Cannily, Cannily


Book Description

They were on the move again, but nowhere ever felt like home. “Home, he thought grimly. Funny sort of home, a caravan and a kombi with a tent annexe to connect the two.” Trevor is not your average twelve-year-old boy. He’s canny. Knowing. Thrifty. Cautious. But he also wants to belong. Cannily, Cannily is a junior fiction novel by multi-award-winning Australian author Simon French. Readers follow Trevor as he struggles with bullying and belonging, and learns the importance of friendship and standing up for oneself. In 1982 this book was short-listed for the UK Guardian Fiction Prize and was Commended in the Children’s Book Council of Australia (CBCA) Awards. If you enjoyed this book, read Simon’s other stories: Change the Locks and Other Brother. “Breathtakingly alive.” Reading Time magazine “A story of friendship, family and belonging … First published in 1981, and newly re-released by Walker Books, Cannily, Cannily is set in a time somewhat different than young readers’ experiences, yet will be familiar enough for them to relate, with the issues explored being thoroughly contemporary.” Aussie Reviews “A brilliantly written novel … perfect for primary school children … Recommended.” Read Plus “A very well written story about a sensitive set of issues set realistically in an appropriate setting.” Australian Journal of Reading










Quarterly Review


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Cassell's History of the Boer War, 1899-1901


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Søgeord: Transvaal; Kapstaden; Mafeking; Talana Hill; Elandslagte; Engelsk Kolonistyre i Afrika; Pepworth; Nicholsons Nek; Magersfontein; Ladysmith; Vryburg; Kuruman; Kimberley; de Wet; Botha's Pass; Pretoria; Kroonstadt; Rhodesia; Wepener; Reddersburg; Bloemfontein; Cronje; Paardeberg; Roberts; Buller, R.; Spion Kop; Joubert; Baden-Powell; Botha; Brabant; British Forces in South Africa; General Broadwood; Carrington, F.; Churchill; Kruger; Hamilton, I.; Hunter, A.; Gatacre; General French; Dundonald; Colenso; De Wet, C.; Slaapkranse; Smith-Dorrien; Methuen; Warren, C.; Steyn; Vaal Krantz;







The Art of Deer-stalking


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The B&C Discography: 1968 to 1975


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Updated and expanded second edition of this Award Nominated book (nominated for the 2014 ARSC Award for Excellence in Historical Recorded Sound Research). Strictly limited edition of 50 copies in green jacket design. B&C started life as a distribution company, which was set up as a sister company to Island. Island's early success led B&C's owner, Lee Gopthal, to start releasing records in his own right. However, B&C's main strategy was based on licensing records rather than signing artists in its own right and many of B&C's labels concentrated on singles and budget compilation albums - strategies that set the seeds of the company's own destruction. The end, when it came in 1975 was probably inevitable. Still, whilst B&C was about, some very good music got released, almost despite itself on occasion. This book includes comprehensive discographies covering the Action, Stable, B&C, Charisma, Pegasus, Peg, People, Mooncrest, Dragon, Sussex and Seven Sun labels.




Song and Democratic Culture in Britain


Book Description

Originally published in 1983. Song has always been a natural way to record everyday experiences – an expression of celebration, commiseration, complaint and protest. This innovative book is a study of popular and working-class song combining several approaches to the subject. It is a history of working-class song in Britain which concentrates not simply on the songs and the singers but attempts to locate such song in its cultural context and apply principles of literary criticism to this essentially oral medium. It triggered controversy: some critics castigated its Marxist approach, others enthused that ‘such unabashed partisanship amply reveals the outstanding characteristic of Watson's book’. The author discusses the way in which the popular song, from Victorian times onwards, has been forced by the entertainment industry out of its roots in popular culture, to become a blander form of art with minimal critical potential. The book ends by considering the possibilities for a continued flourishing of a genuine popular song culture in an electronic age. It has become a standard title in bibliographies and curricula. Much has changed since 1983, not least in music; but this then innovative book still has a lot to say about popular song in its social and historical context.