The Art of Glass


Book Description

-- Published to coincide with a major exhibition. -- Examines in depth the historical background of each designer and firm, their styles and techniques. This introduction to the most innovative period of goth century glass-making was published to coincide with The Art of Glass - Art Nouveau to Art Deco exhibition at the Sunderland Museum and Art Gallery. The fascinating history of art glass in this Period begins in the 1880's with the precursors to Art Nouveau, follows the creations of Galle, Daum and Muller Freres. It continues with the development of opalescent, frosted and clear molded glass -- especially Lalique, Art Deco, functionalism, Orrefors and English and Scottish glass. But it is above all the glass itself, beautifully reproduced in full color, that brings to life one of the most exciting and creative periods in the history of art glass.










Catalogue des collections J. Tulpinck, composées de porcelaines anciennes de la Chine, du Japon, de Saxe, Tournai et autres; telles que: plats, assiettes, groupes, figurines et pendules en biscuit, de porcelaines, faiences, et grès anciens, objets de vitrine; vitraux, verroteries et lustres a cristaux, groupes en bronze; dinanderies et ferronneries; meubles en bois sculpté et doré; belles cheminées anciennes; argenteries; tentures en tapisseries des Flandres; étoffes et soieries anciennes a tissus d'argent; tableaux et peintures décoratives; tableaux modernes, livres d'architecture et ouvrages illustrés


Book Description







Alphonse Mucha--the Spirit of Art Nouveau


Book Description

"This book, a full-scale treatment of Mucha's entire oeuvre, includes discussions and reproductions of paintings, posters, decorative panels, pastels, drawings, photographs, jewelry, and illustrations from throughout his career ... 248 color plates, 112 black-and-white illustrations"--Dustjacket.




Gallé Furniture


Book Description

Included for the first time under one cover are all Galle's major works of furniture, both those he designed as unique pieces for an exclusive clientele and those he displayed at two World Expositions and at the annual Paris Salons between 1889 and his un