Author : Katherine Biber
Publisher : Routledge
Page : 156 pages
File Size : 33,23 MB
Release : 2007-05-07
Category : Law
ISBN : 1135308098
The hooded bandit -- The national bank -- The epidermal examination -- The mother's trouble -- The danger zone -- The spectre -- Your fantasy, my crime.
Author : Paolo Cirio
Publisher : Lulu.com
Page : 120 pages
File Size : 37,78 MB
Release : 2019-11-21
Category : Art
ISBN : 1794756329
Paolo Cirio presents the three series of works Attention, Property, and Derivatives in his solo show Images Rights at NOME Gallery in Berlin. The exhibition Images Rights expands upon Cirio's concept of Internet Photography, with a particular focus on the economic, legal, and semantic values of photos circulating online. These Cirio's works explore modes of appropriation art to address the political economy of images. Rather than authorship, these artworks problematize the ownership, liability, and social responsibility of the production and distribution of photos on the Internet. The series Attention, Property, and Derivatives each examine, respectively: images as currency of the attention economy, images as capital, and images as finance.
Author : Gwendolyn Audrey Foster
Publisher : SUNY Press
Page : 268 pages
File Size : 27,94 MB
Release : 1999-04-23
Category : Social Science
ISBN : 9780791441565
Examines the film industry's fascination with bondage and captivity.
Author : Alyson Roy
Publisher : Walter de Gruyter GmbH & Co KG
Page : 184 pages
File Size : 11,49 MB
Release : 2024-04-01
Category : History
ISBN : 3111326632
Rome was an empire of images, especially images that bolstered their imperial identity. Visual and material items portraying battles, myths, captives, trophies, and triumphal parades were particularly important across the Roman empire. But where did these images originate and what shaped them? Empire of Images explores the development of the Roman visual language of power in the Republic in Iberian Peninsula, the Gallic provinces, and Greece and Macedonia, centering the development of imperial imagery in overseas conquest. Drawing on a range of material evidence, this book argues that Roman imperial imagery developed through prolonged interaction with and adaptation by subjugated peoples. Despite their starring role in Roman imagery, the populations of Rome’s provinces continuously reinterpreted and reimagined Roman images of power to navigate their membership in the new imperial community, and in doing so, contributed to the creation of a universal visual language that continues to shape how Rome is understood.
Author : James Elkins
Publisher : Cornell University Press
Page : 308 pages
File Size : 35,61 MB
Release : 1999
Category : Art
ISBN : 9780801487248
In the domain of visual images, those of fine art form a tiny minority. This original and brilliant book calls upon art historians to look beyond their traditional subjects--painting, drawing, photography, and printmaking--to the vast array of "nonart" images, including those from science, technology, commerce, medicine, music, and archaeology. Such images, James Elkins asserts, can be as rich and expressive as any canonical painting. Using scores of illustrations as examples, he proposes a radically new way of thinking about visual analysis, one that relies on an object's own internal sense of organization.Elkins begins by demonstrating the arbitrariness of current criteria used by art historians for selecting images for study. He urges scholars to adopt, instead, the far broader criteria of the young field of image studies. After analyzing the philosophic underpinnings of this interdisciplinary field, he surveys the entire range of images, from calligraphy to mathematical graphs and abstract painting. Throughout, Elkins blends philosophic analysis with historical detail to produce a startling new sense of such basic terms as pictures, writing, and notation.
Author : Sunil Manghani
Publisher :
Page : 296 pages
File Size : 10,66 MB
Release : 2013
Category : Art
ISBN :
"" "Images: Critical and Primary Sources" is a major multi-volume work of reference that brings together seminal writings on the image. Taking an interdisciplinary approach, the essays range across the domains of philosophy, history, art, aesthetics, literature, science, anthropology, critical theory and cultural studies. The essays reveal a wide set of perspectives, problematics and approaches, helping to frame a rich, encompassing view of what we can broadly term 'image studies'. The four volumes are arranged thematically, each separately introduced and with the essays structured into specific sections for easy reference. Volume 1: Understanding Images establishes conceptual, historical, ideological and philosophical framings for understanding and defining the image; followed in Volume 2: The Pictorial Turn with a focus on the most enduring and constitutive question of the image: its relationship to, with and against text and textuality. Volume 3: Image Theory offers representative materials covering key theoretical approaches for analyzing, interpreting and critiquing the image. Finally, Volume 4: Image Cultures examines a wide range of social and cultural contexts of the image, which covers aspects of visual evidence, image and memory, visual methodologies, scientific imaging and the practical engagement of image-makers. "Images: Critical and Primary Sources" offers a major scholarly resource for any researchers involved in the study of the image and visual culture.
