Author : Francois Leandre Regnault-Delalande
Publisher :
Page : 24 pages
File Size : 34,88 MB
Release : 1813
Category :
ISBN :
Author : New York Public Library. Research Libraries
Publisher :
Page : 642 pages
File Size : 14,74 MB
Release : 1979
Category : Library catalogs
ISBN :
Author : Library of Congress
Publisher :
Page : 712 pages
File Size : 18,54 MB
Release : 1973
Category : Catalogs, Union
ISBN :
Author : New York Public Library. Prints Division
Publisher :
Page : 854 pages
File Size : 26,85 MB
Release : 1975
Category : Art
ISBN :
Author : Michael Fried
Publisher : University of Chicago Press
Page : 282 pages
File Size : 34,30 MB
Release : 1988-09-15
Category : Art
ISBN : 9780226262130
With this widely acclaimed work, Michael Fried revised the way in which eighteenth-century French painting and criticism are viewed and understood. Analyzing paintings produced between 1753 and 1781 and the comments of a number of critics who wrote about them, especially Dennis Diderot, Fried discovers a new emphasis in the art of the time, based not on subject matter or style but on values and effects.
Author : J. Lewine
Publisher :
Page : 722 pages
File Size : 29,43 MB
Release : 1898
Category : Art
ISBN :
Author : Robert Hoe
Publisher :
Page : 562 pages
File Size : 19,8 MB
Release : 1912
Category : America
ISBN :
Author : Denis Diderot
Publisher :
Page : 250 pages
File Size : 10,49 MB
Release : 1995
Category : Art
ISBN : 9780300062489
An introduction by Thomas Crow describes the peculiar circumstances under which these texts were written, and concise notes make it possible for non-specialist readers to keep their bearings in the vividly evoked world of late eighteenth-century Paris.
Author : Anita Brookner
Publisher : Elektrohas
Page : 176 pages
File Size : 33,27 MB
Release : 1972-01-01
Category : Art, French
ISBN : 9780236176786
Author : Darius A. Spieth
Publisher : BRILL
Page : 535 pages
File Size : 44,70 MB
Release : 2017-11-06
Category : Art
ISBN : 9004276750
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
