Captive Revolution


Book Description

Women throughout the world have always played their part in struggles against colonialism, imperialism and other forms of oppression. However, there are hardly any academic books on Arab political prisoners, fewer still on the Palestinians who have been detained in their thousands for their political activism and resistance. Nahla Abdo's Captive Revolution seeks to break the silence on Palestinian women political detainees, providing a vital contribution to research on women, revolutions, national liberation and anti-colonial resistance. Based on the stories of the women themselves, Abdo draws on a wealth of oral history and primary research in order to analyse Palestinian women's anti-colonial struggle, their agency and their treatment as political detainees. Making crucial comparisons with the experiences of women political detainees in other conflicts, and emphasising the vital role Palestinian political culture and memorialisation of the 'Nakba' have had on their resilience and resistance, Captive Revolution is a rich and revealing addition to our knowledge of this little-studied phenomenon.




Captive Women


Book Description




Captive in Iran


Book Description

Maryam Rostampour and Marziyeh Amirizadeh knew they were putting their lives on the line. Islamic laws in Iran forbade them from sharing their Christian beliefs, but in three years, they’d covertly put New Testaments into the hands of twenty thousand of their countrymen and started two secret house churches. In 2009, they were finally arrested and held in the notorious Evin Prison in Tehran, a place where inmates are routinely tortured and executions are commonplace. In the face of ruthless interrogations, persecution, and a death sentence, Maryam and Marziyeh chose to take the radical—and dangerous—step of sharing their faith inside the very walls of the government stronghold that was meant to silence them. In Captive in Iran, two courageous Iranian women recount how God used their 259 days in Evin Prison to shine His light into one of the world’s darkest places, giving hope to those who had lost everything and showing love to those in despair.




The Captive Woman's Lament in Greek Tragedy


Book Description

The laments of captive women found in extant Athenian tragedy constitute a fundamentally subversive aspect of Greek drama. In performances supported by and intended for the male citizens of Athens, the songs of the captive women at the Dionysia gave a voice to classes who otherwise would have been marginalized and silenced in Athenian society: women, foreigners, and the enslaved. The Captive Woman's Lament in Greek Tragedy addresses the possible meanings ancient audiences might have attached to these songs. Casey Dué challenges long-held assumptions about the opposition between Greeks and barbarians in Greek thought by suggesting that, in viewing the plight of the captive women, Athenian audiences extended pity to those least like themselves. Dué asserts that tragic playwrights often used the lament to create an empathetic link that blurred the line between Greek and barbarian. After a brief overview of the role of lamentation in both modern and classical traditions, Dué focuses on the dramatic portrayal of women captured in the Trojan War, tracing their portrayal through time from the Homeric epics to Euripides' Athenian stage. The author shows how these laments evolved in their significance with the growth of the Athenian Empire. She concludes that while the Athenian polis may have created a merciless empire outside the theater, inside the theater they found themselves confronted by the essential similarities between themselves and those they sought to conquer.




Captive Women


Book Description

Argentina is the only country in the Americas that has successfully erased the presence of Indians, Africans, and mestizos from its national story. Official documents, reports, and censuses have largely omitted any references to the country's non-European inhabitants, mirroring official policies that once included the extermination of indigenous peoples and continued to encourage Europeanization well into the twentieth century. In Captive Women, Susana Rotker exposes this concerted act of forgetting by looking at a historical phenomenon that has been expunged from the national record: the widespread kidnapping of white women by Argentine Indians in the nineteenth century. Captivity narratives form a major part of the early colonial literature of the United States, but Argentina has no such tradition. These narratives contradict Argentina's carefully shaped self-image, one historically based on the absence of aboriginal peoples and the impossibility of miscegenation. Captive Women uses close andimaginative readings of military documents, government treaties, travel journals, essays, and memoirs to explore the foundations of Argentina's strategies of silence and its negation of uncomfortable historical realities.




