Capturing the Sublime


Book Description

This handsome volume brings together an impressive array of scholars, who analyze an outstanding private collection of 171 Old Master drawings that date from the late fifteenth through the early nineteenth century. The collection vibrantly revealed here includes a wide variety of drawings—from sketches and figure drawings to copies after masters and preliminary studies for major compositions—and features the work of many important Italian artists, including Raphael, Andrea del Sarto, Baccio Bandinelli, Pontormo, Perino del Vaga, Gian Lorenzo Bernini, Salvator Rosa, Guercino, and Giovanni Battista Tiepolo, among many others. Each work is reproduced and accompanied by complete documentation: physical description, provenance, bibliography, and exhibition history, as well as background information on the subjects captured in the drawings. Capturing the Sublime opens the beauty of these drawings to a broader public and provides important new attributions and scholarship.




Beyond the Finite


Book Description

Throughout its long history, and not just as the key aesthetic category for the Romantic Movement, the sublime has created the necessary link between aesthetic and moral judgment, offering the prospect of transcending the limits of measurement, even imagination. The best of science makes genuine claims to the sublime. For in science, as in art, every day brings the entirely new, the extreme, and the unrepresentable. How does one depict negative mass, for example, or the folding of a protein that is contagious? Can one capture emergent phenomena as they emerge? Science is continually faced with describing that which is beyond. This book, through contributions from nine prominent scholars, tackles that challenge. The explorations within Beyond the Finite range from the images taken by the Hubble Telescope to David Bohm's quantum romanticism, from Kant and Burke to a "downward spiraling infinity" of the 21st century sublime, all lucid yet transcendent. Squarely positioned at the interface between science and art, this volume's chapters capture a remarkable variety of perspectives, with neuroscience, chemistry, astronomy, physics, film, painting and music discussed in relation to the sublime experience, topics surely to peak the interest of academics and students studying the sublime in various disciplines.




The Sublime and The Beautiful


Book Description

A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful (1757) is a philosophical treatise published in pamphlet form by Irish statesman and thinker Edmund Burke. Following in the footsteps of generations of philosophers, especially Aristotle and Hume, Burke sought to describe the inherent difference between beauty and sublimity as emotional responses rooted in human perception. His work was incredibly influential for the growth of Romanticism in Europe and Britain especially, which sought to capture the sublime in both visual art, music, and literature. Burke begins with a section on the senses in relation to human individuality and society in order to illuminate the collective nature of passions—for which we may read emotions—and to argue that the power of the arts is to shape and effect those emotions. In the second part, Burke observes the passions caused by the sublime, including terror, as well as records the effects of certain sensory perceptions—of sound, light, color, and smell—on creating sublime feelings in the mind. Part three follows the same trajectory but describes the beautiful instead before ultimately comparing the two, and part four attempts to ascertain their causes in nature. Burke concludes his treatise with a brief section on the sublime and beautiful in poetry, laying the groundwork for Romanticism’s use of language, among other things, to purposefully invoke feeling in the reader or observer. With a beautifully designed cover and professionally typeset manuscript, this edition of Edmund Burke’s A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful is a classic of philosophy reimagined for modern readers.




Beyond the Finite


Book Description

Throughout its long history, and not just as the key aesthetic category for the Romantic Movement, the sublime has created the necessary link between aesthetic and moral judgment, offering the prospect of transcending the limits of measurement, even imagination. The best of science makes genuine claims to the sublime. For in science, as in art, every day brings the entirely new, the extreme, and the unrepresentable. How does one depict negative mass, for example, or the folding of a protein that is contagious? Can one capture emergent phenomena as they emerge? Science is continually faced with describing that which is beyond. This book, through contributions from nine prominent scholars, tackles that challenge. The explorations within Beyond the Finite range from the images taken by the Hubble Telescope to David Bohm's quantum romanticism, from Kant and Burke to a "downward spiraling infinity" of the 21st century sublime, all lucid yet transcendent. Squarely positioned at the interface between science and art, this volume's chapters capture a remarkable variety of perspectives, with neuroscience, chemistry, astronomy, physics, film, painting and music discussed in relation to the sublime experience, topics surely to peak the interest of academics and students studying the sublime in various disciplines.




