Book Description
The first full-length critical study of the genius who created Duckburg and Uncle Scrooge
Author : Tom Andrae
Publisher : Univ. Press of Mississippi
Page : 350 pages
File Size : 43,95 MB
Release : 2006
Category : Art
ISBN : 9781578068586
The first full-length critical study of the genius who created Duckburg and Uncle Scrooge
Author : Tom Andrae
Publisher :
Page : 0 pages
File Size : 31,93 MB
Release : 2006
Category :
ISBN : 9781578068579
The first full-length critical study of the genius who created Duckburg and Uncle Scrooge
Author : Carl Barks
Publisher : Univ. Press of Mississippi
Page : 292 pages
File Size : 11,52 MB
Release : 2003
Category : Art
ISBN : 9781578065011
Interviews with the Disney artist who created Scrooge McDuck and many well-loved comic books Disney artist Carl Barks (1901-2000) created one of Walt Disney's most famous characters, Scrooge McDuck. Barks also produced more than 500 comic book stories. His work is ranked among the most widely circulated, best-loved, and most influential of all comic book art. Although the images he created are known virtually everywhere, Barks was an isolated storyteller, living in the desert of California and preferring to labor without public fanfare during most of his career. He created work of such exceptional quality that he was accorded the greatest autonomy of any Disney artist. He is the only comic book artist ever to receive a Disney Legends award. The influence of Barks's work on such filmmakers as George Lucas and Steven Spielberg and on such artists as Gottfried Helnwein has extended Barks's significance far beyond the boundaries of comics. After Barks's death at the age of ninety-nine, Roy Disney praised him for his "brilliant artistic vision." Carl Barks: Conversations is the only comprehensive collection of Barks's interviews. It ranges chronologically from the very first one (with Malcolm Willits, the fan who uncovered Barks's identity) to the artist's final conversations with Donald Ault in the summer of 2000. In between are interviews conducted by J. Michael Barrier, Edward Summer, Bruce Hamilton, and others. Several of these interviews are published here for the first time. Ault's friendship with Barks, ranging over a period of thirty years, provides an unusually intimate resource not only for standard q&a interviews but also for casual conversations in informal settings. Carl Barks: Conversations reveals previously unknown information about the life, times, and opinions of one of the master storytellers of the twentieth century. Donald Ault, a professor of English at the University of Florida, is the author of Narrative Unbound: Re-Visioning William Blake's The Four Zoas and Visionary Physics: Blake's Response to Newton. His work has been published in Studies in Romanticism, The Wordsworth Circle, Modern Philology, and The Comics Journal.
Author : J. Michael Barrier
Publisher : M Lilien
Page : 227 pages
File Size : 21,30 MB
Release : 1981
Category : Art
ISBN : 9780960765201
"Thank you for the copy of Carl Barks and the Art of the Comic Book by Michael Barrier, which we are thrilled to see finally in published form. It was worth the years of waiting, and we hope will supply the answers to the myriad of questions which Carl must answer thousands of times over. Now he can just say buy the Barrier book published by M.M. Lilien..." --Gare Barks (Mrs. Carl Barks)) "Carl Barks and the Art of the Comic Book is the very long-awaited biography/bibliography/critique of the Good Artist's work by Michael Barrier. It is published in a handsome, sturdy, well-designed hardcover edition by M. Lilien of New York, with a lovely dust jacket featuring a self-caricature of Barks on the front and a color photo of the Duck Man on the back side. Inside you will find a detailed account of Barks' life and career, with each story discussed and highlighted. There are many photos of Barks as a young man, sketches and cartoons he did for the Calgary Eye Opener and as inter-office gags at the Disney Studios ... If you are a fan of Carl Barks, you simply, absolutely, positively and unquestionably must have this book and right now. If you are a comic-book student, you must have this book to see how thoroughly and well comics can and should be studied ...." --Don and Maggie Thompson The Buyer's Guide For Comic Fandom. " ... Barrier covers not only the life of Barks but his particular thematic preoccupations (the "rescue theme") in what parent/child roles are reversed is documented with considerable wisdom, for instance). The photos of Barks, his house, and other people he worked with are precious glimpses on an important period in comic book history, and the many drawings by Barks and others constitute a real treasure trove for both fans and scholars..." --Catherine Yronwode. The Buyer's Guide For Comic Fandom This beautifully illustrated book captures the essence of Carl Barks, the man who brought Donald Duck into the hearts of a generation of Americans. Only Michael Barrier, who is uniquely familiar with both Bark's life and works, could assemble this definitive introduction to Barks' creations. Barrier traces Barks' life as a young cartoonist who eventually joined the Walt Disney Studios during the depression. Upon joining the Western Publishing Company in 1942, Barks produced vivid tales which captured comic book readers' imaginations for the following two decades. Barks brought to life such unforgettable characters as Uncle Scrooge, the Beagle Boys, and the other zany inhabitants of Duckburg. Although Barks' art was readily accessible to children, his stories contained satire aimed at the foibles of a nation immersed in the Cold War and new-found material success. In addition to chronicling Barks' life, this book provides a definitive bibliography of Barks' works. The bibliography is enhanced by quotations from Barks on specific works as well as comments from Kim Weston. Cost $90.00 plus shipping and handling.
