Catalog of the Avery Memorial Architectural Library of Columbia University
Author : Avery Library
Publisher :
Page : 846 pages
File Size : 42,63 MB
Release : 1968
Category : Architecture
ISBN :
Author : Avery Library
Publisher :
Page : 846 pages
File Size : 42,63 MB
Release : 1968
Category : Architecture
ISBN :
Author : Harvard University. Fine Arts Library
Publisher : Macmillan Reference USA
Page : 700 pages
File Size : 11,15 MB
Release : 1971
Category : Art
ISBN :
Author :
Publisher :
Page : 312 pages
File Size : 24,32 MB
Release : 1969
Category : Art
ISBN :
Author : Gillian Wilson
Publisher : J. Paul Getty Museum
Page : 0 pages
File Size : 39,13 MB
Release : 2021-03-30
Category : Design
ISBN : 9781606066300
The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture. This catalogue focuses on French ébénisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976. The Museum’s collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben (1721–1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste. The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection’s acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer. The free online edition of this open-access publication is available at www.getty.edu/publications/rococo/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, and JPG downloads of the main catalogue images.
Author : David Albert De Witt
Publisher :
Page : 0 pages
File Size : 43,13 MB
Release : 2014
Category : Painting
ISBN : 9781553394013
For many decades the Agnes Etherington Art Centre has received European paintings from the Bader Collection from a wide range of periods and schools, from the German Renaissance to the Italian Rococo. This book features the centre's substantial group of over 50 remarkable paintings from European schools, notably Italy, Germany, France and England.
Author : James David Draper
Publisher : Metropolitan Museum of Art
Page : 342 pages
File Size : 23,44 MB
Release : 2004
Category : Modeling
ISBN : 1588390993
European sculptors of the Neoclassical period often modelled their works in clay before producing finished pieces in marble. This book offers a comprehensive overview of Neoclassical terracotta models by European artists, featuring the works of0. Pajou, Houdon, and Canova, among many others.
Author : Ting Chang
Publisher : Routledge
Page : 210 pages
File Size : 29,39 MB
Release : 2017-07-05
Category : Art
ISBN : 1351538454
Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris examines a history of contact between modern Europe and East Asia through three collectors: Henri Cernuschi, Emile Guimet, and Edmond de Goncourt. Drawing on a wealth of material including European travelogues of the East and Asian reports of the West, Ting Chang explores the politics of mobility and cross-cultural encounter in the nineteenth century. This book takes a new approach to museum studies and institutional critique by highlighting what is missing from the existing scholarship -- the foreign labors, social relations, and somatic experiences of travel that are constitutive of museums yet left out of their histories. The author explores how global trade and monetary theory shaped Cernuschi's collection of archaic Chinese bronze. Exchange systems, both material and immaterial, determined Guimet's museum of religious objects and Goncourt's private collection of Asian art. Bronze, porcelain, and prints articulated the shifting relations and frameworks of understanding between France, Japan, and China in a time of profound transformation. Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris thus looks at what Asian art was imagined to do for Europe. This book will be of interest to scholars and students interested in art history, travel imagery, museum studies, cross-cultural encounters, and modern transnational histories.
Author : Pierre Bonnard
Publisher : Metropolitan Museum of Art
Page : 274 pages
File Size : 27,7 MB
Release : 1989
Category : Grabados en color franceses
ISBN : 0810931001
Tentoonstellingscatalogus. Met bibliografie en register.
Author : H. Hahn
Publisher : Springer
Page : 293 pages
File Size : 16,98 MB
Release : 2009-11-23
Category : History
ISBN : 0230101933
Integrating the history of Paris with the history of consumption, the press, publicity, advertising and spectacle, this book traces the evolution of the urban core districts of consumption and explores elements of consumer culture such as the print media, publishing, retail techniques, tourism, city marketing, fashion, illustrated posters and Montmartre culture in the nineteenth century. Hahn emphasizes the tension between art and industry and between culture and commerce, a dynamic that significantly marked urban commercial modernity that spread new imaginary about consumption. She argues that Parisian consumer culture arose earlier than generally thought, and explores the intense commercialization Paris underwent.
Author : Georges Riat
Publisher : Parkstone Press
Page : 266 pages
File Size : 24,86 MB
Release : 2008
Category : Art
ISBN :
Child of materialism and positivism, Courbet was without a doubt one of the most complex painters of the nineteenth century. Symbolising the rejection of traditions, Courbet did not hesitate to confront the public with the truth by liberating painting of conventional rules. He became from then on the leader of pictorial realism.