Cantonese Society in a Time of Change


Book Description

Based on a longitudinal fieldwork study in the Pearl River Delta, which is the heartland of the Cantonese-speaking world, the book explores how the ordinary people and their society evolved in a period of time characterized by drastic change.




Cantonese Society in Hong Kong and Singapore


Book Description

The volume collects the published articles of Dr. Marjorie Topley, who was a pioneer in the field of social anthropology in the postwar period and also the first president of the revived Hong Kong Branch of the Royal Asiatic Society. Her ethnographic research in Singapore and Hong Kong set a high standard for urban anthropology, and helped creating the fields of religious studies, migration studies, gender studies, and medical anthropology, focusing on topics that remain current and important in the disciplines. The essays in this collection showcase Dr. Topley's groundbreaking contributions in several areas of scholarship. These include “Chinese Women’s Vegetarian Houses in Singapore” (1954) and “The Great Way of Former Heaven: A Group of Chinese Secret Religious Sects” (1963), both important research on the study of subcultural groups in a complex urban society; “Marriage Resistance in Rural Kwangtung” (1978), now a classic in Chinese anthropology and women’s studies; her widely known and cited article, “Cosmic Antagonisms: A Mother-Child Syndrome” (1974), which investigates widely shared everyday practices and cosmological explanations that Cantonese mothers invoked when they encountered difficulties in child-rearing; and “Capital, Saving and Credit among Indigenous Rice Farmers and Immigrant Vegetable Farmers in Hong Kong's New Territories” (2004 [1964]).




Collaborative Creative Thought and Practice in Music


Book Description

The notion of the individual creator, a product in part of the Western romantic ideal, is now troubled by accounts and explanations of creativity as a social construct. While in collectivist cultures the assimilation (but not the denial) of individual authorship into the complexities of group production and benefit has been a feature, the notion of the lone individual creator has been persistent. Systems theories acknowledge the role of others, yet at heart these are still individual views of creativity - focusing on the creative individual drawing upon the work of others rather than recognizing the mutually constitutive elements of social interactions across time and space. Focusing on the domain of music, the approach taken in this book falls into three sections: investigations of the people, processes, products, and places of collaborative creativity in compositional thought and practice; explorations of the ways in which creative collaboration provides a means of crossing boundaries between disciplines such as music performance and musicology; and studies of the emergence of creative thought and practice in educational contexts including that of the composer and the classroom. The volume concludes with an extended chapter that reflects on the ways in which the studies reported advance understandings of creative thought and practice. The book provides new perspectives to our understandings of the role of collaborative thought and processes in creative work across the domain of music including: composition, musicology, performance, music education and music psychology.




Triad Societies


Book Description

This set comprises a comprehensive selection of colonial Western scholarly texts on Chinese secret societies from the early nineteenth century to the mid-twentieth century. It includes a selection of important papers on Chinese secret societies by a variety of scholars, missionaries, and colonial officials.




Understanding Canton


Book Description

By studying six different aspects of culture in Canton in the period between the two World Wars, this book helps broaden our limited knowledge of the social and cultural lives of the common people in this largest city of South China. The author examines how the Cantonese in this periodindulged in their imagined cultural superiority as "modern" citizens, ushering in a cult of the modern city. During this period, Cantonese opera was also emerging and evolving into a widely accepted form of commercialised mass entertainment. The process of social and cultural change and its impacton the development of this city and its people are revealed throughout the book. This book also aims to redress some major misconceptions of the socio-cultural realities as seen in official rhetoric or academic discourse on the matters of patriotism and anti-foreignism, gambling, prostitution, and opium consumption. Contemporary non-official and folk materials reveal that thecommon people were much more pro-Western than xenophobic in attitude, and the alleged social and political "calamities" of gambling, opium consumption and prostitution were more rhetorical than real. Understanding Canton provides us with, not only a fuller and more comprehensive picture of city lifeand popular mentalities, but also an important clue to understand how and why the social history of this city was distorted and constructed in ways that suited the political ideology and nation-building agenda of the ruling regimes.