Author : Carl Barks
Publisher : Complete Carl Barks Disney Lib
Page : 0 pages
File Size : 10,73 MB
Release : 2015
Category : Comics & Graphic Novels
ISBN : 9781606998748
This volume kicks off with "Trick or Treat -- a comic-book version of the classic Disney animated short, with nine pages restored -- and includes Barks's favorite, "Omelet," where Donald Duck becomes...a chicken farmer?!
Author : Kim Weston
Publisher : Createspace Independent Publishing Platform
Page : 548 pages
File Size : 46,5 MB
Release : 2017-03-07
Category :
ISBN : 9781544218984
The Complete Carl Barks Index LARGE PRINT INDEX EDITION is identical to the regular edition EXCEPT that the Index portion of the Book is printed in larger type. The regular edition index portion of the book is mostly 2 columns of 7-point type. The LARGE PRINT index is mostly single column 9-point type and is consequently almost 250 pages longer. The non-index text is mostly 10-point in all editions. The price of the 548 page LARGE PRINT edition is $39.95. The regular 304 page edition price is $34.95. A SPECIAL EDITION identical to the regular edition except for a few pages of color, instead of black and white, illustrations is by $59.95; In any of the editions, the book a comprehensive index and concordance of Carl Barks' comic book work. From 1942 until his retirement in 1966, Carl Barks was the most important writer and artist of Donald Duck and related comic books, including Uncle Scrooge, as well as the creator of Uncle Scrooge and many of the best-loved characters in the Duck comic books. So beloved and important was Carl Barks' work that from 1983 to 1990, Another Rainbow Publishing, founded by Bruce Hamilton, published The Carl Barks Library in 30 deluxe hardcover volumes reprinting all of Barks' Disney comic book work and as much other Disney related drawings and art Barks was involved with as possible. In addition to comic book work, it includes paintings, storyboard and animation drawings, model sheets, and drawings for fans, among other things. The Complete Carl Barks Index has over 29,000 lines of data in the Index. The index, which was always intended to cover all of Barks' Disney comics as published in the original comic books and as reprinted, or in some cases first printed, in The Carl Barks Library, was also expanded to include Barks' non-Disney comics and also, later, Disney comics not included in The Carl Barks Library, and not even published until after The Carl Barks Library had been completed. There is even Barks comic book work first published after Barks' death, including work that has not yet been published in the USA or even in English. This has led to some additional material being added to the index as late as 2016. All of that is included in the Index. Information has also been included to make the Index useful even with other reprints in addition to the original comic books and the The Carl Barks Library. Each data entry includes reference to the original USA comic book publications with comic book title, issue, and story page numbers. It also includes reference to The Carl Barks Library publication including set, volume, and page reference, as well as submission dates, based on Carl Barks' personal work records. Just about any question you might ask about Carl Barks' work, if you can think of it, and it is included in Barks' opus, you can probably find it and all references to it. Want to find every depiction of a cigarette in Barks' comics or a listing of every half page display panel and other large sized panels? It's there. What really was the first appearance of the money bin or its precursors, or the worry room, or Gladstone's luck, every appearance of the Beagle Boys, all incarnations of Barks' pig villain characters, what stories have a camel in them, what Barney Bear and Benny Burro story was rewritten as an Uncle Scrooge story, what other Barks stories were rewritten years or decades later? Where does that huge panel of a money dam bursting with gazillions of dollars flowing forth appear? It's all there in the Index. There are also a dozen chapters of introduction, historical, and background material, topics of special interest, and a Foreword by Michael Barrier.
