Capability Brown & Belvoir


Book Description




Lancelot 'Capability' Brown, 1716-1783


Book Description

Lancelot Brown changed the face of eighteenth-century England, designing country estates and mansions, moving hills and making flowing lakes and serpentine rivers, a magical world of green. This English landscape style spread across Europe and the world. At home, it proved so pleasing that Brown's influence spread into the lowland landscape at large, and into landscape painting. He stands behind our vision, and fantasy, of rural England. In this vivid, lively biography, based on detailed research, Jane Brown paints an unforgettable picture of the man, his work, his happy domestic life, and his crowded world. She follows the life of the jovial yet elusive Mr Brown, from his childhood and apprenticeship in rural Northumberland, through his formative years at Stowe, the most famous garden of the day. His innovative ideas, and his affable and generous nature, led to a meteoric rise to a Royal Appointment in 1764 and his clients and friends ranged from statesmen like the elder Pitt to artists and actors like David Garrick. Riding constantly across England, Brown never ceased working until he collapsed and died in February 1783 after visiting one of his oldest clients. He was a practical man but also a visionary, always willing to try something new. As this beautifully illustrated biography shows, Brown filled England with enchantment - follies, cascades, lakes, bridges, ornaments, monuments, meadows and woods - creating views that still delight us today.




Place-making


Book Description

Lancelot ‘Capability’ Brown (1716-1783) is the iconic figure at the head of the English landscape style, a tradition that has dominated landscape design in the western world. He was widely acclaimed for his genius in his own day and his influence on the culture of England has arguably been as great as that of Turner, Telford and Wordsworth. Yet, although Brown has had his biographers, his work has generated very little analysis. Brown was prolific; he has had a direct influence on half a million acres of England and Wales. The astonishing scale of his work means that he did not just transform the English countryside, but also our idea of what it is to be English and what England is. His work is everywhere, but goes largely unnoticed. His was such a naturalistic style that all his best work was mistaken for untouched nature. This has made it very difficult to see and understand. Visitors to Brown landscapes do not question the existence of the parkland he created and there has been little professional or academic analysis of his work. This book for the first time looks at the motivation behind Brown’s landscapes and questions their value and structure whilst at the same time placing him within the English landscape tradition. It aims primarily to make landscape legible, to show people where to stand, what to look at and how to see.




Capability Brown, Royal Gardener


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Lancelot “Capability” Brown was one of the most influential landscape designers of the eighteenth-century at a time when Britain was changing radically from an agrarian to an industrial and colonial nation, whilst Europe was periodically convulsed by war and revolution. The extent and nature of his influence are, however, fiercely debated. Brown worked at hundreds of important sites across England and his name became synonymous with the “English Garden” style which was copied across Northern Europe and entranced Catherine the Great, who remodelled her landscapes in St Petersburg to reflect the new style. He was fêted in his time, and recognised by the Crown, but Brown’s style was readily copied over his later life and particularly after his death. Arguably, this ubiquity led to the denigration of his achievements and even his character, particularly by the agents of the Picturesque. The lack of any personal primary material from Brown - forcing scholars to rely on his landscapes, contracts and bank accounts - has hindered attempts to provide a rounded and credible account of the man and his works. However, by exploring his team of associates and his role as Royal Gardener, new light can be thrown on the man, his landscapes and his landscape legacy. Bringing together a number of perspectives from across Northern Europe, Capability Brown, Royal Gardener explores the lasting international impact of Brown. With Brown’s position as Royal Gardener at its heart, this book explores for the first time his business methods, working methods and European influence. It assesses how, crucially, Brown’s work practices placed him within the world of nurserymen and landscape designers, and how his business practices and long term relationships with draughtsmen and designers allowed him to manage a huge number of projects and a substantial financial turnover. This, in turn, allowed him to work in a way that promoted and advanced his style of landscape. Edited by Professor Jonathan Finch (University of York) and Dr Jan Woudstra (University of Sheffield), and with a varied range of engaging contributors drawn internationally from archaeology, art history, history and landscape architecture, Capability Brown, Royal Gardener weaves together strands from across a broad range of disciplinary interests. It makes an important contribution to the scholarly discussion of Brown’s work, the work of his collaborators, and legacy in the UK and across Northern Europe. Relevant to students and academics at all levels, this volume throws new light on Capability Brown and his impact on the business of place-making in Northern Europe.




Belvoir Castle


Book Description

Belvoir Castle is one of the least known great houses in Britain. Rising like a fairy palace over the plains of the Vale of Belvoir in Leicestershire, and dating back originally to 1067, it is the home of the Duke of Rutland. Both one of the finest regency residences in England and a treasure trove of great paintings and furniture, the castle also houses an important collection of porcelain, silks and tapestries, sculptures and paintings. In this beautiful book, the Duchess of Rutland tells the story of the house, its contents, and its inhabitants for the first time, detailing examples of fine French furniture, Italian sculpture, and paintings by Gainsborough, Reynolds, Holbein, and Poussin. Aided by hundreds of both color and black-and-white photographs, the Duchess traces the history of the 36 generations of the family who have lived there, and proves an expert guide through the castle's gorgeous rooms and collections.




