General Catalogue of Printed Books to 1955
Author : British Museum. Dept. of Printed Books
Publisher :
Page : 1230 pages
File Size : 25,35 MB
Release : 1967
Category : English imprints
ISBN :
Author : British Museum. Dept. of Printed Books
Publisher :
Page : 1230 pages
File Size : 25,35 MB
Release : 1967
Category : English imprints
ISBN :
Author :
Publisher :
Page : 712 pages
File Size : 24,8 MB
Release : 1970
Category : Catalogs, Union
ISBN :
Author : Darius A. Spieth
Publisher : BRILL
Page : 535 pages
File Size : 14,60 MB
Release : 2017-11-06
Category : Art
ISBN : 9004276750
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
Author : Tom Stammers
Publisher : Cambridge University Press
Page : 375 pages
File Size : 23,39 MB
Release : 2020-06-25
Category : Art
ISBN : 1108478840
Offers a broad and vivid overview of the culture of collecting in France over the long nineteenth-century.
Author : Renou Et Maulde
Publisher :
Page : pages
File Size : 49,10 MB
Release : 2016-11
Category :
ISBN : 9782014460315
Collection de M. le M.is de B*** [marquis de Brem], de Florence, Catalogue de la belle collection d'estampes anciennes des ecoles allemande, flamande, francaise, hollandaise et italienne composant le cabinet de M. le marquis de B***, de Florence, dont la vente... aura lieu Hotel des commissaires-priseurs rue Drouot... les lundi 19, mardi 20, mercredi 21, jeudi 22, vendredi 23 & samedi 24 mars 1866 / Me Delbergue-Cormont, commissaire-priseur; [expert] M. Clement, marchand d'estampes de la Bibliotheque imperiale Date de l'edition originale: 1866 [Vente (Art). 1866-03-19 - 1866-03-24. Paris][Collection (Art). Brem (marquis de). 1866]Reference bibliographique: Lugt, 28963 Ce livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF. Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique. En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles. Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction. Pour plus d'informations, rendez-vous sur www.hachettebnf.fr
Author : James Patty
Publisher : University Press of Kentucky
Page : 282 pages
File Size : 14,25 MB
Release : 2005-01-31
Category : Literary Criticism
ISBN : 0813171938
" Salvator Rosa (1615–1673) was a colorful and controversial Italian painter, talented musician, a notable comic actor, a prolific correspondent, and a successful satirist and poet. His paintings, especially his rugged landscapes and their evocation of the sublime, appealed to Romantic writers, and his work was highly influential on several generations of European writers. James S. Patty analyzes Rosa’s tremendous influence on French writers, chiefly those of the nineteenth century, such as Stendhal, Honoré de Balzac, Victor Hugo, George Sand, and Théophile Gautier. Arranged in chronological order, with numerous quotations from French fiction, poetry, drama, art criticism, art history, literary history, and reference works, Salvator Rosa in French Literature forms a narrative account of the reception of Rosa’s life and work in the world of French letters. James S. Patty, professor emeritus of French at Vanderbilt University, is the author of Dürer in French Letters . He lives in Nashville, Tennessee.
Author : Delbergue-Cormont
Publisher :
Page : 88 pages
File Size : 28,92 MB
Release : 1861
Category : Engraving
ISBN :
Author : Metropolitan Museum of Art (New York, N.Y.)
Publisher : Metropolitan Museum of Art
Page : 354 pages
File Size : 48,25 MB
Release : 2009
Category : Art
ISBN : 1588393410
The Walter and Leonore Annenberg Collection of Impressionist and Post-Impressionist paintings, watercolors, and drawings constitutes one of the most remarkable groupings of avant-garde works of art from the mid-19th to the early 20th century ever given to The Metropolitan Museum of Art. A revised and expanded edition of the 1989 publication Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection, this volume presents more than fifty masterworks by such luminaries as Manet, Degas, Morisot, Renoir, Monet, Cezanne, Gauguin, Van Gogh, Picasso, and Matisse, accompanied by elucidating texts and a wealth of comparative illustrations. -- From publisher.
Author : Henry Spencer Ashbee
Publisher :
Page : 676 pages
File Size : 31,50 MB
Release : 1885
Category : Erotic literature
ISBN :
Author : James J. Sheehan
Publisher : Oxford University Press
Page : 280 pages
File Size : 31,25 MB
Release : 2000-10-26
Category : History
ISBN : 9780195350524
Combining the history of ideas, institutions, and architecture, this study shows how the museum both reflected and shaped the place of art in German culture from the late eighteenth century to the early twentieth century. On a broader level, it illuminates the origin and character of the museum's central role in modern culture. James Sheehan begins by describing the establishment of the first public galleries during the last decades of Germany's old regime. He then examines the revolutionary upheaval that swept Germany between 1789 and 1815, arguing that the first great German museums reflected the nation's revolutionary aspirations. By the mid-nineteenth century, the climate had changed; museums constructed in this period affirmed historical continuities and celebrated political accomplishments. During the next several years, however, Germans became disillusioned with conventional definitions of art and lost interest in monumental museums. By the turn of the century, the museum had become a site for the political and cultural controversies caused by the rise of artistic modernism. In this context, Sheehan argues, we can see the first signs of what would become the modern style of museum architecture and modes of display. The first study of its kind, this highly accessible book will appeal to historians, museum professionals, and anyone interested in the relationship between art, politics, and culture.