Facing Cantonese Adversity, Fleeing Tong-Shaan:


Book Description

This book is a two-part discussion about mid-late nineteenth-century traditional Cantonese society and the material conditions that fostered large-scale Cantonese overseas emigration. Part I: discusses the Peasant-farmer, merchant, and Gentry (scholar-official-landed Gentry) social classes. An additional chapter focuses on Cantonese “special interests’ groups,” which embraced those people with shared group needs, identities, and interests, which cut across social class lines. Part II: analyzes four adverse material conditions, which motivated and contextualized large-scale Cantonese overseas emigration. This includes: 1) high-density population concentration and over-population; 2) economic immiseration of the Cantonese peasant-farmer class; 3) Cantonese communal conflict and social chaos; and 4) local Cantonese/fan-kwai (“foreign devils”) conflicts in the Cantonese heartland. This book is the product of over forty-five years of research and writing, it is the third volume of a new series entitled The Gum-Shaan Chronicles: The Early History of Cantonese-Chinese America, 1850-1900. About the Author Douglas W. Lee, PhD is a second-generation Cantonese-Chinese American, trained as a historian of Modern China, with a special research interest in early Chinese American History. He earned a BA at Lewis and Clark College, Portland, Oregon (1967); an MA at the University of Michigan, Ann Arbor (1969); a PhD from the University of California, Santa Barbara (1979); and JD from Lewis and Clark Law School, Portland, Oregon (1988). In 1979-1980, Lee was the cofounder and first national President of the National Association for Asian American Studies. In 1981, he was cofounder of the Chinese Historical Society of the Pacific Northwest, and the first editor of its journal, The Annals of the Chinese Historical Society of the Pacific Northwest (Seattle, Washington).




The Rise of Cantonese Opera


Book Description

Defined by its distinct performance style, stage practices, and regional and dialect based identities, Cantonese opera originated as a traditional art form performed by itinerant companies in temple courtyards and rural market fairs. In the early 1900s, however, Cantonese opera began to capture mass audiences in the commercial theaters of Hong Kong and Guangzhou--a transformation that changed it forever. Wing Chung Ng charts Cantonese opera's confrontations with state power, nationalist discourses, and its challenge to the ascendancy of Peking opera as the country's preeminent "national theatre." Mining vivid oral histories and heretofore untapped archival sources, Ng relates how Cantonese opera evolved from a fundamentally rural tradition into urbanized entertainment distinguished by a reliance on capitalization and celebrity performers. He also expands his analysis to the transnational level, showing how waves of Chinese emigration to Southeast Asia and North America further re-shaped Cantonese opera into a vibrant part of the ethnic Chinese social life and cultural landscape in the many corners of a sprawling diaspora.




Smoke and Ashes


Book Description

Named a Most Anticipated Book of 2024 by Foreign Policy, Literary Hub, and The Millions Ghosh unravels the impact of the opium trade on global history and in his own family―the climax of a yearslong project. When Amitav Ghosh began the research for his monumental cycle of novels the Ibis Trilogy, he was startled to learn how the lives of the nineteenth-century sailors and soldiers he wrote about were dictated not only by the currents of the Indian Ocean but also by the precious commodity carried in enormous quantities on those currents: opium. Most surprising of all, however, was the discovery that his own identity and family history were swept up in the story. Smoke and Ashes is at once a travelogue, a memoir, and an essay in history, drawing on decades of archival research. In it, Ghosh traces the transformative effect the opium trade had on Britain, India, and China, as well as the world at large. The trade was engineered by the British Empire, which exported Indian opium to sell to China to redress their great trade imbalance, and its revenues were essential to the empire’s financial survival. Following the profits further, Ghosh finds opium central to the origins of some of the world’s biggest corporations, of America’s most powerful families and prestigious institutions (from the Astors and Coolidges to the Ivy League), and of contemporary globalism itself. Moving deftly between horticultural history, the mythologies of capitalism, and the social and cultural repercussions of colonialism, in Smoke and Ashes Ghosh reveals the role that one small plant has had in making our world, now teetering on the edge of catastrophe.