Author : Andrew J. Huebner
Publisher : Univ of North Carolina Press
Page : 384 pages
File Size : 45,55 MB
Release : 2011-12-01
Category : History
ISBN : 0807868213
Images of war saturated American culture between the 1940s and the 1970s, as U.S. troops marched off to battle in World War II, the Korean War, and the Vietnam War. Exploring representations of servicemen in the popular press, government propaganda, museum exhibits, literature, film, and television, Andrew Huebner traces the evolution of a storied American icon--the combat soldier. Huebner challenges the pervasive assumption that Vietnam brought drastic changes in portrayals of the American warrior, with the jaded serviceman of the 1960s and 1970s shown in stark contrast to the patriotic citizen-soldier of World War II. In fact, Huebner shows, cracks began to appear in sentimental images of the military late in World War II and were particularly apparent during the Korean conflict. Journalists, filmmakers, novelists, and poets increasingly portrayed the steep costs of combat, depicting soldiers who were harmed rather than hardened by war, isolated from rather than supported by their military leadership and American society. Across all three wars, Huebner argues, the warrior image conveyed a growing cynicism about armed conflict, the federal government, and Cold War militarization.
Author : Thalia Anthony
Publisher : Hawkins Press
Page : 356 pages
File Size : 20,86 MB
Release : 2008
Category : Law
ISBN : 9781876067236
This book brings together the major Australian and New Zealand theorists in Critical Criminology. The chapters represent the contribution of these authors in both their established work and their recent scholarship. It includes new approaches to theory, methodology, case studies and contemporary issues.
Author : Catherine Infante
Publisher : University of Toronto Press
Page : 340 pages
File Size : 32,4 MB
Release : 2022-03-01
Category : Literary Criticism
ISBN : 1487509324
Images of crosses, the Virgin Mary, and Christ, among other devotional objects, pervaded nearly every aspect of public and private life in early modern Spain, but they were also a point of contention between Christian and Muslim cultures. Writers of narrative fiction, theatre, and poetry were attuned to these debates, and religious imagery played an important role in how early modern writers chose to portray relations between Christians and Muslims. Drawing on a wide variety of literary genres as well as other textual and visual sources – including historical chronicles, travel memoirs, captives’ testimonies, and paintings – Catherine Infante traces the references to religious visual culture and the responses they incited in cross-confessional negotiations. She reveals some of the anxieties about what it meant to belong to different ethnic or religious communities and how these communities interacted with each other within the fluid boundaries of the Mediterranean world. Focusing on the religious image as a point of contact between individuals of diverse beliefs and practices, The Arts of Encounter presents an original and necessary perspective on how Christian-Muslim relations were perceived and conveyed in print.
Author : Sumin Zhao
Publisher : Routledge
Page : 214 pages
File Size : 17,77 MB
Release : 2017-09-08
Category : Language Arts & Disciplines
ISBN : 1315520990
As a founder and leading figure in multimodality and social semiotics, Theo van Leuween has made significant contributions to a variety of research fields, including discourse analysis, sociolinguistics, communication and media studies, education, and design. In celebration of his illustrious research career, this volume brings together a group of leading and emerging scholars in these fields to review, explore and advance two central research agendas set out by van Leeuwen: the categorisation of the meaning potential of various semiotic resources and the examination of their uses in different forms of communication, and the critical analysis of the interaction between semiotic forms, norms and technology in discursive practices. Through 11 cutting-edge research papers and an experimental visual essay, the book investigates a broad range of semiotic resources including touch, sound, image, texture, and discursive practices such as community currency, fitness regime, film scoring, and commodity upcycling. The book showcases how social semiotics and multimodality can provide insights into the burning issues of the day, such as global neoliberalism, terrorism, consumerism, and immigration.