Humphry Repton


Book Description

A definitive survey of the glorious British landscapes designed by Humphry Repton, whose influence is felt everywhere from the rolling meadows and kitchen gardens of English estates to New York City’s Central Park. Widely acknowledged as the last great landscape designer of the eighteenth century, Humphry Repton created work that survives as a bridge between the picturesque theory of Capability Brown and the pastoral philosophy of Frederick Law Olmsted. By turns inspired by and in opposition to the grandeur of Brown’s estates, Repton’s contribution to the British landscape encompassed a tremendous range, from subtle adjustments that emphasized the natural features of the countryside to deliberate interventions that challenged the notion of the picturesque. This remarkable book explores 15 of Repton’s most celebrated landscapes—from the early maturity of his gardens at Courteenhall and Mulgrave Castle to more adventurous landscapes at Stanage, Brightling, and Endsleigh that would point the way toward how we envision parkland today. With photography by Joe Cornish commissioned specially for the book, and including reproductions of key illustrations and plans for garden design from the famous red books that shed light on Repton’s vision and process, this book illuminates some of Britain’s most beautiful gardens and parks—and the masterful mind behind their creation.




The Evolution of US Army Tactical Doctrine, 1946-76


Book Description

This paper focuses on the formulation of doctrine since World War II. In no comparable period in history have the dimensions of the battlefield been so altered by rapid technological changes. The need for the tactical doctrines of the Army to remain correspondingly abreast of these changes is thus more pressing than ever before. Future conflicts are not likely to develop in the leisurely fashions of the past where tactical doctrines could be refined on the battlefield itself. It is, therefore, imperative that we apprehend future problems with as much accuracy as possible. One means of doing so is to pay particular attention to the business of how the Army's doctrine has developed historically, with a view to improving methods of future development.




Lady of the House


Book Description

Three accounts of remarkable women who oversaw their own households, stamped their authority on the estates they managed, and overcame misfortune. This book tells the true stories of three gentile women who were born, raised, lived and died within the world of England’s Country Houses. This is not the story of ‘seen and not heard’ women, these are incredible women who endured tremendous tragedy and worked alongside their husbands to create a legacy that we are still benefitting from today. Harriet Leveson-Gower, Countess Granville—second-born child of the infamous Georgiana, Duchess of Devonshire—married her aunt’s lover, raised his illegitimate children and reigned supreme as Ambassadress over the Parisian elite. Lady Mary Isham lived at Lamport Hall in Northamptonshire with her family where, despite great tragedy, she was responsible for developing a house and estate while her husband remained ‘the silent Baronet.’ Elizabeth Manners, Duchess of Rutland, hailed from Castle Howard and used her upbringing to design and build a Castle and gardens at Belvoir suitable for a Duke and Duchess that inspired a generation of country house interiors. These women were expected simply to produce children, to be active members of society, to give handsomely to charity and to look the part. What these three remarkable women did instead is develop vast estates, oversee architectural changes, succeed in business, take a keen role in politics as well as successfully managing all the expectations of an aristocratic lady. “The book looks at both the lives of the women and the buildings that they transformed.” —The Creative Historian




Counting and Cracking


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'In Tamil we don't say goodbye. Only, I will go and come back.' S. Shakthidharan's extraordinary multilingual play (English, Tamil and Sinhalese) Counting and Cracking traverses countries and decades to bring us an epic tale of family, love and politics. On the banks of a river in Sydney, Radha and her son Siddhartha release the ashes of Radha's mother so she can be at peace with her ancestors. Into the water go the particles of one life, but unknown to Siddharta, Radha still holds onto the ashes of her beloved grandfather, brought with her when she left Sri Lanka 21 years before. And so begins a story that spirals out across Australia and Sri Lanka, taking in four generations of a family and their connection to a country that continues to give them equal measures of sorrow and joy. It is an exhilarating, moving and necessary tribute to people of all backgrounds who are forced to live in exile and build a new home from the heart up. යක් 'A story of survival and hope, of human connectedness, and our deep desire to understand three things - our history, our identity and what "home" means to us.' - Community response.




Historical Dictionary of Neoclassical Art and Architecture


Book Description

Neoclassicism refers to the revival of classical art and architecture beginning in Europe in the 1750s until around 1830, with late neoclassicism lingering through the 1870s. It is a highly complex movement that brought together seemingly disparate issues into a new and culturally rich era, one that was unified under a broad interest in classical antiquity. The movement was born in Italy and France and spread across Europe to Russia and the United States. It was motivated by a desire to use ideas from antiquity to help address modern social, economic, and political issues in Europe, and neoclassicism came to be viewed as a style and philosophy that offered a sense of purpose and dignity to art, following the new “enlightened” thinking. This second edition of Historical Dictionary of Neoclassical Art and Architecture contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries cover late Baroque and Rococo tendencies found in the early 18th century, and span the century to include artists who moved from neoclassicism to early romanticism. This book is an excellent resource for students, researchers, and anyone wanting to know more about neoclassical art and architecture.