Canon Barnett


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A Gentleman in Every Slum


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This long-standing series provides the guild of religion scholars a venue for publishing aimed primarily at colleagues. It includes scholarly monographs, revised dissertations, Festschriften, conference papers, and translations of ancient and medieval documents. Works cover the sub-disciplines of biblical studies, history of Christianity, history of religion, theology, and ethics. Festschriften for Karl Barth, Donald W. Dayton, James Luther Mays, Margaret R. Miles, and Walter Wink are among the seventy-five volumes that have been published. Contributors include: C. K. Barrett, Francois Bovon, Paul S. Chung, Marie-Helene Davies, Frederick Herzog, Ben F. Meyer, Pamela Ann Moeller, Rudolf Pesch, D. Z. Phillips, Rudolf Schnackenburgm Eduard Schweizer, John Vissers




Canon Barnett...


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Henrietta Barnett, of Hampstead Garden Suburb


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The feminist social reformer Henrietta Barnett (1851-1936) is best known as the moving spirit behind the creation of London's Hampstead Garden Suburb. Yet, as Micky Watkins shows in this lively biography, the Suburb was only the final achievement of a long and varied career of social engagement, much of it spent among the worst slums of London's East End. Octavia Hill, John Ruskin, Walter Crane, Beatrice Webb, Arnold Toynbee and Herbert Spencer, as well as innumerable East Enders - often riotously immune to attempts at their 'improvement' - people this vivid account.A woman of immense energy, Henrietta's role in both Toynbee Hall and the Whitechapel Art Gallery was central to their foundation and continued success, and she spent the latter half of her life in realising her dream project of building Hampstead Garden Suburb.Henrietta's work in town planning won the admiration of the American feminist Jane Addams, and in the USA she was feted by Henry Ford, Dale Carnegie and John Rockefeller. Drawing on hitherto unpublished sources, Micky Watkins traces Henrietta's ground-breaking achievement in building in North London the utopian Hampstead Garden Suburb to house all classes and conditions of people, as an antidote to the East End slums. Her Suburb has influenced town planning all over the world.




The World's Work


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World's Work


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Social Research and Social Reform


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In the face of current scepticism about the effectiveness of social research this book provides a reassessment of its influence and suggests new ways in which its relationship to social reform should be viewed.




Citizen


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Jane Addams was the first American woman to receive the Nobel Peace Prize. Now Citizen, Louise W. Knight's masterful biography, reveals Addams's early development as a political activist and social philosopher. In this book we observe a powerful mind grappling with the radical ideas of her age, most notably the ever-changing meanings of democracy. Citizen covers the first half of Addams's life, from 1860 to 1899. Knight recounts how Addams, a child of a wealthy family in rural northern Illinois, longed for a life of larger purpose. She broadened her horizons through education, reading, and travel, and, after receiving an inheritance upon her father's death, moved to Chicago in 1889 to co-found Hull House, the city's first settlement house. Citizen shows vividly what the settlement house actually was—a neighborhood center for education and social gatherings—and describes how Addams learned of the abject working conditions in American factories, the unchecked power wielded by employers, the impact of corrupt local politics on city services, and the intolerable limits placed on women by their lack of voting rights. These experiences, Knight makes clear, transformed Addams. Always a believer in democracy as an abstraction, Addams came to understand that this national ideal was also a life philosophy and a mandate for civic activism by all. As her story unfolds, Knight astutely captures the enigmatic Addams's compassionate personality as well as her flawed human side. Written in a strong narrative voice, Citizen is an insightful portrait of the formative years of a great American leader. “Knight’s decision to focus on Addams’s early years is a stroke of genius. We know a great deal about Jane Addams the public figure. We know relatively little about how she made the transition from the 19th century to the 20th. In Knight’s book, Jane Addams comes to life. . . . Citizen is written neither to make money nor to gain academic tenure; it is a gift, meant to enlighten and improve. Jane Addams would have understood.”—Alan Wolfe, New York Times Book Review “My only complaint about the book is that there wasn’t more of it. . . . Knight honors Addams as an American original.”—Kathleen Dalton, Chicago Tribune




The Sphere


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Art for the Nation


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Art first became public in Britain through a series of interlocking relationships between national galleries, patrons, collections of art, and sections or classes of the population as a whole. This study concentrates on London, and analyzes the formation of the major national art institutions at its geographical and managerial centre.