Schumann


Book Description

Robert Schumann is one of the most intriguing-and enigmatic-composers of the nineteenth century. Extraordinarily gifted in both music and literature, many of his compositions were inspired by poetry and novels. For much of his life he was better known as a music critic than as a composer. But whether writing as critic or composer, what he produced was created by him as a reflection of his often turbulent life. Best known was the tempestuous courtship of his future wife, the pianist Clara Wieck. Though marriage and family life seemed to provide a sense of constancy, he increasingly experienced periods of depression and instability. Mounting criticism of his performance as music director at Dusseldorf led to his attempted suicide in 1854. Schumann was voluntarily committed to an insane asylum near Bonn where, despite indications of improvement and dissatisfaction with his treatment, he spent the final two years of his life. Drawing on original research and newly published letters and journals from the time, author Eric Frederick Jensen presents a balanced portrait of the composer with both scholarly authority and engaging clarity. Biographical chapters alternate with discussion of Schumann's piano, chamber, choral, symphonic, and operatic works, demonstrating how the circumstances of his life helped shape the music he wrote. Chronicling the romance of Robert and Clara, Jensen offers a nuanced look at the evolution of their relationship, one that changed dramatically after marriage. He also follows Schumann's creative musical criticism, which championed the burgeoning careers of Chopin, Liszt, and Brahms and challenged the musical tastes of Europe.




Easter-Mystr̈es


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Piano Lessons


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Vladimir Feltsman presents insights drawn from a lifetime of devotion to music: as a student, a teacher, a performer, and a recording artist. Beginning with his early days studying the piano in the Special School for Music in Moscow, he writes compellingly about his experience of becoming a professional musician and passing along what he learned to the next generation. Along the way, he sheds fascinating light on what it was like to pursue his vocation in the former Soviet Union, including eight years of artistic exile after he was refused permission to emigrate. In addition to these personal reflections, the book reproduces the highly informative "liner notes" Feltsman provided for many of the recordings in his extensive discography, ranging from Bach's Goldberg Variations to the 20th-century compositions of Soviet Russia's "forgotten" composers. A final inclusion is the text that Feltsman, a renowned Bach specialist, wrote to accompany a performing edition of The Well-Tempered Clavier, offering both an expansive overview and detailed analysis of each of the preludes and fugues.




The Record Guide


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Concerto No. 7


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One of the leading composers of instrumental music of the early Romantic period, Louis Spohr was a violinist, composer, and conductor. In addition to symphonic works, string quartets, and other solo and chamber music, he composed operas, operettas, and songs. Of the fifteen violin concerti he composed, his Violin Concerto no. 7 in c minor was written in 1814. There has been a trend, starting in the late 20th century, to revive his instrumental works and songs.







Schumann's Pianoforte Works


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