Catalogue 139 Monnaies Antiques, Medievales Romaines, Byzantines
Author : Tom Cederlind
Publisher :
Page : pages
File Size : 12,48 MB
Release : 2006*
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Author : Tom Cederlind
Publisher :
Page : pages
File Size : 12,48 MB
Release : 2006*
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Author : Dix Noonan Webb (Londres)
Publisher :
Page : pages
File Size : 19,70 MB
Release : 2007*
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Author : William J. Conté
Publisher :
Page : pages
File Size : 31,28 MB
Release : 1994*
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Author : Gregory
Publisher :
Page : pages
File Size : 13,99 MB
Release : 2006*
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Author : Tom Cederlind
Publisher :
Page : pages
File Size : 37,90 MB
Release : 2006*
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Author : Tom Cederlind
Publisher :
Page : pages
File Size : 25,77 MB
Release : 2006*
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Author : Dumbarton Oaks
Publisher :
Page : 694 pages
File Size : 35,82 MB
Release : 1975
Category : Art, Byzantine
ISBN :
Author :
Publisher : BRILL
Page : 431 pages
File Size : 18,70 MB
Release : 2019-02-11
Category : History
ISBN : 9004391444
A Companion to Seals in the Middle Ages is a cross-disciplinary collection of fourteen essays on medieval sigillography. It is organized thematically, and it emphasizes important, often cutting-edge, methodologies for the study of medieval seals and sealing cultures.
Author :
Publisher :
Page : 638 pages
File Size : 44,10 MB
Release : 1970
Category : Union catalogs
ISBN :
Includes entries for maps and atlases.
Author : Roland Betancourt
Publisher : Cambridge University Press
Page : 356 pages
File Size : 35,46 MB
Release : 2021-05-13
Category : History
ISBN : 1108870872
Tracing the Gospel text from script to illustration to recitation, this study looks at how illuminated manuscripts operated within ritual and architecture. Focusing on a group of richly illuminated lectionaries from the late eleventh century, the book articulates how the process of textual recitation produced marginalia and miniatures that reflected and subverted the manner in which the Gospel was read and simultaneously imagined by readers and listeners alike. This unique approach to manuscript illumination points to images that slowly unfolded in the mind of its listeners as they imagined the text being recited, as meaning carefully changed and built as the text proceeded. By examining this process within specific acoustic architectural spaces and the sonic conditions of medieval chant, the volume brings together the concerns of sound studies, liturgical studies, and art history to demonstrate how images, texts, and recitations played with the environment of the Middle Byzantine church.