Canto Volume 2: The Hollow Men


Book Description

Once Upon a Time a little tin slave with a clock for a heart broke all the rules—he found love, took a name, and escaped his masters, embarking on an epic journey to save his beloved. Though his adventure didn’t turn out as planned, he returned to his people and led them to freedom. The freedom Canto won is in danger when he discovers his people’s clocks will stop unless they return to captivity. He and his friends Falco, Rikta, and Veratta embark on a new, perilous adventure to save the lives of all their people. On their quest, they’ll encounter old friends, relentless monsters, and the village of the mysterious Hollow Men. Canto and his friends must lift the curse and save their people before their time runs out. Eisner and GLAAD Media Award nominated writer David M. Booher and singular artist Drew Zucker team up with accomplished storyteller and artist Phillip Sevy to tell Canto’s tale in this high-quality hardcover reprint of the second CANTO series with a brand new cover. Collects CANTO: The Hollow Men #1-#5 and The Clockwork Fairies One-Shot.




Killer Queens


Book Description

They put the SASS in ASSASSIN! Meet Max & Alex. Reformed intergalactic assassins-for-hire. On the run. Also super gay. Their former boss—a fluffy monkey with a jetpack—is hot on their tail to take back his stolen ship. They gotta eat (tacos preferably), so they take a mission from Alex’s old flame. Your standard no-kill, casualty-free kidnapping recovery from a nearby moon. Only complication? Half the moon is ruled by a fascist dictator hostile to foreigners. They’re the Killer Queens, so what could possibly go wrong? Pretty much everything. After their ship is forced to crash land way off target, they have to escape from a high-security detention center run by a race of alien xenophobes. Then it’s all laser blasts and one-liners until they face the choice between getting paid for their mission or helping out a struggling group of refugees fighting a rebellion. Tacos are overrated, anyway. Join rising star David M. Booher (Canto, Alien Bounty Hunter) and an all-LGBTQ creative team as they tackle issues of love, xenophobia, and the terror of fascist dictatorships in this hilarious sci-fi epic.




Readings in the Cantos


Book Description

The three volumes of Readings in the Cantos bring together, in a ground-breaking format, a number of critical readings by world-renowned scholars of the central modernist long poem, The Cantos of Ezra Pound. Each contributor approaches either a single Canto or a defined small group of Cantos in isolation, providing a clear, informative, and interpretive reading that includes an up-to-date assessment of sources and an idea of recent critical approaches. Together the contributors offer a remarkably diverse reading of The Cantos that at the same time demonstrates the coherence of Pound's text.




The Faerie Queene


Book Description




T. S. Eliot’s Ascetic Ideal


Book Description

T. S. Eliot’s Ascetic Idealcharts an intellectual history of T. S. Eliot’s interaction with asceticism. Eliot’s early encounters with the ascetic ideal began a lifetime of interplay and reflection upon self-denial, purgation, and self-surrender.




Canto Volume 1: If I Only Had a Heart


Book Description

A tiny clockwork hero on a quest for a heart for the one he loves, fights for freedom and hope, facing tyrannical forces in a fantastical modern fairytale. Enslaved for generations, Canto’s people once had hearts. Now they have clocks. They are forbidden to love, yet Canto loves a little tin girl. When slavers damage her clock beyond repair, Canto embarks on an incredible journey through his strange and fantastic world to bring back her heart. As he conquers fearsome creatures and finds unlikely allies, he must confront the mysterious figure who has taken their hearts to save the one he loves. Hailed as a “truly entertaining and striking modern fairy tale,” (Newsarama) and a ‘beautiful and heartfelt story about love and heroism,” (The Brazen Bull), Canto is an adventure for past, present and future generations alike. By Eisner and GLAAD Media Award nominated writer David M. Booher (Rain, Specs, Killer Queens) and brilliant artist Drew Zucker. This high-quality hardcover reprint features brand new cover art, collects the entire first series, an expansive cover gallery, sketchbook and process section, and a new introduction by legendary Usagi Yojimbo creator Stan Sakai!




