General Catalogue of Printed Books to 1955
Author : British Museum. Department of Printed Books
Publisher :
Page : 1292 pages
File Size : 19,28 MB
Release : 1967
Category : English imprints
ISBN :
Author : British Museum. Department of Printed Books
Publisher :
Page : 1292 pages
File Size : 19,28 MB
Release : 1967
Category : English imprints
ISBN :
Author : Meyer Schapiro
Publisher : George Braziller Publishers
Page : 366 pages
File Size : 42,95 MB
Release : 1997
Category : Antiques & Collectibles
ISBN :
Presents a revision of the late Columbia University art historian's lectures given at Indiana University in 1961.
Author : Mariana Giovino
Publisher : Saint-Paul
Page : 332 pages
File Size : 26,96 MB
Release : 2007
Category : Art
ISBN : 9783525530283
Revised thesis (doctoral) - University of Michigan, Ann Arbor, 2004.
Author : Tobias Smollett
Publisher : Lulu.com
Page : 448 pages
File Size : 15,3 MB
Release : 1812
Category :
ISBN : 1716126584
Author : Agnes Ethel Conway
Publisher : Good Press
Page : 131 pages
File Size : 41,13 MB
Release : 2019-11-25
Category : Art
ISBN :
This book, crafted for young minds, unveils a rich tapestry of artistic masterpieces through the ages. From the grandeur of thirteenth-century Europe to the Renaissance's awe-inspiring beauty, embark on a journey that illuminates the works of Richard II, the Van Eycks, Raphael, and more. Explore the vibrant Renaissance in Venice and the North, delving into the genius of Rembrandt, Peter de Hooch, Cuyp, Van Dyck, and Velasquez.
Author :
Publisher :
Page : pages
File Size : 23,67 MB
Release : 1797
Category :
ISBN :
Author : Ernest Hatch Wilkins
Publisher :
Page : 296 pages
File Size : 21,19 MB
Release : 1961
Category : Literary Criticism
ISBN :
Biography of the 14th century Italian scholar.
Author : Cyrus Masroori
Publisher : Oxford University Studies in the Enlightenment
Page : 368 pages
File Size : 49,34 MB
Release : 2021-09-13
Category :
ISBN : 9781800348578
Since the 5th century BCE Persia has played a significant part in representing the "Other" against which European identity has been constructed. What makes the case of Persia unique in this process of identity formation is the ambivalent attitude that Europe has shown in its imaginary about Persia. Persia is arguably the nation of "the Orient" most referred to in Early Modern European writings, frequently mentioned in various discourses of the Enlightenment including theology, literature, and political theory. What was the appeal of Persia to such a diverse intellectual population in Enlightenment Europe? How did intellectuals engage with the 'facts' about Persia? In what ways did utilizing Persia contribute to the development of modern European identities? In this volume, an international group of scholars with diverse academic backgrounds has tackled these and other questions related to the Enlightenment's engagement with Persia. In doing so, Persia and the Enlightenment questions reductionist assessments of Modern Europe's encounter with the Middle East, where a complex engagement is simplified to a confrontation between liberalism and Islam, or an exaggerated Orientalism. By carefully studying Persia in the Enlightenment narratives, this volume throws new light on the complexity of intercultural encounters and their impact on the shaping of collective identities.
Author : Musee des Beaux Arts (Lille, France)
Publisher : Metropolitan Museum of Art
Page : 340 pages
File Size : 11,52 MB
Release : 1992
Category : Art
ISBN : 0870996495
Author : Voltaire
Publisher : Simon and Schuster
Page : 56 pages
File Size : 46,7 MB
Release : 2013-08-02
Category : Drama
ISBN : 1627933212
Orestes was produced in 1750, an experiment which intensely interested the literary world and the public. In his Dedicatory Letters to the Duchess of Maine, Voltaire has the following passage on the Greek drama: "We should not, I acknowledge, endeavor to imitate what is weak and defective in the ancients: it is most probable that their faults were well known to their contemporaries. I am satisfied, Madam, that the wits of Athens condemned, as well as you, some of those repetitions, and some declamations with which Sophocles has loaded his Electra: they must have observed that he had not dived deep enough into the human heart. I will moreover fairly confess, that there are beauties peculiar not only to the Greek language, but to the climate, to manners and times, which it would be ridiculous to transplant hither. Therefore I have not copied exactly the Electra of Sophocles-much more I knew would be necessary; but I have taken, as well as I could, all the spirit and substance of it."