Card Manipulations - Volume 4


Book Description

This is volume IV of Jean Hugard's fantastic handbook “Card Manipulations”, which includes simple instructions for a variety of fantastic tricks. Card manipulation is an element of magical illusion concerning the creation of effects through sleight of hand techniques that involve playing cards. It is commonly employed in magical performances, particularly in street magic. Jean Hugard (1872 – 1959) was an Australian professional magician. By the end of his life he had gone blind, having lost sight in both eyes as a result of cataract-removal operations. Despite his handicap he continued his work with magic at his home in Brooklyn, New York. Contents include: “The Gambler's Top Palm”, “The Change Over Palm”, “With Small Packet of Cards Only”, “With the Pack in Hand”, “New Top Change”, “Replacing Palmed Cards”, “Using a Table”, “On Bottom Deck”, etc. Other notable works by this author include: “Show Stoppers with Cards” (1948), “Royal Road to Card Magic” (1948), and “Houdini's 'Unmasking': Fact Vs. Fiction” (1957). Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this classic volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new introduction on card manipulation.




Card Manipulations


Book Description

Over 100 tricks that can be done with any pack of cards. This rich collection has taught thousands of magicians how to perform dozens of eye-catching, yet really workable tricks. Over 200 illustrations.







More Card Manipulations - Series No. 3


Book Description

Card manipulation is an element of magical illusion concerning the creation of effects through sleight of hand techniques that involve playing cards. It is commonly employed in magical performances, particularly in street magic. This book contains the third in the series of handbooks on card manipulation by master magician Jean Hugard. Jean Hugard's fantastic series “More Card Manipulations” includes simple instructions for a variety of fantastic card tricks, making it ideal for novice illusionists or related collections of literature. Contents include: The Faced Deck”, “The Gambler's Table Change”, “The Spread Pass”, “The Thumb Side”, “New Method of Picking up an Arranged Pack”, “An Easy Force”, “Reversing the Bottom Card”, etc. Jean Hugard was an Australian professional magician. By the end of his life he had gone blind, having lost sight in both eyes as a result of cataract-removal operations. Despite his handicap he continued his work with work at his home in Brooklyn, New York. Contents include: “The Faced Deck”, “The Gambler's Table Change”, “The Spread Pass”, “The Thumb Side”, “New Method of Picking up an Arranged Pack”, “An Easy Force”, “Reversing the Bottom Card”, etc. Other notable works by this author include: “Show Stoppers with Cards” (1948), “Royal Road to Card Magic” (1948), and “Houdini's 'Unmasking': Fact Vs. Fiction” (1957). Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this classic volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new introduction on card manipulation.




Catalogues of Sales


Book Description




The British Cotton Trade, 1660-1815 Vol 4


Book Description

First published in 2010. Cotton was the first industrialized global trade. This four-volume reset edition charts the rise of British trade in cotton from the days of small-scale trading between the Middle East and India to the domination of British-led industrialized manufacture. Volume 4 Part III contains Establishing a British Cotton Trade, c. 1730-1815, continued.







The Netter Collection of Medical Illustrations: Integumentary System, Volume 4


Book Description

Offering a concise, highly visual approach to the basic science and clinical pathology of the integumentary system, this updated volume in The Netter Collection of Medical Illustrations (the CIBA "Green Books") contains unparalleled didactic illustrations reflecting the latest medical knowledge. Revised by Dr. Bryan E. Anderson, Integumentary System, Volume 4 integrates core concepts of anatomy, physiology, and other basic sciences with common clinical correlates across health, medical, and surgical disciplines. Classic Netter art, updated and new illustrations, and modern imaging continue to bring medical concepts to life and make this timeless work an essential resource for students, clinicians, and educators. Provides a highly visual guide to the skin, hair, and nails, from normal anatomy and histology to pathology, dermatology, and common issues in plastic surgery and wound healing. Covers new topics throughout, including infantile hemangiomas, COVID-19, porphyria cutanea tarda, and Muir-Torre syndrome. Provides a concise overview of complex information by integrating anatomical and physiological concepts with clinical scenarios. Compiles Dr. Frank H. Netter’s master medical artistry—an aesthetic tribute and source of inspiration for medical professionals for over half a century—along with new art in the Netter tradition for each of the major body systems, making this volume a powerful and memorable tool for building foundational knowledge and educating patients or staff. NEW! An eBook version is included with purchase. The eBook allows you to access all of the text, figures, and references, with the ability to search, make notes and highlights, and have content read aloud.




Hourglass Socioeconomics Vol. 4: Global Field State, Avoiding Absolution


Book Description

Volume 4, Avoiding Absolution, aims to describe a path of avoidance toward a dissolutive state by mapping the process of and into. The goal is not to relish and dwell in the fear of catastrophe but become aware of the potential for absolution event characteristics to exist within the structure of our social model; here, now, and measurable in the past toward the future. Malignancy, whether internal or external, acts to threaten the strength of bondage between and among sector supports in different forms. In observation, determinants of the perceivable frame of reference, threat potential can be identified. The theme of preceding volumes are functions and forms in the arts and sciences. Continuing from the ending to Volume 3, hive dynamics continues to adapt and evolve our model into newer and higher dimensions. Psychology, as the interpretation of individual and the collective group psyche, is used to understand differentiation between progress toward equilibrium and a dissolution state. In the use of understanding intent, in the ID, Ego and Superego, current themes in society, as well as in historical context, can diagnose malignancy that threatens the balance of. The moon, and all the stars, are not immune to our use in interpretation. Time, both in balance and in purity, is but an orbit in the relationship to our experience of it. A queen can be maniacal or the purpose of the hive in reason and sustenance. Differentiation, as a dependent variable within our function, is but a derivative of field vector characteristics. As we continue into further adaptations of Hourglass Socioeconomics, our purpose is to subject the power of the collective in the effort toward equilibrium.




Mother/Daughter Monologues Volume 4: Urgent Maturity


Book Description

This is the fourth anthology in a four-volume set of dramatic monologues exploring the Mother/Daughter experience. Each volume reflects a different stage of a woman's life: "Urgent Maturity" reveals the anger, wisdom and transformation of later life. This anthology features the work of playwrights Agnes Szmidel, Barbara H. Macchia, Barrie Cole, Carol Samson, Cass Erickson, Cassie Rush, Claire Braz-Valentine, Ed Friedman, Faye Sholiton, Giovanni Affinito, Jan Watts, Jere Pfister, Karen Jeynes, Karen Kinch , Katherine H. Burkman, Laura Shamas, Lia Romeo, Ludmilla Bollow, Marj O'Neill-Butler, Martha Patterson, Mary Millner McCullough, Monica Raymond, Nancy Gall-Clayton, Nina Solomita, Paddy Gillard-Bentley, Patricia Milton, Patricia Montley, Roberta D'Alois, Sandra Dempsey, Sandra Ostrander, and Terri L. Atkins Febuary. Foreword by Margaret McSeveney.