The Poems of T. S. Eliot, Volume I


Book Description

The first volume of the first paperback edition of The Poems of T. S. Eliot This two-volume critical edition of T. S. Eliot’s poems establishes a new text of the Collected Poems 1909–1962, rectifying accidental omissions and errors that have crept in during the century since Eliot’s astonishing debut, “The Love Song of J. Alfred Prufrock.” In addition to the masterpieces, The Poems of T. S. Eliot contains the poems of Eliot’s youth, which were rediscovered only decades later; poems that circulated privately during his lifetime; and love poems from his final years, written for his wife, Valerie. Calling upon Eliot’s critical writings as well as his drafts, letters, and other original materials, Christopher Ricks and Jim McCue have provided a commentary that illuminates the imaginative life of each poem. This first volume respects Eliot’s decisions by opening with his Collected Poems 1909–1962 as he arranged and issued it shortly before his death. This is followed by poems uncollected but either written for or suitable for publication, and by a new reading text of the drafts of The Waste Land. The second volume opens with the two books of verse of other kinds that Eliot issued: Old Possum’s Book of Practical Cats and Anabasis, his translation of St.-John Perse’s Anabase. Each of these sections is accompanied by its own commentary. Finally, pertaining to the entire edition, there is a comprehensive textual history that contains not only variants from all known drafts and the many printings but also extended passages amounting to hundreds of lines of compelling verse.




The Broadview Anthology of British Literature Volume 2: The Renaissance and the Early Seventeenth Century - Third Edition


Book Description

In all six of its volumes The Broadview Anthology of British Literature presents British literature in a truly distinctive light. Fully grounded in sound literary and historical scholarship, the anthology takes a fresh approach to many canonical authors, and includes a wide selection of work by lesser-known writers. The anthology also provides wide-ranging coverage of the worldwide connections of British literature, and it pays attention throughout to issues of race, gender, class, and sexual orientation. It includes comprehensive introductions to each period, providing in each case an overview of the historical and cultural as well as the literary background. It features accessible and engaging headnotes for all authors, extensive explanatory annotations, and an unparalleled number of illustrations and contextual materials. Innovative, authoritative and comprehensive, The Broadview Anthology of British Literature has established itself as a leader in the field. The full anthology comprises six bound volumes, together with an extensive website component; the latter has been edited, annotated, and designed according to the same high standards as the bound book component of the anthology, and is accessible by using the passcode obtained with the purchase of one or more of the bound volumes. For the third edition of this volume a considerable number of changes have been made. Newly prepared, for example, is a substantial selection from Baldassare Castiglione’s The Courtier, presented in Thomas Hoby’s influential early modern English translation. Thomas Kyd’s The Spanish Tragedy is another major addition. Also new to the anthology are excerpts from Thomas Dekker’s plague pamphlets. We have considerably expanded our representation of Elizabeth I’s writings and speeches, as well as providing several more cantos from Edmund Spenser’s Faerie Queene and adding selections from Sir Philip Sidney’s Arcadia. We have broadened our coverage, too, to include substantial selections of Irish, Gaelic Scottish, and Welsh literature. (Perhaps most notable of the numerous authors in this section are two extraordinary Welsh poets, Dafydd ap Gwilym and Gwerful Mechain.) Mary Sidney Herbert’s writings now appear in the bound book instead of on the companion website. Margaret Cavendish, previously included in volume 3 of the full anthology, will now also be included in this volume; we have added a number of her poems, with an emphasis on those with scientific themes. The edition features two new Contexts sections: a sampling of “Tudor and Stuart Humor,” and a section on “Levellers, Diggers, Ranters, and Covenanters.” New materials on emblem books and on manuscript culture have also been added to the “Culture: A Portfolio” contexts section. There are many additions the website component as well—including Thomas Deloney’s Jack of Newbury also published as a stand-alone BABL edition). We are also expanding our online selection of transatlantic material, with the inclusion of writings by John Smith, William Bradford, and Anne Bradstreet.




Hollow Men


Book Description

This book relates developments in the visual arts and printing to humanist theories of literary and bodily imitation, bringing together fifteenth- and sixteenth-century frescoes, statues, coins, letters, dialogues, epic poems, personal emblems, and printed collections of portraits. Its interdisciplinary analyses show that Renaissance theories of emulating classical heroes generated a deep skepticism about self-presentation, ultimately contributing to a new awareness of representation as representation. Hollow Men shows that the Renaissance questioning of “interiority” derived from a visual ideal, the monument that was the basis of teachings about imitation. In fact, the decline of exemplary pedagogy and the emergence of modern masculine subjectivity were well underway in the mid–fifteenth century, and these changes were hastened by the rapid development of the printed image.