The Captive's Position


Book Description

Why do narratives of Indian captivity emerge in New England between 1682 and 1707 and why are these texts, so centrally concerned with women's experience, supported and even written by a powerful group of Puritan ministers? In The Captive's Position, Teresa Toulouse argues for a new interpretation of the captivity narrative—one that takes into account the profound shifts in political and social authority and legitimacy that occurred in New England at the end of the seventeenth century. While North American narratives of Indian captivity had been written before this period by French priests and other European adventurers, those stories had focused largely on Catholic conversions and martyrdoms or male strategies for survival among the Indians. In contrast, the New England texts represented a colonial Protestant woman who was separated brutally from her family but who demonstrated qualities of religious acceptance, humility, and obedience until she was eventually returned to her own community. Toulouse explores how the female captive's position came to resonate so powerfully for traditional male elites in the second and third generation of the Massachusetts colony. Threatened by ongoing wars with Indians and French as well as by a range of royal English interventions in New England political and cultural life, figures such as Increase Mather, Cotton Mather, and John Williams perceived themselves to be equally challenged by religious and social conflicts within New England. By responding to and employing popular representations of female captivity, they were enabled to express their ambivalence toward the world of their fathers and toward imperial expansion and thereby to negotiate their own complicated sense of personal and cultural identity. Examining the captivity narratives of Mary Rowlandson, Hannah Dustan, Hannah Swarton, and John Williams (who comes to stand in for the female captive), Toulouse asserts the need to read these gendered texts as cultural products that variably engage, shape, and confound colonial attitudes toward both Europe and the local scene in Massachusetts. In doing so, The Captive's Position offers a new story of the rise and breakdown of orthodox Puritan captivities and a meditation on the relationship between dreams of authority and historical change.




Excellent Women


Book Description

Excellent Women is probably the most famous of Barbara Pym's novels. The acclaim a few years ago for this early comic novel, which was hailed by Lord David Cecil as one of 'the finest examples of high comedy to have appeared in England during the past seventy-five years,' helped launch the rediscovery of the author's entire work. Mildred Lathbury is a clergyman's daughter and a spinster in the England of the 1950s, one of those 'excellent women' who tend to get involved in other people's lives - such as those of her new neighbor, Rockingham, and the vicar next door. This is Barbara Pym's world at its funniest.




White Women Captives in North Africa


Book Description

A fascinating anthology of narratives from the period 1735-1830, by European women who recount their enslavement in North Africa. The first such collection, it includes an extensive introduction which links the discourse on contemporary Western women captives in Iran, Afghanistan and Iraq with that of former white captives in North Africa.




The Captive White Woman of Gipps Land


Book Description

Examination of the rumour turned legend that a white woman was kidnapped by Aborigines in the Gipps Land bush during the 1840s. Emphasises the legend's role as a justification for the settlers to go out and clear the land of 'savages'. Explores contemporary concerns about Australian identity and black-white relations. Uses the legend as a case study of settler society colonisation in its treatment of indigenous peoples and its political development. Includes maps, illustrations, notes, bibliography and index. Author has a PhD in English and has published various articles in scholarly journals, including a number on this legend.




Captive


Book Description

Including a new afterword, Captive is an emotional, ripped-from-the-headlines exposé that lays bare the inner workings of the secretive NXIVM cult that shocked the world. I am a mother whose child is being abused and exploited. And I am not alone. In 2011, former Dynasty star Catherine Oxenberg joined her daughter, India, at a leadership seminar for a new organization called NXIVM. Her then twenty-year-old daughter was on the threshold of starting her own professional life and they both thought this program might help her achieve her dream. But quickly, Catherine saw a sinister side to the program that claimed to simply want to help its clients become the best versions of themselves. Catherine watched in horror as her daughter fell further and further down the rabbit hole, falling under the spell of NXIVM's hypnotic leader, Keith Raniere. Despite Catherine’s best efforts, India was drawn deeper into the cult, eventually joining an elite “sorority” of women members who were ordered to maintain a restricted diet, recruit other women as “slaves,” and were branded with their leader’s initials. In Captive, Catherine shares every parent’s worst nightmare, and the lengths that a mother will go to save her child. Catherine’s efforts finally led the FBI to take notice—and the journey is not yet over. A powerful depiction of a mother’s love and determination, and with horrifying insider details never revealed in any news story, Captive will keep you reading until the very last page.