and their citizens as ruling regimes ebb and flow.




Elemental Narratives


Book Description

Over the past century, the Italian landscape has undergone exceedingly rapid transformations, shifting from a mostly rural environment to a decidedly modern world. This changing landscape is endowed with a narrative agency that transforms how we understand our surroundings. Situated at the juncture of Italian studies and ecocriticism and following the recent “material turn” in the environmental humanities, Elemental Narratives outlines an original cultural and environmental map of the bel paese. Giving equal weight to readings of fiction, nonfiction, works of visual art, and physical sites, Enrico Cesaretti investigates the interconnected stories emerging from both human creativity and the expressive eloquence of “glocal” materials, such as sulfur, petroleum, marble, steel, and asbestos, that have helped make and, simultaneously, “un-make” today’s Italy, affecting its socio-environmental health in multiple ways. Embracing the idea of a decentralized agency that is shared among human and nonhuman entities, Cesaretti suggests that engaging with these entangled discursive and material texts is a sound and revealing ecocritical practice that promises to generate new knowledge and more participatory, affective responses to environmental issues, both in Italy and elsewhere. Ultimately, he argues that complementing quantitative, data-based information with insights from fiction and nonfiction, the arts, and other humanistic disciplines is both desirable and crucial if we want to modify perceptions and attitudes, increase our awareness and understanding, and, in turn, develop more sustainable worldviews in the era of the Anthropocene. Elegantly written and convincingly argued, this book will appeal broadly to scholars and students working in the fields of environmental studies, comparative literatures, ecocriticism, environmental history, and Italian studies.