Catalogue de beaux dessins anciens des maîtres français du XVIIIe siècle, composition importante de J.-B. Greuze, oeuvres de Boilly, Boissieu, Boucher, Carmontelle, Cochin, Cosway, De Machy, Desrais, Duplessis-Bertaux, Eisen, Fragonard, Freudeberg, Gravelot, Greuze, Hoin, Huet, Mallet, Marillier, L. Moreau, Morland, Nilson, Ostade, Pater, Pillement, Portail, Queverdo, Rowlandson, etc., intéressante série de portraits par Aug. de Saint-Aubin, composant la collection d'un amateur [Baron Davillier ? ; Henri Lacroix ? ; Georges Mühlbacher ?], dont la vente aura lieu Hôtel Drouot... le samedi 7 mai 1887...


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Catalogue de beaux dessins anciens des maîtres français du XVIIIe siècle, composition importante de J.-B. Greuze, oeuvres de Boilly, Boissieu, Boucher, Carmontelle, Cochin, Cosway, De Machy, Desrais, Duplessis-Bertaux, Eisen, Fragonard, Freudeberg, Gravelot, Greuze, Hoin, Huet, Mallet, Marillier, L. Moreau, Morland, Nilson, Ostade, Pater, Pillement, Portail, Queverdo, Rowlandson, etc., intéressante série de portraits par Aug. de Saint-Aubin, composant la collection d'un amateur [Baron Davillier ? ; Henri Lacroix ? ; Georges Mühlbacher ?], dont la vente aura lieu Hôtel Drouot... le samedi 7 mai 1887...


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French Master Drawings from the Collection of Muriel Butkin


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Accompanying an exhibition at the Cleveland Museum of Art last fall and now at the Dahesh Museum in New York, this catalog focuses upon the French drawings in Muriel Butkin's highly specialized collection which she has promised to the Cleveland Museum. To assemble her diverse yet nicely integrated set of drawings, Butkin started buying 18th-century French drawings when they were affordable. In the mid-1970s, with the guidance of art historian Gabriel Weisberg, she expanded her collection to include 19th-century French drawings. These drawings were counter to the mainstream impressionist and postimpressionist taste of the time and focused more on academic French subject matter such as life drawings, portraits, or compositional studies. In the preface, Butkin herself reinforces her taste by saying that drawings are much more personal and spontaneous than paintings, often demonstrating the artistic process. Foster, curator of drawings at the Cleveland Museum, and other scholars present a well-researched volume that contributes new information to a very specialized field of art history. It is greatly disappointing, however, that the bulk of the reproductions are in black and white, often missing the subtly colored tones in many of the drawings. Nonetheless, this is recommended for museum and academic libraries that support graduate programs in art history. 183 b/w illustrations







Catalogue de dessins anciens et modernes, de maitres français du XVIe au XVIIIe siècle, et d'une suite intéressante de costumes, de gravures, de portraits, pièces historiques, caricatures anciennes et modernes et sur les événements politiques de la Révolution de 1789 et celle de 1830, et d'une collection de médailles grecques, romaines, du moyen-âge et modernes, qui composaient le cabinet de M. Jérôme Bignon, et dont la vente se fera... le lundi 4 décembre 1848 et jours suivants...


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