Author : Laurence Grove
Publisher : Berghahn Books
Page : 364 pages
File Size : 18,66 MB
Release : 2010
Category : Literary Criticism
ISBN : 9781845455880
Whereas in English-speaking countries comics are for children or adults 'who should know better', in France and Belgium the form is recognized as the 'Ninth Art' and follows in the path of poetry, architecture, painting and cinema. The bande dessinée [comic strip] has its own national institutions, regularly obtains front-page coverage and has received the accolades of statesmen from De Gaulle onwards. On the way to providing a comprehensive introduction to the most francophone of cultural phenomena, this book considers national specificity as relevant to an anglophone reader, whilst exploring related issues such as text/image expression, historical precedents and sociological implication. To do so it presents and analyses priceless manuscripts, a Franco- American rodent, Nazi propaganda, a museum-piece urinal, intellectual gay porn and a prehistoric warrior who's really Zinedine Zidane. Laurence Grove is Senior Lecturer and Head of French at the University of Glasgow. His previous affiliations include the University of Pittsburgh, the Newberry Library (Chicago), Middlebury College (Vermont) and the Université Rennes 2. He works on text/image phenomena from the sixteenth century to the present day and has authored a number of works on the subject. Laurence Grove is President of the IBDS, an international society for the study of the bande dessinée.
Author : Walt Disney Productions
Publisher :
Page : 224 pages
File Size : 10,66 MB
Release : 1979
Category : Juvenile Fiction
ISBN :
Examines the development of the Scrooge McDuck comics using the comic strips which have appeared in newspapers and comic books over the years.
Author : Carl Barks
Publisher : Complete Carl Barks Disney Lib
Page : 0 pages
File Size : 10,56 MB
Release : 2022-11-29
Category : Comics & Graphic Novels
ISBN : 9781683966531
In this collection of world-famous Disney comics stories, Donald Duck decides to enlist Gladstone Gander and his unfailing good luck to prove a fortune cookie wrong when it warns, "You can't do anything right today." (Good luck with that!) Next, it's off to the roaring North Seas, on one of Uncle Scrooge's schooners, where Donald and the boys compete to bring in the most fish. But they're falling behind -- until Donald unlocks Scrooge's "Secret Device." Then Donald gets into trouble when Gyro invents a matter transmitter that only half works. And Donald and the boys, while on a trip to the Grand Canyon (to expose a fraud), get captured by cavemen! Plus: Daisy Duck strikes a blow for women's equality when she and her nieces climb Precipice Peak -- a feat that no man has ever dared! Also in this volume -- Carl Barks's stories of the Junior Woodchucks starring Huey, Dewey, and Louie, written and penciled by Barks with finishes by internationally acclaimed Duck artist Daan Jippes! Carl Barks delivers another superb collection of surprise, delight, comedy, adventure, and all-around cartooning brilliance: 200 pages of story and art, each meticulously restored and newly colored with insightful story notes by an international panel of Barks experts.
Author : Michael Barrier
Publisher : Univ of California Press
Page : 432 pages
File Size : 47,76 MB
Release : 2015
Category : Art
ISBN : 0520283902
Funnybooks is the story of the most popular American comic books of the 1940s and 1950s, those published under the Dell label. For a time, “Dell Comics Are Good Comics” was more than a slogan—it was a simple statement of fact. Many of the stories written and drawn by people like Carl Barks (Donald Duck, Uncle Scrooge), John Stanley (Little Lulu), and Walt Kelly (Pogo) repay reading and rereading by educated adults even today, decades after they were published as disposable entertainment for children. Such triumphs were improbable, to say the least, because midcentury comics were so widely dismissed as trash by angry parents, indignant librarians, and even many of the people who published them. It was all but miraculous that a few great cartoonists were able to look past that nearly universal scorn and grasp the artistic potential of their medium. With clarity and enthusiasm, Barrier explains what made the best stories in the Dell comic books so special. He deftly turns a complex and detailed history into an expressive narrative sure to appeal to an audience beyond scholars and historians.