Capturing the Sublime


Book Description




Private Acts


Book Description

Photography collides with gravity-defying acts in this sensual and mesmerizing collection of photographs that capture the explosive energy and beauty of bodies. In this extraordinary suite of images by Acey Harper, the energy and beauty of nude female and male bodies-devoid of costumes, greasepaint, stage sets, and lighting-are photographed stripped bare (figuratively and literally), revealing the acrobats' art, craft, and emotions. The beautiful, well-trained, and highly flexible bodies are captured in settings from the natural (beaches in the Marin Headlands, forests in Vermont, the Black Rock Desert) to the gritty urban (a New Jersey steel mill, San Francisco streets, the New York subway). In three captivating essays, Harriet Heyman, well-schooled in trapeze arts, describes firsthand what it feels like to train as an acrobat and what motivates these dedicated artists.




The Sublime


Book Description

The appeal of the sublime in the minds of British critics and poets during the eighteenth century holds a unique position in the history of aesthetics. At no other time has aesthetics displayed a similar interest in the experience of the sublime. This book explores the impulses behind the fascination for that experience. The Greek treatise Peri Hupsous by Longinus constitutes the earliest source for the experience of the sublime, and as such it shaped much of British eighteenth-century criticism. But the attraction of the sublime received stimulus from other sources as well. In the effort to expand the context of the sublime, the author considers the incentives provided not only by Longinus, but also by the criticism of intellectual literature during the second half of the seventeenth century; a body of criticism that was not primarily concerned with the sublime, but which nevertheless served as an important link to its subsequent appeal.




The Lives of Others


Book Description

A privileged invitation into a world of beauty--from a seventeenth-century Italian palace and retreats in the Swiss Alps and Morocco to artists' studios and noble residences in Austria and Spain. Simon Watson takes the reader into highly personal environments that reveal the creativity and personality of their esteemed inhabitants. Since the 1990s, Watson has been one of the most prolific chroniclers of remarkable interiors and portraits, gracing the pages of W magazine, Vanity Fair, AD, and T Magazine. From hard-edged modernity and historical exoticism to pure classicism, the photographer has documented rooms of note in cities, atop mountains, and by the sea. Complementing his masterful images, Watson gives an intimate description of each location. On this journey with the photographer, one experiences the Duchess of Alba's Palacio Liria in Madrid, filled with sixteenth- and seventeenth-century masterpieces; interior designer Roberto Peregalli's splendid riad in Tangier; the magnificent and vast Castello Gardena in the Italian Alps owned by the Franchetti clan; Guinness heir Garech de Brun's hillside retreat in County Wicklow, Ireland; the Renaissance Palazzo Massimo alle Colonne in Rome, designed by Baldassarre Peruzzi in the sixteenth century; shoe designer Christian Louboutin's fanciful Parisian apartment; and many other splendid places around the world.




Sublime Nature


Book Description

A photograph collection explores the variations of natural landscapes, plants, and animals and is complemented by perspectives on humanity's visceral connections to the natural universe.




The Possibility of the Sublime


Book Description

The notion of the sublime, used to describe a particular kind of overwhelming or exhilarating aesthetic experience, has garnered a great deal of attention by philosophers, critical theorists and literary scholars. In the midst of this growing body of literature, Professor Jane Forsey published an article asking whether an aesthetic theory of the sublime is even possible, and argued provocatively in the negative. Claiming that efforts to explain the sublime inevitably result in theories that are either contradictory or incoherent, Forsey posed a challenge to anyone who takes the sublime seriously as an aesthetic category. This volume brings together an international slate of philosophers and scholars of the sublime, who have been invited to respond to, and critically engage with, Forsey’s article. Unlike other monographs and anthologies that deal broadly with the sublime in aesthetics, this collection examines specific conceptual problems with the very foundations of sublime theory in a manner that is tightly focused and rigorous. It represents a variety of approaches that defend the sublime, and concludes with an original response by Professor Forsey to her critics.