Revolutionary Paris and the Market for Netherlandish Art


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Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.




Art International


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Choffard


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Catalogue d'une belle collection d'estampes principalement de l'école française du XVIIIe siècle, pièces imprimées en noir et en couleurs, nombreuses épreuves avant la lettre ou a l'état d'eau-forte, par et d'après Baudouin, Boucher, Chardin, Fragonard ... portraits ... collection de deux cent quatre-ving-huit dessins originaux de P.-C. Marillier, dont la vente ... aura lieu Hôtel des Commissires-priseurs, rue Drouot ... les lundi 8, mardi 9 et mercredi 10 avril 1878 ... par le ministère de Me Maurice Delestre, commissaire-priseur ... assisté de MM. Danlos fils et Delisle, marchand d'estampes ...


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The Purchase of the Past


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Offers a broad and vivid overview of the culture of collecting in France over the long nineteenth-century.




Salvator Rosa in French Literature


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" Salvator Rosa (1615–1673) was a colorful and controversial Italian painter, talented musician, a notable comic actor, a prolific correspondent, and a successful satirist and poet. His paintings, especially his rugged landscapes and their evocation of the sublime, appealed to Romantic writers, and his work was highly influential on several generations of European writers. James S. Patty analyzes Rosa’s tremendous influence on French writers, chiefly those of the nineteenth century, such as Stendhal, Honoré de Balzac, Victor Hugo, George Sand, and Théophile Gautier. Arranged in chronological order, with numerous quotations from French fiction, poetry, drama, art criticism, art history, literary history, and reference works, Salvator Rosa in French Literature forms a narrative account of the reception of Rosa’s life and work in the world of French letters. James S. Patty, professor emeritus of French at Vanderbilt University, is the author of Dürer in French Letters . He lives in Nashville, Tennessee.




Absorption and Theatricality


Book Description

With this widely acclaimed work, Michael Fried revised the way in which eighteenth-century French painting and criticism are viewed and understood. Analyzing paintings produced between 1753 and 1781 and the comments of a number of critics who wrote about them, especially Dennis Diderot, Fried discovers a new emphasis in the art of the time, based not on subject matter or style but on values and effects.